In this timely and revealing book, Zachary Karabell traces the legacy of tolerance and cooperation from the advent of Islam to the present day.In an extraordinary narrative spanning fourteen centuries, Karabell introduces us to the court of the caliphs in Baghdad, where scholars of various faiths engaged in spirited debate. He evokes the wonders of medieval Spain, where Jewish sages, Muslim philosophers, and Christian monks together deciphered the meaning of God and the universe. He offers a portrait of the Crusades that goes beyond the rivalry of Saladin and Richard the Lionheart, and shows how Christians and Muslims lived side by side. And he paints a vivid picture of religious autonomy in the Ottoman Empire. As he explores the growing tensions of the modern era, Karabell traces the rise of Arab nationalism, the redrawing of the Middle East map in the wake of World War I, and the increased hostilities following the creation of the state of Israel. Through it all, he reminds us that dialogue and friendship have always punctuated times of war and discord. Today, while some Muslims, Christians, and Jews engage in confrontation, others—in Dubai, in Turkey, and around the globe—find common ground. Remembering the legacy of coexistence and recognizing its prevalence even today is a vital ingredient to a more stable, secure world.

    She is feisty, loyal and super protective of her friends. When her best friend Kayla gets dumped by school bad boy Drew Parker, Katie promises to exact revenge on the boy who broke her best friends heart. But when her father gets a job transfer to Europe and her only choices are between leaving the only place she has ever known as home or residing with the Parkers the very ones who spawned Satan himself reverently referred to girls by as Drew. Katie has no choice but to move in with him. But the more time she spends with Drew, the more she finds it difficult to get him back for what he has done to Kayla and the more she tries the harder it is to resist his pull. Because Drew is not just a bad boy, who uses girls and hides his kindness behind a mountain load of attitude, but behind his many layers he is a boy of wonder. One that might show Katie with a melting smile and the glint of danger in his eyes, what falling in love is all about.

    In the case of Islam, there has been much recent confusion in the Western world centered on distorted portrayals of its core values. Born of ignorance, such confusion feeds the very problem at hand.In The Heart of Islam one of the great intellectual figures in Islamic history offers a timely presentation of the core spiritual and social values of Islam: peace, compassion, social justice, and respect for the other. Seizing this unique moment in history to reflect on the essence of his tradition, Seyyed Hossein Nasr seeks to "open a spiritual and intellectual space for mutual understanding." Exploring Islamic values in scripture, traditional sources, and history, he also shows their clear counterparts in the Jewish and Christian traditions, revealing the common ground of the Abrahamic faiths.Nasr challenges members of the world's civilizations to stop demonizing others while identifying themselves with pure goodness and to turn instead to a deeper understanding of those shared values that can solve the acute problems facing humanity today. "Muslims must ask themselves what went wrong within their own societies," he writes, "but the West must also pose the same question about itself . . . whether we are Muslims, Jews, Christians, or even secularists, whether we live in the Islamic world or in the West, we are in need of meaning in our lives, of ethical norms to guide our actions, of a vision that would allow us to live at peace with each other and with the rest of God's creation." Such help, he believes, lies at the heart of every religion and can lead the followers of the Abrahamic religions (Judaism, Christianity, and Islam) as well as other religious and spiritual traditions to a new future of mutual respect and common global purpose.The Heart of Islam is a landmark presentation of enduring value that offers hope to humanity, and a compelling portrait of the beauty and appeal of the faith of 1.2 billion people.

    One minute he was sleeping peacefully. Then he was having the strangest dream. And now-Sam is hearing things. Voices, from people all around him. The waitress in the coffee shop. The elevator operator in Sam's office building. His wife, his secretary, even his pastor. Sam now has insight into people's hearts. He hears their deepest needs just by being near them. But what can one listener do for a world of souls in need of help?

    Leif Enger's debut, Peace Like a River, is one such work. His richly evocative novel, narrated by an asthmatic 11-year-old named Reuben Land, is the story of Reuben's unusual family and their journey across the frozen Badlands of the Dakotas in search of his fugitive older brother. Charged with the murder of two locals who terrorized their family, Davy has fled, understanding that the scales of justice will not weigh in his favor. But Reuben, his father, Jeremiah—a man of faith so deep he has been known to produce miracles—and Reuben's little sister, Swede, follow closely behind the fleeing Davy.Affecting and dynamic, Peace Like a River is at once a tragedy, a romance, and an unflagging exploration into the spirituality and magic possible in the everyday world, and in that of the world awaiting us on the other side of life. In Enger's superb debut effort, we witness a wondrous celebration of family, faith, and spirit, the likes of which we haven't seen in a long, long time—and the birth of a classic work of literature.

    Both are poles apart in terms of spiritual awakening. Destiny maneuvers their lives to cross each other’s paths, until Salaar falls in love with Imama after facing a horrifying experience that totally changes the course of his life.It was published in Shuaa Digest from July 2003 to February 2004.

    Forgiveness means a way out, a second chance, a feeling of hope with which to turn a new page in life. It is through the seeking of forgiveness that we begin to understand that there is no reason whatsoever to despair of the mercy of God. Islam encourages us to not run away in fear of Allah but rather to turn toward God the same way a baby would run into its mother's lap. So lovingly does God, Most High, address His sinful servants: "Say (to humanity, O Muhammad): O My servants—those (of you) who have committed (sins in great) excess against their own souls—never despair of the mercy of Allah! For, indeed, Allah forgives sins, one and all. Indeed, it is He who is the All-Forgiving, the Mercy-Giving. So turn in penitence to your Lord. And submit yourselves to Him." (The Qur'an 39:53-54) This collection of seventy prayers for forgiveness [istighfarat] is attributed to one of the greatest spiritual luminaries of the past, Hasan al-Basri, and it has been presented here to offer a way for us to navigate through the complications and pitfalls of this life. Set out in Arabic script, with adjoining translation in English, this edition also includes transliteration of the prayers to facilitate reading for those who are not so well-versed in Arabic.

    As a young student in London, he embarked on a quest to grasp the meaning and contemporary relevance of his religion and, hopefully, to find “paradise.” After experimenting with the mystical branch of Islam, Sufism, and with classical Islam, he set off on extensive travels through the Muslim world. Along the way, he came to accept that he might never reach paradise, realizing that it’s the journey that’s important. At a time when the Western view of Islam is so often distorted and over-simplified, Desperately Seeking Paradise is essential reading.

    David's voice is perfectly calibrated, disarmingly funny, sad, shrewd, gathering force from page to page with an emotional directness that never lapses into sentimentality. Through it we share his awkward, painful, universally recognizable encounter with first love, we participate in boy evangelist Bobbie Lee Taylor's revival, we meet the pious, bigoted townspeople. From the opening lines of The Neon Bible, David is fully alive, naive yet sharply observant, drawing us into his world through the sure artistry of John Kennedy Toole.John Kennedy Toole, who won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunces, wrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. It was only in 1989, thirty-five years after it was written and twenty years after Toole's suicide at thirty-one, that this amazingly accomplished and evocative novel was freed for publication.

    So cut off from the rest of the world that even the Internet is blocked, Rosary is a town named by Catholics but run by evangelicals (and the evangelicals aren’t particularly happy about that). It’s a town on very formal relations with its neighbors, one that doesn’t have much traffic in or out and that boasts an oil refinery as well as a fairly sizable population of teenagers.For Helen and her friends, the Tire Yard, sex, and beer are the best ways to pass the days until they turn eighteen and can leave Sky County. Her best friends, Win and Rainbolene, late arrivals to Rosary, are particularly keen to depart—Rain in part because she’ll finally be able to get the hormones she needs to fully become herself. Watching over them is Aunt Bev, an outcast like the kids, who runs the barely tolerated Psychic Encounter Shoppe. As time passes, though, tensions are amping up for everyone: and threats against the Psychic Encounter Shoppe become actions. What these flawed, lovable characters in Tupelo Hassman’s gods with a little g discover about one another in the process will reshape how they think about trust and family, and how to make a future you can see.

    At least, that’s what Reverend Beelson has told his congregation. That’s why Marina and Jed and their parents have joined the rest of the Reverend’s flock at a mountain retreat to await the end of the world. But this world has only just begun for Jed and Marina, two teenagers with more attitude than faith. Why should the world end now, when they’ve just fallen in love for the first time?

    Their headstrong fifteen-year-old daughter, İrem, resents the attention her brother, Ismail, receives from their parents. For her, there was no such festive observance–only the wrapping of her head in a dark scarf and strict rules that keep her hidden away from boys and her friends. But even before the night of the celebration, İrem has started to change, to the dismay of her Kurdish father. What Sinan doesn’t know is that much of her transformation is due to her secret relationship with their neighbor, Dylan, the seventeen-year-old American son of expatriate teachers.İrem sees Dylan as the gateway to a new life, one that will free her from the confines of conservative Islam. Yet the young man’s presence and Sinan’s growing awareness of their relationship affirms Sinan’s wish to move his family to the safety of his old village, a place where his children would be sheltered from the cosmopolitan temptations of Istanbul, and where, as the civil war in the south wanes, he hopes to raise his children in the Kurdish tradition.But when a massive earthquake hits in the middle of the night, the Basioglu family is faced with greater challenges. Losing everything, they are forced to forage for themselves, living as refugees in their own country. And their survival becomes dependent on their American neighbors, to whom they are unnervingly indebted. As love develops between İrem and Dylan, Sinan makes a series of increasingly dangerous decisions that push him toward a betrayal that will change everyone’s lives forever.The deep bonds among father, son, and daughter; the tension between honoring tradition and embracing personal freedom; the conflict between cultures and faiths; the regrets of age and the passions of youth–these are the timeless themes Alan Drew weaves into a brilliant fiction debut.

    Usually when I tell people that they laugh and ask me what my real name is. I just look them dead on and repeat, 'Free.' I left my old name behind with my old life; shed both of them like a useless layer of skin. When I stepped free of that world, I took the name Free. It is my real name. I picked it myself. What could be more real than that?"Since leaving home at the age of 18, Free has traveled the country searching for home. Her travels afford a variety of experiences, from following the Grateful Dead to waitressing in Chicago to selling jewelry in New Orleans' French Market, but nothing seems to quell her sense of unrest. All the while her estranged brother Alfie is in her thoughts. Once she finds him, perhaps she'll finally feel at home. But her world is filled with bad choices and unsavory characters, and she finds that freedom sometimes comes at a cost. The reader will feel as if they are traveling right alongside Free in this moving coming-of-age story.

    Gibran's mysticism, evident here as in all his works, reveals an intense preoccupation with the spiritual and visionary.

    Ayesha Shamsi has a lot going on. Her dreams of being a poet have been set aside for a teaching job so she can pay off her debts to her wealthy uncle. She lives with her boisterous Muslim family and is always being reminded that her flighty younger cousin, Hafsa, is close to rejecting her one hundredth marriage proposal. Though Ayesha is lonely, she doesn't want an arranged marriage. Then she meets Khalid, who is just as smart and handsome as he is conservative and judgmental. She is irritatingly attracted to someone who looks down on her choices and who dresses like he belongs in the seventh century.When a surprise engagement is announced between Khalid and Hafsa, Ayesha is torn between how she feels about the straightforward Khalid and the unsettling new gossip she hears about his family. Looking into the rumors, she finds she has to deal with not only what she discovers about Khalid, but also the truth she realizes about herself.