The majority of the fourteen queens considered here, from Catherine de Valois and Elizabeth Woodville to Elizabeth of York, Jane Seymour and Catherine Parr, were consorts, the wives of kings. Although less frequently examined than ruling queens, queen consorts played a crucial and central role within the Royal Court. Their first duty was to bear children and their chastity within marriage had to be above reproach. Any suspicion of sexual misconduct would cast doubt on the legitimacy of their offspring. Three of these women Margaret of Anjou, Anne Boleyn and Catherine Howard were accused of such conduct, and two were tried and executed. A queen also had to contribute to her husband's royal image. This could be through works of piety or through humble intercession. It could also be through her fecundity because the fathering of many children was a sign of virility and of divine blessing. A queen might also make a tangible contribution to her husband's power with her marriage as the symbol of an international diplomatic agreement. A ruling queen was very different, especially if she was married, insofar as she had to fill the roles of both king and queen. No woman could be both martial and virile, and at the same time submissive and supportive. Mary I solved this problem in a constitutional sense but never at the personal level. Elizabeth I sacrificed motherhood by not marrying. She chose to be mysterious and unattainable "la belle dame sans merci." In later life she used her virginity to symbolize the integrity of her realm and her subjects remained fascinated by her unorthodoxy. How did they behave (in and out of the bedchamber)? How powerful were they as patrons of learning and the arts? What religious views did they espouse and why? How successful and influential were they? From convenient accessory to sovereign lady the role of queen was critical, colorful, and often dramatic. "The Tudor Queens of England" is the first book of its kind to intimately examine these questions and more.

    What did they have in common? For a while they were crowned in gold, cosseted in silk, and flattered by courtiers. But in the end, they spent long nights in dark prison towers and were marched to the scaffold where they surrendered their heads to the executioner. And they are hardly alone in their undignified demises. Throughout history, royal women have had a distressing way of meeting bad ends—dying of starvation, being burned at the stake, or expiring in childbirth while trying desperately to produce an heir. They always had to be on their toes and all too often even devious plotting, miraculous pregnancies, and selling out their sisters was not enough to keep them from forcible consignment to religious orders. From Cleopatra (suicide by asp), to Princess Caroline (suspiciously poisoned on her coronation day), there's a gory downside to being blue-blooded when you lack a Y chromosome.Kris Waldherr's elegant little book is a chronicle of the trials and tribulations of queens across the ages, a quirky, funny, utterly macabre tribute to the dark side of female empowerment. Over the course of fifty irresistibly illustrated and too-brief lives, Doomed Queens charts centuries of regal backstabbing and intrigue. We meet well-known figures like Catherine of Aragon, whose happy marriage to Henry VIII ended prematurely when it became clear that she was a starter wife—the first of six. And we meet forgotten queens like Amalasuntha, the notoriously literate Ostrogoth princess who overreached politically and was strangled in her bath. While their ends were bleak, these queens did not die without purpose. Their unfortunate lives are colorful cautionary tales for today's would-be power brokers—a legacy of worldly and womanly wisdom gathered one spectacular regal ruin at a time.

    Yet through her marriage to Henry VII she became the mother of the dynasty, with her children including a King of England (Henry VIII) and Queens of Scotland (Margaret) and France (Mary Rose), and her direct descendants including three Tudor monarchs, two executed queens and, ultimately, the Stuart royal family. Although her offspring took England into the early modern world, Elizabeth's upbringing was rooted firmly in the medieval world, with its courtly and religious rituals and expectations of women. The pivotal moment was 1485. Before then, her future was uncertain amid the turbulent Wars of the Roses, Elizabeth being promised rst to one man and then another, and witnessing the humiliation and murder of her family. Surviving the bloodbath of the reign of her uncle, Richard III, she slipped easily into the roles of devoted wife and queen to Henry VII and mother to his children, and has been venerated ever since for her docility and beauty. Yet was she as placid as history has suggested? In fact, she may have been a deeply cultured and intelligent survivor who learnt to walk a difficult path through the twists and turns of fortune. Perhaps she was more of a modern woman than historians have given her credit for.

    Through his personal relationships with several of Henry s queens, and Henry himself, his writings were filled with colorful anecdotes, salacious gossip, and personal and insightful observations of the key players at court, thus offering the single most continuous portrait of the central decades of Henry s reign.Beginning with Chapuys arrival in England, in the middle of Henry VIII s divorce from Katherine of Aragon, this book progresses through the episodic reigns of each of Henry s queens. Chapuys tirelessly defended Katherine and later her daughter, Mary Tudor, the future Mary I. He remained as ambassador through the rise and fall of Anne Boleyn, and reported on each and every one of Henry s subsequent wives Jane Seymour, Anne of Cleves, Katherine Howard, and Katherine Parr as well as that most notorious of ministers Thomas Cromwell. He retired in 1545, close to the end of Henry VIII s reign.In approaching the period through Chapuys letters, Lauren Mackay provides a fresh perspective on Henry, his court and the Tudor period in general.

    Bess Hardwick, the fifth daughter of an impoverished Derbyshire nobleman, did not have an auspicious start in life. Widowed at sixteen, she nonetheless outlived four monarchs, married three more times, built the great house at Chatsworth, and died one of the wealthiest and most powerful women in English history.In 1527 England was in the throes of violent political upheaval as Henry VIII severed all links with Rome. His daughter, Queen Mary, was even more capricious and bloody, only to be followed by the indomitable and ruthless Gloriana, Elizabeth I. It could not have been more hazardous a period for an ambitious woman; by the time Bess's first child was six, three of her illustrious godparents had been beheaded.Using journals, letters, inventories, and account books, Mary S. Lovell tells the passionate, colorful story of an astonishingly accomplished woman, among whose descendants are counted the dukes of Devonshire, Rutland, and Portland, and, on the American side, Katharine Hepburn.

    Endowed with English royal blood on her mother's side, she was betrothed in infancy to Arthur, Prince of Wales, eldest son of Henry VII of England, an alliance that greatly benefited both sides. Yet Arthur died weeks after their marriage in 1501, and Catherine found herself remarried to his younger brother, soon to become Henry VIII. The history of England-and indeed of Europe-was forever altered by their union.Drawing on his deep knowledge of both Spain and England, Giles Tremlett has produced the first full biography in more than four decades of the tenacious woman whose marriage to Henry VIII lasted twice as long (twenty-four years) as his five other marriages combined. Her refusal to divorce him put her at the center of one of history's greatest power struggles, one that has resonated down through the centuries- Henry's break away from the Catholic Church as, bereft of a son, he attempted to annul his marriage to Catherine and wed Anne Boleyn. Catherine's daughter, Mary, would controversially inherit Henry's throne; briefly and bloodily, she returned England to the Catholicism of her mother's native Spain, foreshadowing the Spanish Armada some three decades later.From Catherine's peripatetic childhood at the glittering court of Ferdinand and Isabella to the battlefield at Flodden, where she, in Henry's absence abroad, led the English forces to victory against Scotland to her determination to remain queen and her last years in almost monastic isolation, Giles Tremlett vividly re-creates the life of a giant figure in the sixteenth century. Catherine of Aragon will take its place among the best of Tudor biography.

    This radical reinterpretation focuses instead on the many intrigues that pervaded Henry's court.It looks at opinions only of Warnicke - for example, the idea that Anne Boleyn was deformed and had a sixth finger and a wen under her chin.

    The women of the royal family are the central characters; what they ate, how they dressed, the books they read, and the letters they wrote are all addressed. Yet even the greatest of these women suffered the universal legal and physiological disabilities of womanhood, and while some triumphed over them, others went under.

    Visiting European royalty as well as American women returning from the International Exhibition in Paris in 1867 stimulated fashion awareness — and it was in this climate that the magazine Harper's Bazar flowered. Dedicated to being "A repository of Fashion, Pleasure, and Instruction," it brought to American women inside glimpses of the very latest European and American fashions, all in carefully detailed engravings. It was much the finest source for high fashion for this period.This book consists of the finest illustrations from Harper's Bazar between the years 1867 and 1898, the period of its peak importance. These illustrations not only show you what apparel appealed to our Victorian ancestors, but give you an idea of the evolutionary nature of fashion as well. You will see bustles come and go, natural forms become the vogue only to be superseded by the constricting hourglass figure. Each look is illustrated with a number of different garments. There are gowns for the morning hours, dinner dresses, sporting costumes, traveling clothes and apparel for special occasions: weddings, communions, funerals, etc. Since no costume was complete without accessories, a full line of hats, fans, parasols, muffs, gloves, handkerchiefs, jewelry, shoes and hair styles is shown as well. A selection of children's attire is also included. An introduction by Stella Blum covers the history of Harper's Bazar and examines the various phases fashion went through between 1867 and 1898.

    A fascinating tour of London's strangest and most intriguing locations. Ranging from architectural evidence of past incidents and stories of life beneath the city, to anecdotes of magic, mystery, and murder, this is a perfect companion for anyone curious about London.It includes: A Museum of Magical Curiosities; The City's Lost Tunnels and Citadels; The Ghost of a She-Wolf; The Bawdy House Riots; The Story of “Jack the Stripper”; The Atmospheric Railway; The Thames Ringway Bicycle Race; A Banker Hanged at Newgate; The Crossdressing Highwayman; Bluebottles, Rozzers and Woodentops; The Hidden Statue of a Beaver; The “Belgravia of Death”; Whitehall’s Licensed Brothel; Pin-Makers, Mole-Takers and Rat Catchers; Drinking in “The Bucket of Blood”; London's Most Haunted House.All of London is here!

    More than 200 photos depict aristocrats and the middle class as well as Oscar Wilde, Lillie Langtry, Winston Churchill, Queen Victoria, and others. Commentary and annotations describe and identify the costumes.

    A political power in her own right, she was born into the powerful and ambitious Lorraine family, spending her formative years at the dazzling and licentious court of Francois I. Although briefly courted by Henry VIII, she instead married his nephew, James V of Scotland, in 1538.James' premature death four years later left their six day old daughter, Mary, as Queen and presented Marie with the formidable challenge of winning the support of the Scottish people and protecting her daughter s threatened birthright. Content until now to remain in the background and play the part of the obedient wife, Marie spent the next eighteen years effectively governing Scotland, devoting her considerable intellect, courage and energy to safeguarding her daughter s inheritance by using a deft mixture of cunning, charm, determination and tolerance.The last serious biography of Marie de Guise was published in 1977 and whereas plenty of attention has been paid to the mistakes of her daughter s eventful but brief reign, the time has come for a fresh assessment of this most fascinating and under appreciated of sixteenth century female rulers."

    The respectability of the royal position is well and truly tossed aside by the whimsy and the wanton depravity of generations of mad European monarchs, including: The queen who murdered her husband with a red-hot spit. The bloodthirsty monarch who impaled tens of thousands of his subjects. The vampiric ruler who bathed in the blood of young women. The king of excess who beheaded his wives. Mad Kings and Queens is a spectacular celebration of seven hundred years of royal eccentricity, detailing a catalogue of madness and exploring the finer intricacies of royal breeding that lay at its root.

     This is the story of the dramatic final 24 hours of the life of Anne Boleyn. The story is told in a compelling minute by minute countdown which ends with her final walk to the scaffold, and her beheading by the hangman of Calais' sword. The book describes the actions and thoughts of some the leading players during those final 24 hours including Thomas Cranmer, Chapuys, Jane Seymour, Lady Mary, Sir William Kingston, Thomas Wyatt and, of course, the three principle players... Henry VIII - what was he doing as the woman he moved heaven and earth to marry faced execution. Did he feel remorse? Did he feel hatred? Did he feel anything at all? Thomas Cromwell - widely accepted as the engineer behind the downfall of the queen. Did he feel guilt that even Chapuys was not convinced by the charges which sent Anne to her death? Anne Boleyn - just how did she manage to walk to the scaffold and address the the crowd so bravely? How did she cope with the continual postponement of the execution? And what did she think of the men that would send her to the grave? A new take on one of the most infamous days in English history ...the clock is ticking and, for the Queen of England, it cannot be stopped.

    'Death and the Virgin' is the story of a remarkable and frenetic period in Elizabeth's life: a tale of love, death and tragedy, exploring the dramatic early life of England's Virgin Queen.