Catherine Coulter The Legacy Trilogy 1-3 #1 New York Times bestselling author of Prince of Ravenscar Catherine Coulter brings you three Regency romances "brimming with drama [and] colorful characters" (Publishers Weekly) in the acclaimed Legacy Trilogy.The Wyndham Legacy The Nightingale Legacy The Valentine Legacy

    When he manipulates the system to do something nice for a friend, he finds himself charged with a crime. Corporate Security gives him a choice: prison - or become a spy in the headquarters of their chief competitor, Trion Systems.They train him. They feed him inside information. Now, at Trion, he's a star, skyrocketing to the top. He finds he has talents he never knew he possessed. He's rich, drives a Porsche, lives in a fabulous apartment, and works directly for the CEO. He's dating the girl of his dreams.His life is perfect. And all he has to do to keep it that way is betray everyone he cares about and everything he believes in.But when he tries to break off from his controllers, he finds he's in way over his head, trapped in a world in which nothing is as it seems and no one can really be trusted.And then the real nightmare begins...From the writer whose novels have been called "thrilling" (New York Times) and "dazzling" (USA Today) comes an electrifying new novel, a roller-coaster ride of suspense that will hold the reader hostage until the final, astonishing twist.COMPANY MAN"A high octane thrill ride!" - San Francisco Chronicle on ParanoiaJoseph Finder's New York Times bestseller Paranoia was hailed by critics as "jet-propelled," the "Page Turner of the Year," and "the archetype of the thriller in its contemporary form."Now Finder returns with Company Man - a heart-stopping thriller about ambition, betrayal, and the price of secrets.Nick Conover is the CEO of a major corporation, a local boy made good, and once the most admired man in a company town. But that was before the layoffs.When a faceless stalker menaces his family, Nick, a single father of two since the recent death of his wife, finds that the gated community they live in is no protection at all. He decides to take action, a tragedy ensues - and immediately his life spirals out of control.At work, Nick begins to uncover a conspiracy against him, involving some of his closest colleagues. He doesn't know who he can trust - including the brilliant, troubled new woman in his life.Meanwhile, his actions are being probed by a homicide detective named Audrey Rhimes, a relentless investigator with a strong sense of morality - and her own, very personal reason for pursuing Nick Conover.With everything he cares about in the balance, Nick discovers strengths he never knew he had. His enemies don't realize how hard he'll fight to save his company. And nobody knows how far he'll go to protect his family.Mesmerizing and psychologically astute, Company Man is Joseph Finder's most compelling and original novel yet.

    Created by Sir Arthur Conan Doyle in the 19th Century, he lives dozens of adventures next to his friend and colleague Dr. Watson. "A Study in Scarlet" is the first story of the saga. Both characters meet each other for the first time and they resolve to fight evil together. "A Scandal in Bohemia" is the second story in their adventures, and it is here that we meet Irene Adler, the woman who fascinates Sherlock Holmes from thereafter. This book is an official edition since it contains both stories without forewords, external footnotes, or changes of any kind to the original text.

    During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998. For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes. A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.

    TV nerds have "The Walking Dead." Fiction fans have World War Z. Now, a cross-section of some of the best contemporary poets from the stage and the page rise up and shamble their way through an anthology of post-apocalyptic zombie poetry edited by Write Bloody author and GeekWeek.com personality Rob "Ratpack Slim" Sturma. Funny, creepy, shocking, and even poignant, this collection challenges award winning authors like Scott Woods, Laura Yes Yes, and Khary Jackson to shake the dust off of old conventions, pull the triggers on their imaginations, and...Aim For The Head.

    

    And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground. Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber

    On a Friday afternoon, in a small auditorium far from home, Albom created a memorable testament to what we know and what we need to learn. In his passionate, touching and frequently funny address, he warned the class of 2008 of the many things they should watch out for in life, from sushi at airports to religions that advertise in the back of magazines. But he also cautioned them to avoid feeling so special that it led to a superiority complex, and to be wary of speed, which he called "the enemy of your generation." Full of insight and sage humor, Albom's speech is an inspiring call to action that will appeal to people of all ages. Albom will donate all proceeds from the sale of this speech to S.A.Y. Detroit, a non-profit charity he founded which distributes money to homeless shelters in Detroit for brick-and-mortar projects specifically designed to help those most in need.

    

    P. Lovecraft is best known for his fiction, but he spent a great portion of his creative energy on his poetry. The Ancient Track collects the complete poetry of one of the twentieth centuries most iconic writers. The great majority of these poems were written between 1914, and 1920, the period of Lovecraft's heaviest concentration on poetry.Lovecraft's poetry may be regarded as the lesser of is literary output, but it merits collection precisely because it is an important ancillary to his other more well known forms of creative endeavor. Prior to the publication of The Ancient Track, Lovecraft's poetry had been scattered across several different volumes whose textual accuracy has not always been exemplary, while several poems had been uncollected."The Ancient Track"By H. P. LovecraftThere was no hand to hold me backThat night I found the ancient trackOver the hill, and strained to seeThe fields that teased my memory.This tree, that wall-I knew them well,And all the roofs and orchards fellFamiliarly upon my mindAs from a past not far behind.I knew what shadows would be castWhen the late moon came up at lastFrom back of Zaman's Hill, and howThe vale would shine three hours from now.And when the path grew steep and high,And seemed to end against the sky,I had no fear of what might restBeyond that silhouetted crest.Straight on I walked, while all the nightGrew pale with phosphorescent light,And wall and farmhouse gable glowedUnearthly by the climbing road.There was the milestone that I knew-"Two miles to Dunwich"-now the viewOf distant spire and roofs would dawnWith ten more upward paces gone. . . .There was no hand to hold me backThat night I found the ancient track,And reached the crest to see outspreadA valley of the lost and dead:And over Zaman's Hill the hornOf a malignant moon was born,To light the weeds and vines that grewOn ruined walls I never knew.The fox-fire glowed in field and bog,And unknown waters spewed a fogWhose curling talons mocked the thoughtThat I had ever known this spot.Too well I saw from the mad sceneThat my loved past had never been-Nor was I now upon the trailDescending to that long-dead vale.Around was fog-ahead, the sprayOf star-streams in the Milky Way. . . .There was no hand to hold me backThat night I found the ancient track.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    Le Guin's.”  —Grace Paley  Late in the Day, Ursula K. Le Guin’s new collection of poems (2010–2014) seeks meaning in an ever-connected world. In part evocative of Neruda’s Odes to Common Things and Mary Oliver’s poetic guides to the natural world, Le Guin’s latest give voice to objects that may not speak a human language but communicate with us nevertheless through and about the seasonal rhythms of the earth, the minute and the vast, the ordinary and the mythological. As Le Guin herself states, “science explicates, poetry implicates.” Accordingly, this immersive, tender collection implicates us (in the best sense) in a subjectivity of everyday objects and occurrences. Deceptively simple in form, the poems stand as an invitation both to dive deep and to step outside of ourselves and our common narratives. The poems are bookended with two short essays, “Deep in Admiration” and “Some Thoughts on Form, Free Form, Free Verse.”

    This collection features dozens of newly translated poems interspersed with legends and stories of their lives, presenting an intimate portrait of their communion and allowing readers to eavesdrop on their unique spiritual dialogue.

    He tries to use the tools of logic and science to make sense of what he feels, will he be successful or will love forever remain a mystery to him? A rational boy is a collection of poems by Himanshu Goel with illustrations by Arushi Gupta.

    / The elms made tents of solace over grimy / streets and alley cats purred me to sleep.” She writes in graphic, unflinching language about the poor, banished now by politicians because they are no longer “real people like corporations.” There are elegies for her peer group of poets, gone now, whose work she cherishes but from whom she cannot help but want more. There are laments for the suicide of dolphins and for her beloved cats, as she remembers “exactly how I loved each.” She continues to celebrate Jewish holidays in compellingly original ways and sings praises of her marriage and the small pleasures of daily life.This is a stunning collection that will please those who already know Marge Piercy’s work and offer a splendid introduction to it for those who don’t.

    They wanted to know why McCain appealed so much to so many Americans, and particularly why he appealed to the "Young Voters" of America who generally show nothing but apathy. The "Director's Cut" (three times longer than the RS article) is an incisive, funny, thoughtful piece about life on "Bullshit One" -- the nickname for the press bus that followed McCain's Straight Talk Express. This piece becomes ever more relevant, as we discuss what we know, don't know, and don't want to know about the way our political campaigns work.