It's been even longer since any of his students have shown promise. Enter Angela Argo, a pierced, tattooed student with a rare talent for writing. Angela is just the thing Swenson needs. And, better yet, she wants his help. But, as we all know, the road to hell is paved with good intentions. . . .Deliciously risqué, Blue Angel is a withering take on today's academic mores and a scathing tale that vividly shows what can happen when academic politics collides with political correctness.

    Winner of the Prix de Rome and the National Jewish Book Award, these ten stories and the title novella, "Ellis Island," exhibit tremendous range and versatility of style and technique, yet are closely unified in their beauty and in their concern with enduring and universal questions.

    At the heart of the story are two people, Iris Courtney, who is white, and handsome Jinx Fairchild, the black basketball player who, in protecting Iris, kills a white man.Iris is the only witness to the crime.The two of them are growing up in the early 1950s in a New York industrial town where racial boundaries keep people apart - or bring them together in explosive scenes of fear or desire. The secret link between Iris and Jinx is not only their attraction to each other, but a murder...and a bond of passion and guilt is formed between them. How this one irrevocable, tragic act shapes their lives and alters their destinies becomes Joyce Carol Oate's finest, emotion-packed novel - a work the critics are calling a masterpiece, the best work of America's best writer of contemporary realism.

    As was well known at the time, Richter had spent several years in the Southwest, where he collected the material for his first successful book, Early Americans and Other Stories, but by 1933, he had returned to live in his hometown, Pine Grove, Pennsylvania. John Donner, the main protagonist in The Waters of Kronos, traces a similar route from west to east, although he finds that his family home and native town have been submerged under the deep waters of a lake formed by the construction of a hydroelectric dam. As Richter narrates his alter ego's efforts to salvage his past, he moves beyond "semi-autobiography" to offer what are widely recognized as his most haunting reflections upon the power of family history, the fragility of human memory, and art's role in structuring the communal ethos. David McCullough, a fellow Pulitzer Prize winner, met and befriended Richter in the 1960s and has called him "an American master," praising The Waters of Kronos as "his most beautiful book."

    Expelled from three Jewish day-schools for acts of violence and messianic tendencies, Gurion ends up in the Cage, a special lockdown program for the most hopeless cases of Aptakisic Junior High. Separated from his scholarly followers, Gurion becomes a leader of a very different sort, with righteous aims building to a revolution of troubling intensity.The Instructions is an absolutely singular work of fiction by an important new talent. Combining the crackling voice of Philip Roth with the encyclopedic mind of David Foster Wallace, Adam Levin has shaped a world driven equally by moral fervor and slapstick comedy—a novel that is muscular and exuberant, troubling and empathetic, monumental, breakneck, romantic, and unforgettable.

    Imagine a family in which four generations of strong, alluring women share a mysterious connection to an outlandish figure from Japanese folklore. Imagine them part of a novel that only Tom Robbins could create? A magically crafted work as timeless as myth yet as topical as the latest international threat. But no matter how hard you try, you'll never imagine what you'll find inside the Villa Incognito: a tilt-a-whirl of identity, masquerade, and disguise that dares to pull off "the false mustache of the world" and reveal the even greater mystery underneath. For neither the mists of Laos nor the Bangkok smog, neither the overcast of Seattle nor the fog of San Francisco, neither the murk of the intelligence community nor the mummery of the circus can obscure the pure linguistic phosphor that illuminates every page of one of America's most consistently surprising and inventive writers.

    Alone and untethered, feeling lost in the country he had come to regard as home, Hans stumbles upon the vibrant New York subculture of cricket, where he revisits his lost childhood and, thanks to a friendship with a charismatic and charming Trinidadian named Chuck Ramkissoon, begins to reconnect with his life and his adopted country. Ramkissoon, a Gatsby-like figure who is part idealist and part operator, introduces Hans to an “other” New York populated by immigrants and strivers of every race and nationality. Hans is alternately seduced and instructed by Chuck’s particular brand of naivete and chutzpah--by his ability to hold fast to a sense of American and human possibility in which Hans has come to lose faith. Netherland gives us both a flawlessly drawn picture of a little-known New York and a story of much larger, and brilliantly achieved ambition: the grand strangeness and fading promise of 21st century America from an outsider’s vantage point, and the complicated relationship between the American dream and the particular dreamers. Most immediately, though, it is the story of one man--of a marriage foundering and recuperating in its mystery and ordinariness, of the shallows and depths of male friendship, of mourning and memory. Joseph O’Neill’s prose, in its conscientiousness and beauty, involves us utterly in the struggle for meaning that governs any single life.

    In prose of astonishing clarity and intensity, Agee captured the portrait of an appealing and very real boy - serious, pitiable, funny - at the moment of his initiation into a feared yet fascinating world.

    In the middle of a dusty Southern town, in the middle of the twentieth century, magician Henry Walker entertains crowds at Jeremiah Musgrove’s Chinese Circus. Though not the world-famous illusionist he once was, Henry, with his dark skin and green eyes, is still something of a novelty to the patrons who pay a dime to see his show. Most of the patrons, anyway. As the novel begins, one May night in 1954, Henry is confronted by three menacing white teens, and soon thereafter disappears. With his fate uncertain, his friends from the circus—Jenny the Ossified Girl, Rudy the Strong Man, and JJ the Barker—piece together what they know of Henry's mysterious and extraordinary life. The result is a spellbinding adventure that begins when ten-year-old Henry meets the devil, who gives him the art of magic and then steals the one thing that means the most to him. As Henry’s friends recount the remarkable adventures and incredible heartache that result from this childhood encounter, only one thing seems certain about Henry's life: nothing is as it appears.Brimming with surprising twists and turns, and peopled with a literal circus of memorable characters, Mr. Sebastian and the Negro Magician is Daniel Wallace at his finest. As in his beloved debut, Big Fish, Wallace once again conjures a wondrous tale with an emotional punch. This is a story of love and loss, identity and illusion, fate and choice; a story that will capture your heart and your imagination and not let go until the very last page.

    But when events force him to act as if he cares, he begins to find people who - against all expectation - help him through his private labyrinth.

    Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten.Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four.The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason.A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time.Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.Source: john-irving.com

    The past: the suicides of his father, wife and daughter, the murder of his son-in-law, a brutal rape, and subsequent mutiny at sea. The present: caring for his granddaughter on a "northern" island where he works as an artificial inseminator of cows, and attempts to reclaim the innocence with which he faced the tragedies of his earlier life. Combining unflinching descriptions of suffering with his sense of beauty, Hawkes is a master of nimble and sensuous prose who makes the awful and mundane fantastic, and occasionally makes the fantastic surreal.

    Readers of Denis Johnson, David Foster Wallace, Mary Gaitskill, Susanna Moore, and other contemporary fiction writers will welcome this haunting novel about a 27-year-old woman who flees her failed marriage only to find herself involved in a perplexing spiral of murder, counterfeit, and false identity.

    One of its greatest strengths is its continuous ability to defy expectations. It's not what you think. It is worse. Lizzy Mitchell was raised from the age of two by her uncle, a Catholic priest. When she was nine, he was falsely accused of improprieties with her and dismissed from his church, and she was sent away to boarding school. Now thirty years old and in a failing marriage, she is nearly killed in a traffic accident. What she discovers when she sets out to find the truths surrounding the accident and about the accusations that led to her uncle's death does more than change her life. With deft insight into the snares of the human heart, Monica Wood has written an intimate and emotionally expansive novel full of understanding and hope.

    Only the absence of leaves and sap, the presence of straggling bands of awkward crows, the gray-yellow flutter of field larks, and the broad, matter-of-fact hibernation of the earth said it was winter as Sam Tucker walked along the road, his long legs functioning automatically, farmerly. His body had about it the look of country dogs at the end of winter, when they are all ribs and leg muscles and jaw muscles and teeth. . . .Hold Autumn in Your Hand, is the memorable story of Sam Tucker and the year that he contracts to farm sixty-eight acres of San Pedro bottomland. He is eager to work the rich soil despite the fact that he will earn only six bits a day. Sam, his wife Nona, their two children, and one of the most irrepressible grandmothers in modern fiction absorb the reader in their joys and disappointments. The story is built around Sam Tucker's determination to use his knowledge of the land and hard work to provide food for his family and hope for the future.