Like fireflies to the light, Mona, Benny and Jimmy are drawn into the elegantly wasted orbit of the Crystal Ballroom and the post-punk scene of 80s Melbourne, a world that includes Nick Cave and Dodge, a photographer pushing his art to the edge. With precision and richness Kirsten Krauth hauntingly evokes the power of music to infuse our lives, while diving deep into loss, beauty, innocence and agency. Filled with unforgettable characters, the novel is above all about the shapes that love can take and the many ways we express tenderness throughout a lifetime.As it moves between the Blue Mountains and Melbourne, Sydney and Castlemaine, Almost a Mirror reflects on the healing power of creativity and the everyday sacredness of family and friendship in the face of unexpected tragedy.

    Sybylla rejects the opportunity to marry a wealthy young man in order to maintain her independence. As a consequence she must take a job as a governess to a local family to which her father is indebted. "My Brilliant Career" is an early romantic novel by this popular Australian author.

    Calvin is a determined, successful provider and Beth an organized, efficient wife. They had two sons, Conrad and Buck, but now they have one. In this memorable, moving novel, Judith Guest takes the reader into their lives to share their misunderstandings, pain...and ultimate healing. (back cover)

    Five years later, it was reattached to some other guy’s body, and well, here he is. Despite all logic, he’s still 16 and everything and everyone around him has changed. That includes his bedroom, his parents, his best friend, and his girlfriend. Or maybe she’s not his girlfriend anymore? That’s a bit fuzzy too.Looks like if the new Travis and the old Travis are ever going to find a way to exist together, then there are going to be a few more scars.Oh well, you only live twice.

    A shack perched halfway up a hill in an other-world of bizarre shadow plants and dark sentinel trees . . . Every road had been leading here, to this place.'Greta's partner Joel grew up with five brothers and a sister in a feisty household on an isolated NT property. But he doesn't talk about those days-not the deaths of his sister and mother, nor the origin of the scars that snake around his body.Now, many years later, he returns with Greta and their three young boys to prepare the place for sale. The boys are quick to settle in, and Joel seems preoccupied with work, but Greta has a growing sense of unease, struggling in the build-up's oppressive heat and living in the shadow of the old, burned-out family home. She knows she's a stranger in this uncanny place, with its eerie and alluring landscape, hostile neighbour, and a toxic dam whose clear waters belie its poison. And then there's the mysterious girl living rough whom Greta tries to befriend.Determined to make sense of it all, Greta is drawn into Joel's unspoken past and confronted by her own. Before long the curlew's haunting cry will call her to face the secrets she and Joel can no longer outrun.

    I want to feel that ease and confidence, too. Like this is my city again, and I know my way around it.Eight years ago, Sahar pursued her happily ever after when she married Khaled and followed him to Jordan, leaving behind her family, her friends and a thriving cake business. But married life didn't go as planned and, haunted by secrets, Sahar has returned home to Sydney without telling her husband.With the help of her childhood friends, Sahar hits the reset button on her life. She takes a job at a local patisserie run by Maggie, a strong but kind manager who guides Sahar in sweets and life.But as she tentatively gets to know her colleagues, Sahar faces a whole new set of challenges. There's Kat and Inez, who are determined that Sahar try new experiences. Then there's Luke, a talented chocolatier and a bundle of contradictions.As Sahar embraces the new, she reinvents herself, trying things once forbidden to her. But just when she is finally starting to find her feet, her past finds its way back to her.'A woman's journey of self-discovery, the power of enduring female friendships and an unexpected love story. The Things We See in the Light ticked all my boxes. I loved everything about this story." Tess Woods

    In Like a House on Fire, Kennedy once again takes ordinary lives and dissects their ironies, injustices and pleasures with her humane eye and wry sense of humour. In ‘Laminex and Mirrors’, a young woman working as a cleaner in a hospital helps an elderly patient defy doctor’s orders. In ‘Cross-Country’, a jilted lover manages to misinterpret her ex’s new life. And in ‘Ashes’, a son accompanies his mother on a journey to scatter his father’s remains, while lifelong resentments simmer in the background. Cate Kennedy’s poignant short stories find the beauty and tragedy in illness and mortality, life and love.

    Faced with middle school racism, Junie Kim learns of her grandparents’ extraordinary strength and finds her voice.Junie Kim just wants to fit in. So she keeps her head down and tries not to draw attention to herself. But when racist graffiti appears at her middle school, Junie must decide between staying silent or speaking out.Then Junie’s history teacher assigns a project and Junie decides to interview her grandparents, learning about their unbelievable experiences as kids during the Korean War. Junie comes to admire her grandma’s fierce determination to overcome impossible odds, and her grandpa’s unwavering compassion during wartime. And as racism becomes more pervasive at school, Junie taps into the strength of her ancestors and finds the courage to do what is right.

    When a mysterious woman comes into their lives, she upsets their delicate equilibrium sets in motion a chain of events that could be the making—or the ruin—of them all.From the two-time Booker Prize–winning author and recipient of the Commonwealth Prize comes this new novel about obsession, deception, and redemption, at once an engrossing psychological suspense story and a work of highly charged, fiendishly funny literary fiction. Michael—a.k.a. "Butcher"—Boone is an ex–"really famous" painter: opinionated, furious, brilliant, and now reduced to living in the remote country house of his biggest collector and acting as caretaker for his younger brother, Hugh, a damaged man of imposing physicality and childlike emotional volatility. Alone together they’ve forged a delicate and shifting equilibrium, a balance instantly destroyed when a mysterious young woman named Marlene walks out of a rainstorm and into their lives on three-inch Manolo Blahnik heels. Beautiful, smart, and ambitious, she’s also the daughter-in-law of the late great painter Jacques Liebovitz, one of Butcher’s earliest influences. She’s sweet to Hugh and falls in love with Butcher, and they reciprocate in kind. And she sets in motion a chain of events that could be the making—or the ruin—of them all. Told through the alternating points of view of the brothers—Butcher’s urbane, intelligent, caustic observations contrasting with Hugh’s bizarre, frequently poetic, utterly unique voice—Theft reminds us once again of Peter Carey’s remarkable gift for creating indelible, fascinating characters and a narrative as gripping as it is deliriously surprising.

    They watch for control, for survival, for pleasure. We watch for survival, for fear, for love. A contemporary thriller of rebellion and surrender, love and war.‘This gem of a novel ticks all the boxes—a book of flaming affections and indefatigable loves, dystopian and convincing, a tale of pilgrimages and adventures, all beautifully textured and lovingly narrated.’ - Tom Keneally, winner of the Booker Prize The pressure of my blood, the beat of my heart, is a message to you. You read each second of my body's life. But watching goes both ways. You watch us: for control, for power, for pleasure. We watch you: for survival, for fear, for love.It is the present day. The foggy northern city of Port Angelsund, gateway to the last great fossil fuel reserves beneath the Arctic Ocean, is under occupation by the soldiers of Garrison. Sylvie is a young woman just trying to survive. She works in a harbourside café with her mother and little brother, and fears for her older brother, Jory, who fled when the enemy invaded. When Sylvie is singled out for punishment at a Garrison checkpoint, a young lieutenant rescues her from torture. Though she knows the terrible risks of collaboration, she cannot stop herself from falling in love. Watched closely by Garrison’s vast machinery of surveillance, Sylvie now discovers she is also under the protective and suspicious gaze of her lover.Brooding over the rim of the world, Coalition pledges to free Port Angelsund: storm is coming, they say, we are on our way. When Jory returns on a terrorist mission that will throw the city into chaos, Sylvie’s loyalties are tested beyond breaking point. Her deep bond with her brother and her illicit passion for her Garrison officer are loves that cannot coexist. Whatever she does is betrayal. In the spirit of Hiroshima Mon Amour and Suite Francaise, this sensual and heart-breaking novel brings the classic conflicts of war and occupation, devotion and treachery, up to the present minute. While the unimaginable power of modern warfare advances, Watch Over Me reminds us that the things at stake—survival, refuge and love—remain the things worth fighting for.

    Obviously her mum, Annie, will help with the childcare. Everyone else's parents are doing it.But Annie's dreams of music stardom have been on hold for thirty-five years, paused by childbirth then buried under her responsibilities as a mother, wage earner, wife, and only child of ailing parents. Finally, she can taste freedom.As Molly and her siblings gather in the close quarters of the family home over one fraught summer, shocking revelations come to light. Everyone is forced to confront the question of what it means to be a family.This Has Been Absolutely Lovely is a story about growing up and giving in, of parents and children, of hope and failure, of bravery and defied expectation, and the question of whether it is ever too late to try again.Praise for Jessica Dettmann:'A totally engaging and disarmingly charming writer' Kathy Lette'A natural knack for humour' Better Reading'Blends the family drama of Liane Moriarty with the humour of Sophie Kinsella' Newtown Review of Books'Ultimate summer read' Herald Sun'Heartwarming yet biting' Sunday Telegraph'Sharp and crisp and funny. I was dazzled.' Mia Freedman

    The Palmers are doomsday preppers. They have a bunker filled with non-perishable food and a year's worth of water. Each of the girls has a 'bug out bag', packed with water purification tablets, protein bars, paracord bracelets and epipens for Pru's anaphylaxis.One day while Rick is at the mine, the power goes out. At the Palmers' house, and in the town. No one knows why. All communication is cut. It doesn't take long for everything to unravel. In town, supplies run out and people get desperate. The sisters decide to keep their bunker a secret. The world is different; the rules are different. Survival is everything, and family comes first.

    His adult children, Martin and Evie, must come to terms with the shock of their father’s death. But a sculpture has gone missing from a museum in Palermo, and Noah is a suspect. The police are investigating.None of it makes any sense. Martin sets off to Palermo in search of answers about his father’s activities, while Evie moves into Noah’s apartment, waiting to learn where her life might take her. Retracing their father’s steps in their own way, neither of his children can see the path ahead.Gail Jones’s mesmerising new novel tells a story about parents and children, and explores the overlapping patterns that life makes. The Death of Noah Glass is about love and art, about grief and happiness, about memory and the mystery of time.

    Her father understands—Lottie has a scientific mind, he thinks. Her aunt wants it to stop, and she goes to cruel lengths to make sure it does. And her mother? Lottie’s mother died long ago. And Lottie is searching for a way to be close to her.The Art of Taxidermy is a heartbreaking verse novel exploring love and death, grief and beauty, and the ways we try to make sense of it all.

    -- if her family will let her go. Mary wants only to stay home and paint. When their loving but repressive father dies, they must figure out how to support themselves and their mother, who is in a permanent vegetative state, and how to get along in all their uneasy sisterhood. THREE YOUNG MEN: Then three men sway their lives: Kate's boyfriend Simon offers to marry her, providing much-needed stability. Mary is drawn to Marcos, though she fears his violent past. And Andy tempts Kate with more than romance, recognizing her ambition because it matches his own. ONE AGONIZING CHOICE: Kate and Mary each find new possibilities and darknesses in their sudden freedom. But it's Mama's life that might divide them for good -- the question of *if* she lives, and what's worth living for. Irises is Francisco X. Stork's most provocative and courageous novel yet.