For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    She's looking forward to a fresh start and a simple life. Then she bumps into the man who shares her awful secret, and things fall apart. The only way to fix things is to confess to the terrible mistake she made.

    Louisa, who lives in the grounds and has harboured an infatuation -- not to mention a dark secret -- with David since her youth, only wants to be left alone with the falcons to whom she has devoted her life, despite Maggie's persistent attempts to forge a friendship. Meanwhile, Christopher, David's eccentric teenage son from an earlier marriage, is attempting to balance his own grief with a yearning for life beyond the estate, and a quest to trace his estranged mother.In the aftermath of disaster, the various allegiances of this makeshift family will be stretched to breaking point, and Maggie, Louisa and Christopher must each face the decisions which will define them…

    The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.

    Brought up by her cousin Guy's parents in England, she - together with Guy and his childhood friend Richard - always longed for the idyllic summer holidays in Corfu where they forged a friendship that would last a lifetime. Victoria was mesmerized by brilliant, selfish, enigmatic Guy, but it was safe, affectionate, reliable Richard whom she married. Now, twenty years later, Richard is dead. Victoria discovers her marriage was a sham and, desperate to escape, she takes her son Jake out to The Venetian House, feeling that only in these beloved surroundings can she face her demons. Then photographer Patrick Hammond arrives. He brings with him his own troubles - his marriage to elegant, self-centred, neurotic Rachel is in crisis - yet a friendship, and possibly something more, starts to develop between Patrick and Victoria. But for Evanthi there is something strangely familiar about Patrick and soon she is forced to face her own troubled past...

    With its concern for social issues and its extensive coverage of middle-class and landed life, 'Orley Farm' is a novel that demands attention in the rich field of nineteenth-century fiction.

    John Galsworthy, a Nobel Prize-winning author, chronicles the ebbing social power of the commercial upper-middle-class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s.

    She recorded these memories sixty years later, just before her death, on cassettes she bequeathed to a woman she hadn't seen in decades. When her beloved niece, Gill, plays the tapes in hopes of locating this unwitting heir, she instead hears a family saga swathed in promise and betrayal: the story of how Beatrix, starved of her mother's affection, conceived a fraught bloodline that culminated in heart-stopping tragedy--its chief victim being her own granddaughter. And as Rosamond explores the ties that bound these generations together and shaped her experience all along, Gill grows increasingly haunted by how profoundly her own recollections--not to mention the love she feels for her grown daughters, listening alongside her--are linked to generations of women she never knew.A stirring, masterful portrait of motherhood and family secrets, "The Rain Before It Falls" is also a meditation on the tapestries we weave out of the past, whether transcendent or horrific. Hailed by the "Los Angeles Times" for his "sustained, intricate brilliance," Jonathan Coe once again proves himself "an artist of character and of his characters' stories," here more astutely than ever before.

    They are travelling at seventy miles per hour.A newborn baby is the sole survivor of a terrifying plane crash.She is raised in wealthy isolation by an overprotective father. She knows nothing of the rumours about a beautiful young woman, hidden from the world.When a suitor visits, he understands far more than he should. Forced to run for his life, he escapes aboard The Porpoise, an assassin on his tail…So begins a wild adventure of a novel, damp with salt spray, blood and tears. A novel that leaps from the modern era to ancient times; a novel that soars, and sails, and burns long and bright; a novel that almost drowns in grief yet swims ashore; in which pirates rampage, a princess wins a wrestler’s hand, and ghost women with lampreys’ teeth drag a man to hell – and in which the members of a shattered family, adrift in a violent world, journey towards a place called home.

    In "Rattlesnakes" three young Americans, lost in the desert, are accosted by two armed Mexicans. A Korean chef and a Chicago socialite find themselves connected through the disappearance of a pooch named Toto in "The D.O.G.S. of Lincoln Park." And in the title story, Mickey Baker—an ex-pat English bar owner living on the Costa Brava—tries to keep all of his balls in the air: maintaining his barmaid's weight at the sexual maximum, attending to the youthful Persephone, and dodging his ex-wife and Spanish gangsters.In typically Welshian fashion, the characters and settings are anything but typical. These stories will make you laugh and gasp.

    Growing up in a typically Victorian household, the Pargiter children must learn to find their footing in an alternative world, where the rules of etiquette have shifted from the drawing-room to the air-raid shelter. A work of fluid and dazzling lucidity, The Years eschews a simple line of development in favour of a varied and constantly changing style, emphasises the radical discontinuity of personal experiences and historical events. Virginia Woolf's penultimate novel celebrates the resilience of the individual self and, in her dazzlingly fluid and distinctive voice, she confidently paints a broad canvas across time, generation and class.

    Told through a variety of shifting perspectives- wives and husbands, friends and lovers, masters and their servants, and a gravedigger's son-Falling Angels follows the fortunes of two families in the emerging years of the twentieth century.

    Norris is a man of contradictions; lavish but heavily in debt, excessively polite but sexually deviant. First published in 1933 Mr Norris Changes Trains piquantly evokes the atmosphere of Berlin during the rise of the Nazis.

    To the shock of her distinguished guests, the respectable Lady Jane Welsham is left humiliated at the altar. Yet truth be told, although outwardly ruined she is elated to have escaped marriage to a man she does not love.Enter Grayson Boscastle, the irresistible Marquess of Sedgecroft (and cousin to Nigel). Grayson’s duty is clear: salvage the young lady’s pride and reestablish the family’s good name, while repairing his own tarnished reputation as one of London’s most notorious scoundrels. Their whirlwind affair is the talk of the ton. Yet nothing is as it seems between the bewitching Lady Jane, who knows that her wedding was cleverly sabotaged, and her charming rogue, as they are drawn into an amusing game of seduction and secrets.

    She is the one that everyone counts on but no one goes out of their way to accommodate. This Cinderella-like story remains a much-loved favorite among many. This book is followed by a sequel, The Methods of Lady Walderhurst. Later, the two novels were combined into Emily Fox-Seton.