Combative and lyrical, moving and relentlessly inquiring, "Ammi" offers a way of seeing our history and our future that is impossible to ignore.

    enthralling’ BIBEK DEBROY‘A magical and thought-provoking adventure, Ahalya will intrigue and mesmerize readers’ CHITRA BANERJEE DIVAKARUNI‘An enigmatic tale about purity, chastity, seduction and redemption’ NAMITA GOKHALE‘Brilliant and intriguing’ ANAND NEELAKANTANIt is known that Ahalya was cursed by her husband, Gautam, for indulging in a physical relationship with Indra. But is there another story to Ahalya's truth? Who was Indra anyway? A king? A lover? A philanderer? The first book of the Sati series, Ahalya hinges on these core questions, narrating the course of her life, from innocence to infidelity.In the Sati series, Koral Dasgupta explores the lives of the Pancha Kanyas from Indian mythology, all of whom had partners other than their husbands and yet are revered as the most enlightened women, whose purity of mind precedes over the purity of body. The five books of the Sati series reinvent these women and their men, in the modern context with a feminist consciousness.

    The rain drops hit the parched earth with a vengeance. The aroma of soaked earth fills the air. A sense of rejuvenation spreads around, as new life springs out, transforming the barren landscape into a thriving oasis. Abhilasha, the mother of a grown up girl felt the same when she finally meets the love she had longed for. A union in the most unusual of circumstances and in the most unusual of places—the internet. Abhilasha was caught in a dilemma whether to listen to her mind or to follow the beats of her heart.But this conflict served as an impetus which pushed her to a new height. Going through an emotional roller-coaster, finally she reached a stage where her passion turned into compassion, the most powerful form of love, where all conflicts appear trivial, finding their way into a harmonious homogeneity. In this new scenario none of her loved ones was left behind. A strong conviction bonded and inspired everyone to undertake life's journey where the rough edges were smoothened by the healing touch of love.A story woven around the life of an Air Force officer's wife with a glimpse into what goes on behind the closed gates, guarded by vigilant men in uniform. An insight into the life of Abhilasha and her dilemmas, the seemingly ordinary incidents but which are interwoven into a complex puzzle that she must solve.

    Mira lives alone, and with only the French existentialists as companions, until the day she witnesses a beautiful woman having a seizure in the park. Mira runs to help her but is cautious, for she could have sworn the woman looked around to see if anyone was watching right before the seizure began.Mira is quickly drawn into the lives of this mysterious woman Sara, who suffers a myriad of unexplained illnesses, and her kind, intensely supportive husband Rahil, striking up intimate, volatile and fragile friendships with each of them that quickly become something more. A moving exploration of loss, Mukherjee delivers an intense and unexpected modern love story as Mira reconciles reality with desire.

    Novel set in 3rd and 4th century India

    A cute tale about how a housewife gets her groove back...Indu and Madan Nambiar have lead a well-settled, almost-perfect life for many years — and then, Madan retires.As their seemingly content coexistence is threatened, will they be able to strike a new balance? Will Indu be able to accept this new reality? Or will retirement be a new beginning for both Mr and Mrs Nambiar?Read this funny take on the repercussions of retirement.

    Like libertines. To their hormonal despair, when Professor Ram stages his remake of A Midsummer Night's Dream at their college fest, he casts these four as fairies. The farce that follows gradually takes over the lives of the rest of the characters in this achingly funny novel about the pratfalls that accompany caste pride. On and off the campus of Chennai University, you will encounter onion-and-garlic-free TamBrahms who rewrite Shakespeare to uphold the Hindu order, smug NRIs who call the shots in matrimonials, visiting Canadians who are aghast at the plight of Dalits (pronounced 'daylights') and, at the apex of the whole tumbling structure, a bibulous builder who invokes the gods even as he defrauds his clients. Tailing the characters around this plot is an unseen but all-seeing spectator. You may never guess who that is, but will laugh all the way to the answer.

    Lasya ‘LJ’ Raghavan is a spectacularly single, unsuccessful playwright with an estranged family, crippling debt, and a dead-end job. When the family matriarch Chandralekha Chakrapani dies, LJ has to face the family that considers her an epic failure… especially her father, who has taken a vow of silence against her; her cousin sister, Ahalya, who blames LJ for destroying her marriage; and bridezilla Kiki whose wedding has been cancelled. Adding to the family drama is Banjeet ‘Ben’ Dewar, her grandmother's lawyer who keeps showing up whenever LJ falls apart. Ben is everything LJ is looking for in a man, except Ahalya is interested in Ben too! Can LJ be selfish once more when the last time nearly destroyed her family? More importantly, can LJ's family forgive her when she is the ‘worst daughter ever’? Written in the style of bestselling Indian rom-coms, The Worst Daughter Ever explores love, loss, friendship, family, redemption and forgiveness in a funny, emotional, coming-of-age tale.

    His wife, Sumi, returns with their three daughters to the shelter of the Big House where her parents, Kalyani and Shripati, live in oppressive silence: they have not spoken to each other in thirty-five years. As the mystery of this long silence is unraveled, a horrifying story of suffering and loss is laid bare, a story that seems to be repeating itself in Sumi's life.Set in present day Karnataka, A Matter of Time explores the intricate relationships within an extended family encompassing three generations. Images from Hindu religion, myth, and local history twine delicately with images of contemporary India as this family faces and accepts the changes that have suddenly become part of their lives. As their secrets and strengths are revealed, so are the complications of family and culture. This multigenerational story, told in the individual voices of the characters, catches each in turn in the cycles of love, loss, strength, and renewal that become an essential part of their identities.

    Two lives. Three generations. Four places. Chitrangda Chatterjee, 32, has been moving from one dead-end offshore job to another. Kathputli’s story begins after Chitrangda has quit her latest job and sets out in search of the perfect story for her Great Indian Novel. This takes her to a family reunion of her grandmother’s clan, where a story of the long-lost daughter of a once-powerful Zamindar family begins to take shape.  Unravelling the mystery of Mala’s disappearance a few years after the brutal murder of the boy she loved becomes an obsession for Chitrangda. One which draws Chitrangda out of her shell; and introduces her to the unaccustomed joys of getting to know new people and places.  What emerges, however, undermines the very foundation of Chitrangda’s understanding of her own family.  The novel goes back and forth between Chitrangda’s present-day search for all the missing pieces of Mala’s story and the story itself, set in 1940s Kolkata.