In setting the stage for her extraordinary tale, she recreates the aura of turn-of-the-century Frankfurt, Boston, and Saratoga Springs and of an age when private passions were hidden below the surfaces of private selves. She recalls her marriage as a sheltered young woman to the brilliantly promising Robert Maclaren, his swift rise to international musical fame, the darker story of his angry silences, and eventually, the grim details of his illness and death. In the final phase of her story she tells of the late-blossoming passion she discovers with Anna, the serene nurse who tended Robert in his dying days, and about the artists' colony they found as a tribute to his life and work.

    With her marriage shattered, Erin Belieu sifts the wreckage for the black box, the record of disaster. Propelled by a blistering and clarifying rage, she composed at fever pitch and produced riveting, unforgettable poems, such as the ten-part sequence “In the Red Dress I Wear to Your Funeral”:I root through your remains,looking for the black box. Nothing leftbut glossy chunks, a pimp’s platinumtooth clanking inside the urn. I play youover and over, my beloved conspiracy,my personal Zapruder film—look. . .When Belieu was invited by the Poetry Foundation to keep a public journal on their new website, readers responded to the Black Box poems, calling them “dark, twisted, disturbed, and disturbing” and Belieu a “frightening genius.” All true.

    Now Frederic Tuten, the highly acclaimed author of Tintin in the New World, has imagined the personification of van Gogh's fervor and madness: Ursula, one of the most beguiling creations in recent literature. A morphine-addicted, nineteen-year-old photographer, Ursula is van Gogh's lover and tormentor. But she is lost to him, and he to her, when she steps through a crack in the wall of the Bad Cafe and finds herself in a strange world - New York City at the end of the twentieth century. Van Gogh's Bad Cafe is a fantastical romance set in two different eras. It is a meditation on love and longing; on van Gogh's psyche and his work; on addiction (to passion, drugs, art); on the spirit of the nineteenth versus the twentieth century.

    Startling discontinuities and surprises erupt throughout these avant-garde landscapes by Poland's outstanding modern dramatist where duchesses and policemen, gangsters and surrealist painters, psychiatrists and locomotive engineers wander in and out, kill one another, and carry on philosophical conversations at the same time.

    . . Assigned toAdventure said the motto on our buttons. The last thing we knewBefore we left with our satchels concerned how love withdrawsMoving backward taking with it everything, our names, this way.Dara Wier directs the MFA program at University of Massachusetts, Amherst. This is her ninth book, and first new collection of poetry since 2006.

    The familiar group of characters appear again, as do a few more waifs and strays. The plight of the rhino takes centre-stage in One Chance, bringing awareness to the risk they face on a daily basis.

    Complicating these feelings of abandonment, as Kirabo comes of age she feels the emergence of a mysterious second self, a headstrong and confusing force inside her at odds with her sweet and obedient nature.Seeking answers, Kirabo begins spending afternoons with Nsuuta, a local witch, trading stories and learning not only about this force inside her, but about the woman who birthed her, who she learns is alive but not ready to meet. Nsuuta also explains that Kirabo has a streak of the “first woman”—an independent, original state that has been all but lost to women.Kirabo’s journey to reconcile her rebellious origins, alongside her desire to reconnect with her mother and to honor her family’s expectations, is rich in the folklore of Uganda and an arresting exploration of what it means to be a modern girl in a world that seems determined to silence women. Makumbi’s unforgettable novel is a sweeping testament to the true and lasting connections between history, tradition, family, friends, and the promise of a different future.

    But that's about to change. By 2025 spending by African consumers and businesses will exceed $5 trillion, and by 2035 Africa will have the world's largest urban population and a workforce larger than China's or India's. That points to exciting opportunities for global and Africa-based companies looking to access new growth markets--and to build large, profitable businesses in sectors ranging from resources to manufacturing to services. Their momentum will be fuelled by Africa's young and fast-growing population and by the rapid adoption of technology across the continent. But Africa's business environment remains poorly understood and known to many executives in the West only by its reputation for complexity, contradiction, and corruption.Africa's Business Revolution provides the inside story on business in Africa and its future growth prospects, and helps executives understand and seize the opportunities for building profitable, sustainable businesses. The authors--Acha Leke, Mutsa Chironga, and Georges Desvaux--are senior leaders in McKinsey's African offices and draw on in-depth proprietary research by the McKinsey Global Institute as well as their own extensive experience advising corporate and government leaders across Africa. Brimming with company case studies and exclusive interviews with some of Africa's most prominent executives, this book comes to life with the vibrant stories of those who have navigated the many twists and turns on the road to building successful businesses on the continent.Combining an unrivalled fact base with expert advice on shaping and executing an Africa growth strategy, this book is required reading for global business executives wanting to expand their existing operations in Africa--and for those seeking a road map to access this vast, untapped market for the first time.

    Drop him into a ghastly Kenya prep school in the middle of Rider Haggard country. A school where cricketing news comes by carrier pigeon, leopards are assaulted with a red-hot poker, and runaway boys are hunted down with spearmen and a pack of foxhounds... For Martin Riddle, the experience is unforgettable. For the riding mistress, Lady Bullivant, it is all part of the day's work. And for the headmaster, a disreputable ex-Guards officer, it is simply a means of staving off bankruptcy for a few more weeks. As for the Masai, tennis may be on the curriculum at Haggard Hall, but midnight meetings with naked warriors definitely are not! 'The funniest book I have read since David Lodge's Small World' - Sunday Times 'Wickedly funny' - Daily Mail 'Less savage than Evelyn Waugh, Best is every bit as sharp... an immensely enjoyable book' - Evening Standard 'Very good entertainment' - Sir Alec Guinness (Sunday Times book of the year) Nicholas Best's books have been translated into many languages. He was the Financial Times's fiction critic for ten years and was long-listed in 2010 for the Sunday Times-EFG Bank 30,000 award, the biggest short story prize in the world. For more details, see www.nicholasbest.co.uk

    The story that he tells, nearly 40 years later, is of his early days at home and in school, brought up in a strict mission household and conflicting with his father.

    The lifestyle doesn’t come cheap, though, nor does maintaining the body that allows it (just ask Dr Heinz at the beauty clinic). Luckily, Bontle has a degree in MENcology, and there is no shortage of blessers at her penthouse door, eager to give her all the love and (financial) support she needs. Papa Jeff might be overweight and getting on a bit, and receiving some unwanted attention from the Hawks; and Teddy might not have fully come through for her on that messed-up tender business; but Mr Emmanuel, the Nigerian businessman with deep pockets and the possibility of conferring second wife status … could that be love? Keeping all her boyfriends happy and living a fabulous life is not without its challenges. With so many people clamouring for Bontle’s attention – from her shebeen queen mother Gladys in Mamelodi, who is taking strain bringing up her teenaged brother, Golokile, on her own; to her girlfriends, Iris and Tsholo; not to mention her soon-to-be ex-husband, the ever-patient, ever-loving Ntokozo, Bontle barely has time to post on Instagram these days. Sooner or later something’s got to give …

    After a rape and unwanted pregnancy leave her exiled from her family in Kano, thwarting her plans to go to university, she is sent to her aunt's in Lagos and pressured into a marriage with an older man. When their whirlwind romance descends into abuse and indignity, Ogadinma is forced to channel her independence and resourcefulness to escape a fate that appears all but inevitable. Ogadinma, the UK debut by Ukamaka Olisakwe, introduces a heroine for whom it is impossible not to root, and announces the author as a gifted chronicler of the patriarchal experience.‘An intimate and dazzling exploration of the life and times of a young Nigerian woman whose move to the capital city of Lagos leads to a series of encounters, which are by turns disorienting, revelatory and tragic.’ Christopher Merrill, author of Self-Portrait with Dogwood‘Written in vivid, engaging prose, this is the story of one woman’s journey to independence.’ Chinelo Okparanta, author of Under the Udala Trees and Happiness, Like Water: Stories

    

    The middle-class pair become victims of the same brutal violence that the poor and powerless suffer.

    My older sister Fikile’s last breath before she dies is nothing of the sort. There is no rattling noise at the back of her throat. No relentless twitching. No clinging to life. Fikile dies with no more fuss than a switch of a light bulb.” With her sister, Fikile, dead from breast cancer, her father long gone, her mother emerging from years of slumber, and her younger brother, Mbuso, consumed with rage that refuses to settle, Anele Mabuza has no choice but to collect herself and grow up. Or does she? Because, if truth be told, she has not signed up to be her family's caretaker. Surely her dreams are valid? The Ones with Purpose is a remarkable story of family, disappointment, sacrifice, forgiveness, and love.