(A) literary folk story at its best".--School Library Journal. Newbery Honor Book; ALA Notable Children's Book.

    Who ever heard of a peasant marrying a princess? But Pong Lo is wiser than the Emperor knows. And when he concocts a potion that saves the Princess's life, the Emperor gladly offers him any reward he chooses--except the Princess.   Pong Lo makes a surprising request. He asks for a single grain of rice, doubled every day for one hundred days. The baffled Emperor obliges--only to discover that if you're as clever as Pong Lo, you can turn a single grain of rice into all the wealth and happiness in the world! Praise for A Grain of Rice: "Clever and quietly told in simple, yet evocative language."-Kirkus Reviews"Pittman invites readers into her story through her choice of concrete objects, sensory images, and universal messages. She borrows from the motifs of oral literature, and also weaves in information about arithmetical progression and 15th-Century Chinese people, patterns, and traditions. Pittman's well executed pencil drawings ooze with emotion, and there is a fusion of text and illustrations...[A] book that is wise and humorous, and one to be perused and savored."-School Library Journal"Gracefully illustrated with finely shaded drawings, this picture book tells of Pong Lo, a poor Chinese peasant who wins the hand of the emperor's daughter through his knowledge of mathematical principles."-Booklist

    Led by a stouthearted pair of friends, they journey forth from their native Sandleford Warren through the harrowing trials posed by predators and adversaries, to a mysterious promised land and a more perfect society.

    Cerf chose the most famous and representative stories from Sir Richard F. Burton's multivolume translation, and includes Burton's extensive and acclaimed explanatory notes. The tales of told by Shahrazad over a thousand and one nights to delay her execution by the vengeful King Shahriyar have become among the most popular in both Eastern and Western literature, as recounted by Sir Francis Burton. From the epic adventures of "Aladdin and the Enchanted Lamp" to the farcical "Young Woman and her Five Lovers" and the social criticism of "The Tale of the Hunchback", the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are anchored to everyday life by their realism, providing a full and intimate record of medieval Islam.'