A handful of nuts is a gloriously funny and unexpectedly tender story of being young and adventurous in small town India.The narrator hopes to establish himself as a writer but is constantly diverted from his task by romances,escapades and other distractions.The Maharani of Magdor ;Stewart Granger,the movie star;William Matheson,the always broke journalist;Sitaram,the annoying but resourceful son of the local dhobi;a runaway circus tiger and an assorted prose of Dehradun denizens populate the book making it a delightful read.A classic coming of age story,A handful of nuts is one of Ruskin Bond's finest works.

    A return to the Florida Keys. Her first love and all the problems she left behind twenty-five years ago — await her. Holly Archer's husband ruined her life. While they made their fortune in Miami real estate, he took a mistress and managed to make enough illegal dealings to absolutely destroy them forever. Now, Holly's lost her real estate license, her house, her husband, her friends, and her life.But Islamorada calls. It's a sunny, white-sand strip of life and love and sun in the Florida Keys, where she grew up with her three siblings, Randy, Rina, and Amy — all of whom she's lost touch with over the past twenty-five years.Now, two years after the death of their father, the Archer House, the Inn where the four of them grew up, is dilapidated and has a financial bleed that she can't put her finger on; their mother has fallen into an intense depression and Holly finds a place where someone in the world actually needs her help. It's also a good place to hide in the wake of what her husband did, a place to pretend her life didn't crumble into nothing.But patching up the Archer family won't be easy. Her brother, Randy, is the only sibling who remains in the Keys, and his love for alcohol keeps him isolated and unwilling to help out. Their other sisters hardly answer the phone. Even as Holly digs in her heels, she creates conflict between herself and her own children, the people she loves the most.All the while, her old high school boyfriend is a mainstay on the island. He's a cop and, as news of Holly's husband's illegal dealings surface in Miami, perhaps he's one of the only people she can trust in the world.Secrets unravel in this first installment in the Archer Family Series.Lose yourself in this new women's fiction series that revolves around friendship, love and loss among the Archer Clan. A heartwarming family saga that has the backdrop of the Florida Keys white sand and crystal blue waters.

    Magazine, which covered the Southern California, and national, poetry scene in the mid-90's. It covers the growth of slam, with interviews and profiles of many poets who are now important figures in American poetry.

    It falls to Rose to bring up her young sister and run the household, with little thanks from either of her parents. But just as Rose has almost given up hope, she realises she has a secret admirer of her own.

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    When the legitimacy of her twin babies with Edgar is called into question, the tiny infants are taken from Beth and sent far away. James is adopted by Edgar's uncle, the very wealthy Lord Redfern, master of Redfern Abbey. But little Daisy is sent to a cold-hearted childless couple who raise her to be a maid rather than a daughter. When Daisy, at 16, finally escapes her hard life with her adoptive brother Boyd, they arrive at the Abbey to seek work and refuge. Little does Daisy know that her flesh and blood is the next in line to be Lord of the Abbey. There is a strange connection between Daisy and James, something they can neither explain nor ignore. But will the truth be discovered in time?

    There is no cover charge, the drinks are free, and rules do not exist within the walls of The Skin Show. However, once you’ve entered, you’ll never leave, for what exists underneath each club is something of fairytales. Danny Raab was drawn into The Skin Show's inescapable clutch, and he never returned. Now, Andy Raab is in the midst of a desperate search for his brother. Accompanied by Karen, Danny’s probation officer, they will infiltrate The Skin Show’s living nightmares of debauchery, only to learn they have been on the guest list all along.

    William Gay is well known for his fiction but he is also widely published with his essays, mostly dealing with music, and his memoirs. This is the first collection that includes his nonfiction prose. The elegant use of language that his readers have come to expect is as evident in his collected prose as it is in his novels.

    In Bookforum, James Greer called it ambitious in a way few works of fiction are. This summer it is being republished in an all-new Harper Perennial trade paperback, significantly revised by the author, and including an extensive P.S. section including never before published outtakes, an interview with the author, and a new essay by Zambreno.Zambreno's heroine, Ruth, is a young American in London, kin to Jean Seberg gamines and contemporary celebutantes, by day spritzing perfume at the department store she calls Horrids, by night trying desperately to navigate a world colored by the unwanted gaze of others and the uncertainty of her own self-regard. Ruth, the green girl, joins the canon of young people existing in that important, frightening, and exhilarating period of drift and anxiety between youth and adulthood, and her story is told through the eyes of one of the most surprising and unforgettable narrators in recent fiction—a voice at once distanced and maternal, indulgent yet blackly funny. And the result is a piercing yet humane meditation on alienation, consumerism, the city, self-awareness, and desire, by a novelist who has been compared with Jean Rhys, Virginia Woolf, and Elfriede Jelinek.

    In the foreground is a caper story; in the background, a poetically expressed, apocalyptic history of Liverpool." —The Daily TelegraphThat woman with the grey hair and the specs and the kind face and the accent all like his grandmother, his nain in hospital and when she can talk that is what she sounds like. Don'thitmepleasedon'thitme. These women falling, sliding off this earth and not just from violence but the one commonality that turns life to a wreck—age.After their botched and brutal mission to punish a one-armed man in a small Welsh village, Darren and Alastair head back to Liverpool to report to their mob boss. On the way home, Darren robs a rural postal office in Wales that serves as a bank and needlessly cracks the skull of a little old postal lady. Darren's eyes are full of fire. "We're rich, Alastair!" But Alastair sees his own nain in this elderly woman and falls victim to his conscience. Darren has finally gone too far.As Alastair and Darren weave their way through the lowlife milieu of Liverpool, we hear many voices: the alky, the crack addict, the busman, the whores, the gangsters, and Darren's many victims. But we also hear the voices of their ancestors going back generations of unthinkable grief and poverty.A fascinating sequel to Niall Griffiths' Stump, which Irvine Welsh calls "a magnificent novel of loss and obsession . . . [by] a major talent."

    They stay with you like a significant memory.”—Roger Rosenblatt“Van Booy is a remarkable young writer. Taste, touch, smell, sight and sound, in spite of their evanescence, are frozen for a moment in these stories and celebrated, along with their subtle interconnection, in all the aspects of love.”—Fred VolkmerThe Secret Lives of People in Love is the first short story collection by award-winning writer Simon Van Booy. These stories, set in Kentucky, New York, Paris, Rome, and Greece, are a perfect synthesis of grace, intensity, atmosphere, and compassion. Love, loss, frailty, human contact, and isolation are Van Booy’s themes. In radiant prose he writes about the difficult choices we make in order to retain our humanity and about the redemptive power of love in a violent world.Born in London, Simon Van Booy grew up in Wales. A keen rugby player, he was recruited to play football for Campbellsville University in Kentucky. He eventually returned to England, where he graduated from Dartington College of Arts. Now a New Yorker, he teaches at the School of Visual Arts and in the Bard College Clemente Course. As a freelance journalist, he writes for several New York newspapers. He has won a first-place award for in-depth reporting from the New York Press Association.

    

    Focusing on characters both young and old, gay and straight, single and married, he discovers the dramas that are obscured by life's daily struggles. These beautifully crafted stories depict the surface of the world we all know, but go on to reveal the mysteries lurking beneath life's deceptively placid surface - the half we don't know.

    The nephew's frantic, stalled progress and other bizarre diversions form this wickedly hilarious novel.But who is The Man Who Walks? Is he simply a water-carrying madman with one glass eye and a fondness for whisky and pony nuts, and who has a physiological inability to handle slopes? Or is he a savant, touched by the hand of God, wandering the back roads along ancient, ancestral tracks? And as the sinister, unstable nephew gains on The Man Who Walks, can it be that it will all end in a field and that this field is Culloden Moor?

    The doors had opened, and something was coming through. Once the initial shock and confusion wore off, and those in charge realized what was happening, mankind seemed to coalesce like never before. National boundaries no longer mattered. Religion, race, color and creed seemed to pass away in a flash. Old enemies put their differences aside. The only thing that did matter was survival. As a species. Now, Kyle is on a mission to save what’s left of our world. Or die trying.