In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    Hard-drinking, foul-mouthed, and allergic to bullshit, Jean is not your usual grandma. She’s never been good at getting on with other humans, apart from her beloved granddaughter, Kimberly. Instead, she surrounds herself with animals, working as a guide in an outback wildlife park. And although Jean talks to all her charges, she has a particular soft spot for a young dingo called Sue.As disturbing news arrives of a pandemic sweeping the country, Jean realises this is no ordinary flu: its chief symptom is that its victims begin to understand the language of animals — first mammals, then birds and insects, too. As the flu progresses, the unstoppable voices become overwhelming, and many people begin to lose their minds, including Jean’s infected son, Lee. When he takes off with Kimberly, heading south, Jean feels the pull to follow her kin.Setting off on their trail, with Sue the dingo riding shotgun, they find themselves in a stark, strange world in which the animal apocalypse has only further isolated people from other species. Bold, exhilarating, and wholly original, The Animals in That Country asks what would happen if - for better or worse - we finally understood what animals were saying.

    Mama is ill. Father has taken a job abroad. Nanny Jane is too busy to pay any attention to Henrietta and the things she sees -- or thinks she sees -- in the shadows of their new home, Hope House.All alone, with only stories for company, Henry discovers that Hope House is full of strange secrets: a forgotten attic, ghostly figures, mysterious firelight that flickers in the trees beyond the garden.One night she ventures into the darkness of Nightingale Wood. What she finds there will change her whole world...

    That means two revenue streams for one facility. And we also clean up our image. We're not just a corrections company anymore-now, we're building communities, we're saving lives.'Rin Braden is almost ready to give up on life after the heartbreaking death of her lover Yamaan and the everyday dread of working for her mother's corrupt private prison company. But through a miracle Yamaan has survived. Yamaan turns up in an immigration detention facility in Australia, trading his labour for a supposedly safe place to live. This is no ordinary facility, it's Eaglehawk MTC, a manufactory built by her mother's company to exploit the flood of environmental refugees. Now Rin must find a way to free Yamaan before the ghosts of her past and a string of bad choices catch up with them both. In its vision of the future, Daughter of Bad Times explores the truth about a growing inhumanity as profit becomes the priority.

    An award-winning work, Cloudstreet exemplifies the brilliant ability of fiction to captivate and inspire. Struggling to rebuild their lives after being touched by disaster, the Pickle family, who've inherited a big house called Cloudstreet in a suburb of Perth, take in the God-fearing Lambs as tenants. The Lambs have suffered their own catastrophes, and determined to survive, they open up a grocery on the ground floor. From 1944 to 1964, the shared experiences of the two overpopulated clans -- running the gamut from drunkenness, adultery, and death to resurrection, marriage, and birth -- bond them to each other and to the bustling, haunted house in ways no one could have anticipated.

    And without her, Audrey is thrown off balance: everything she thought she knew, everything she believed was true, is bent out of shape.Audrey’s family—her neurotic mother, her wayward teenage brother, her uptight suburban sister—are likely to fall apart. Her boyfriend, Nick, tries to hold their relationship together. And Audrey, caught in the middle, needs to find a reason to keep going when everything around her suddenly seems wrong.Evocative and exquisitely written, Our Magic Hour is a story of love, loss and discovery. Jennifer Down’s remarkable debut novel captures that moment when being young and invincible gives way to being open and vulnerable, when one terrible act changes a life forever.

    She leaves behind the graves of her husband Joe and her baby daughter. With no money and limited options, Stella accepts her brother-in-law Harry’s offer to live at the O’Riain cane farm in the Richmond Valley. There she hopes to get answers to the questions that plague her about her marriage. However Harry refuses to discuss Joe or the family’s secrets, even forbidding her to speak to the owner of the neighbouring property.Nearly a century earlier in County Tipperary, Irish cousins Brandon and Sean O’Riain also fled their homes – as wanted criminals. By 1867, they are working as cedar-cutters in New South Wales’s lush green Richmond Valley. But while Brandon embraces the opportunities this new country offers, Sean refuses to let go of the past. And one cousin is about to make a dangerous choice that will have devastating consequences down the generations . . .

    When a secret she’s been keeping is discovered, she has no choice but to retreat home and live a quiet life. But when tragedy strikes, establishing the Wattle Island book club is the only thing that offers her solace.PASSIONIn 2018, spirited librarian Grace has been writing bucket lists since she was a child, and is ticking off as many challenges as she can now that life has handed her a hefty dose of perspective. Heading to Wattle Island on one of her adventures, she is determined to uncover a long-held mystery surrounding the town’s historic book club, unlocking a buried truth that has been trapped between the dusty pages of secrecy for years.HOPEAll too aware of how fragile life is, Anne and Grace must come together to help the residents of Wattle Island find the bravery to move beyond the trauma that tore the book club apart. Budding relationships offer new hope, along with a library project for the town’s future – but it will take more than a few lively literary debates to break the silence and heal the past.Welcome to the Wattle Island Book Club, where some chapters may end, but others are just beginning...

    To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her.​Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.​Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.

    She has put the pain of unsuccessful IVF treatments and a broken relationship behind her, and is focused on the many wonderful possibilities life still holds in store.When an invitation to travel across Australia on the Ghan for her mother’s seventieth birthday comes her way, she is at first apprehensive. But the trip offers a precious opportunity to spend some quality time with both her disgruntled mother, Valeria, and her distant daughter, Holly, as well as her meddling great-aunt, Myrtle. The four generations of the family, all single women, will be reunited at last.As the iconic train chugs its way beneath majestic desert skies, Aggie’s difficult past resurfaces, her business comes under threat, and long-held family rifts reignite. To complicate things further, she’s distracted by the attentions of a handsome younger man on his own search for meaning in some of the country’s most remote and magical places.By the bestselling author of The Cake Maker’s Wish, this is a sweet and soulful story about women being there for each other through the stickiest situations. It celebrates the joys and sorrows of life, and reveals the essential ingredients of the true recipe for happiness.

    But when Lizzie is ready to grow up, Tess clings to their fantasies. As Tess sinks deeper and deeper into her delusions, she decides that she can't live in the real world any longer and leaves Lizzie and her family forever. Now, years later, Lizzie is in high school and struggling to understand what happened to her sister. With the help of a school psychologist and Tess's battered journal, Lizzie searches for a way to finally let Tess go.

    Even before she gets thrown out of school for shouting at the principal, there’s the simmering rage and all the weird destructive choices. The only thing going right for Ava is her job at Magic Kebab.Which is where she meets Gideon. Skinny, shy, anxious Gideon. A mad poet and collector of vinyl records with an aversion to social media. He lives in his head. She lives in her grief. The only people who can help them move on with their lives are each other.

    A beautiful home. A shipwrecked young woman left on its doorstep. D on't think they're going to save her. A new novel from international bestselling author, Nikki Gemmell.Early 1800s. Thomasina Trelora is on her way to the colonies. Her fate: to be married to a clergyman she's never met. As the Australian coastline comes into view a storm wrecks the ship and leaves her lying on the rocks, near death. She's saved by an Aboriginal man who carries her to the door of a grand European house, Willowbrae.Tom is now free to be whoever she wants to be and a whole new life opens up to her. But as she's drawn deeper into the intriguing life of this grand estate, she discovers that things aren't quite as they seem. She stumbles across a horrifying secret at the heart of this world of colonial decorum - and realises she may have exchanged one kind of prison for another.The Ripping Tree is an intense, sharp shiver of a novel, which brings to mind such diverse influences as The Turn of the Screw, Rebecca and the film Get Out as much as it evokes The Secret River. A powerful and gripping tale of survival written in Nikki Gemmell's signature lyrical and evocative prose, it examines the darkness at the heart of early colonisation. Unsettling, audacious, thrilling and unputdownable.

    Following a tragic accident, Ella O'Hanlon flees to the other side of the world in an attempt to escape her grief, leaving behind the two people she blames for her loss: Aidan, the love of her life, and Jess, her spoilt half-sister. In London Ella is taken in by her beloved uncle Lucas, whose extraordinary house holds many wonderful memories for her. Along with other members of the very colourful Fox family, Lucas helps Ella to see that she is not the only one still hurting, and that forgiveness can be the greatest healer in a family and in a marriage.

    Told in an unfurling narrative of interlinking stories, in a style reminiscent of David Mitchell's Cloud Atlas, McKinnon weaves together the stories of Will Martin together with the stories of four others: a desperate ex-convict, Hawker, who commits an act of terrible brutality; Lola, who in 1900 runs a dairy farm on the Illawarra with her brother and sister, when they come under suspicion for a crime they did not commit; Bel, a young girl who goes on a rafting adventure with her friends in 1998 and is unexpectedly caught up in violent events; and in 2033, Nada, who sees her world start to crumble apart. Intriguingly, all these characters are all connected - not only through the same land and water they inhabit over the decades, but also by tendrils of blood, history, memory and property...Compelling, thrilling and ambitious, Storyland is our story, the story of Australia. 'The land is a book waiting to be read' as one of the characters says - and this novel tells us an unforgettable and unputdownable story of our history, our present and our future.