They range from the tragically funny opening story “Emergency Contact” to the audacious, drug-fuelled rush of “Goodbye Porkpie Hat” to the deranged and thrilling extreme of “King Me.”The Beggar’s Garden is a powerful and affecting debut, written with an exceptional eye and ear and heart.

    In the basement, she makes a shocking discovery — two dead girls curled into the bottom of her mother’s chest freezers. She remembers a pair of foster children who lived with the family in 1988: Casey and Jamie Cheng — troubled, beautiful, and wild teenaged sisters from Vancouver’s Chinatown. After six weeks, they disappeared; social workers, police officers, and Jessica herself assumed they had run away.As Jessica learns more about Casey, Jamie, and their troubled immigrant Chinese parents, she also unearths dark stories about Donna, whom she had always thought of as the perfect mother. The complicated truths she uncovers force her to take stock of own life.Moving between present and past, this riveting novel unflinchingly examines the myth of social heroism and traces the often-hidden fractures that divide our diverse cities.

    An early illness has left one son with the intellect of a child; the other is destined for greatness but struggles between a keen mind that craves instruction and the pressures of a society that demands his prowess as a soldier.   Initially Aristotle hopes for a short stay in what he considers the brutal backwater of his childhood. But, as a man of relentless curiosity and reason, Aristotle warms to the challenge of instructing his young charges, particularly Alexander, in whom he recognizes a kindred spirit, an engaged, questioning mind coupled with a unique sense of position and destiny.  Aristotle struggles to match his ideas against the warrior culture that is Alexander’s birthright. He feels that teaching this startling, charming, sometimes horrifying boy is a desperate necessity. And that what the boy – thrown before his time onto his father’s battlefields – needs most is to learn the golden mean, that elusive balance between extremes that Aristotle hopes will mitigate the boy’s will to conquer. Aristotle struggles to inspire balance in Alexander, and he finds he must also play a cat-and-mouse game of power and influence with Philip in order to manage his own ambitions.  As Alexander’s position as Philip’s heir strengthens and his victories on the battlefield mount, Aristotle’s attempts to instruct him are honoured, but increasingly unheeded. And despite several troubling incidents on the field of battle, Alexander remains steadfast in his desire to further the reach of his empire to all known and unknown corners of the world, rendering the intellectual pursuits Aristotle offers increasingly irrelevant. Exploring this fabled time and place, Annabel Lyon tells her story in the earthy, frank, and perceptive voice of Aristotle himself. With sensual and muscular prose, she explores how Aristotle’s genius touched the boy who would conquer the known world. And she reveals how we still live with the ghosts of both men.

    She remembers him only in fragments, as an injured artist from whom she and her mother were separated during the war. In her journey, Maggie finds herself at a makeshift pho stall, where the rich aroma of beef noodle soup lures people off Hanoi's busy streets and into a quiet morning ritual. Old Man Hung, the enlightened proprietor of the beloved pho stall, has survived decades of poverty and political upheaval. Hung once had a shop that served as a meeting place for dissident artists. As Maggie discovers, this old man may hold the key to both her past and her future. Among Hung's most faithful customers is Tu', a dynamic young tour guide who works for a company called New Dawn. Tu' leads tourists through the city, including American vets on war tours, but he has begun to wonder what it is they are seeing of Vietnam-and what they miss entirely. In Maggie, he finds a young Americanized woman in search of something quite different, leading him beyond his realm of expertise. In sensual, interwoven narratives, Maggie, Hung, and Tu' come together in a highly charged season that will mark all of them forever. The Beauty of Humanity Movement is a skillfully wrought novel about the reverberation of conflict through generations, the enduring legacy of art, and the redemption and renewal of love. The story of these characters is tinged with longing for worlds and loved ones lost but also filled with the hope that faith can heal the pain of their shared country's turbulent past. This is the distinct and complex story of contemporary Vietnam, a country undergoing momentous change, and a story of how family is defined-not always by bloodlines, but by heart.

    Linked by the presence of the sea, these are sixteen enchanting tales, previously unpublished, forming a memorable volume for fans of the creator of Anne of Green Gables.

    In Rawi Hage's unforgettable novel, winner of the 2008 IMPAC Prize, this famous quote by Camus becomes a touchstone for two young men caught in Lebanon's civil war. Bassam and George are childhood best friends who have grown to adulthood in war torn Beirut. Now they must choose their futures: to stay in the city and consolidate power through crime; or to go into exile abroad, alienated from the only existence they have known. Bassam chooses one path: obsessed with leaving Beirut, he embarks on a series of petty crimes to finance his departure. Meanwhile, George builds his power in the underworld of the city and embraces a life of military service, crime for profit, killing, and drugs.Told in the voice of Bassam, De Niro's Game is a beautiful, explosive portrait of a contemporary young man shaped by a lifelong experience of war. Rawi Hage's brilliant style mimics a world gone mad: so smooth and apparently sane that its razor-sharp edges surprise and cut deeply. A powerful meditation on life and death in a war zone, and what comes after.

    In Essex County, Lemire crafts an intimate study of one community through the years, and a tender meditation on family, memory, grief, secrets, and reconciliation. With the lush, expressive inking of a young artist at the height of his powers, Lemire draws us in and sets us free. This new edition collects the complete, critically-acclaimed trilogy (Tales from the Farm, Ghost Stories, and The Country Nurse) in one deluxe volume! Also included are over 40-pages of previously unpublished material, including two new stories.

    A formidable debut, it is a profound and unforgettable depiction of today’s doctors, patients, and hospitals.Provocative, heartbreaking, and darkly humorous, Bloodletting & Miraculous Cures introduces readers to a masterful new voice in fiction. A practicing ER physician, Vincent Lam delivers a precise and intimate portrait of the medical profession in his fiction debut. These twelve interwoven stories follow a group of young doctors as they move from the challenges of medical school to the intense world of emergency rooms, evacuation missions, and terrifying new viruses. Winner of the prestigious Giller Prize, Bloodletting & Miraculous Cures marks the arrival of a deeply humane and preternaturally gifted writer. Fitz, Ming, Chen, and Sri are the four ambitious protagonists of Bloodletting & Miraculous Cures. They fall in love as they study for their exams, face moral dilemmas as they split open cadavers, confront police who rough up their patients, and treat schizophrenics with pathologies similar to their own. In one harrowing story set amidst the 2003 SARS crisis, which the author witnessed firsthand, two of these doctors suddenly become the patients. Bloodletting & Miraculous Cures invites us into a world where the ordinary becomes the critical in a matter of seconds. A formidable debut, it is a profound and unforgettable depiction of today’s doctors, patients, and hospitals.

    Three young people leave their far-flung birthplaces to follow their own songs of migration. Each ends up in Montreal, each on a voyage of self-discovery, dealing with the mishaps of heartbreak and the twisted branches of their shared family tree.Filled with humor, charm, and good storytelling, this novel shows the surprising links between cartography, garbage-obsessed archeologists, pirates past and present, a mysterious book with no cover, and a broken compass whose needle obstinately points to the Aleutian village of Nikolski (a minuscule village inhabited by thirty-six people, five thousand sheep, and an indeterminate number of dogs).

    That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over. Why? . . . My life begins at the Y." So opens Marjorie Celona's highly acclaimed and exquisitely rendered debut about a wise-beyond-her-years foster child abandoned as a newborn on the doorstep of the local YMCA. Swaddled in a dirty gray sweatshirt with nothing but a Swiss Army knife tucked between her feet, little Shannon is discovered by a man who catches only a glimpse of her troubled mother as she disappears from view. That morning, all three lives are forever changed. Bounced between foster homes, Shannon endures abuse and neglect until she finally finds stability with Miranda, a kind but no-nonsense single mother with a free-spirited daughter of her own. Yet Shannon defines life on her own terms, refusing to settle down, and never stops longing to uncover her roots — especially the stubborn question of why her mother would abandon her on the day she was born.Brilliantly and hauntingly interwoven with Shannon's story is the tale of her mother, Yula, a girl herself who is facing a desperate fate in the hours and days leading up to Shannon's birth. As past and present converge, Y tells an unforgettable story of identity, inheritance, and, ultimately, forgiveness. Celona's ravishingly beautiful novel offers a deeply affecting look at the choices we make and what it means to be a family, and it marks the debut of a magnificent new voice in contemporary fiction.

    In 1968, into the devastating, spare atmosphere of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret—the baby’s parents, Jacinta and Treadway, and their trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hypermasculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. When Wayne finally escapes the confines of his hometown and settles in St. John’s, the anonymity of the city grants him the freedom to confront his dual identity. His ultimate choice will once again call into question the integrity and allegiance of those he loves most. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers.

    This extraordinary life meanders through a rich, complicated, bittersweet world. The discoveries of childhood give way to the thousand pangs of adolescence, culminating in the sudden shocking news of an accident abroad. And as adulthood begins, indecisively, boundaries are crossed between countries, languages and people . . .

    But Jude doesn't fit in. He's not part of The Crew because he isn't about to do anything unless it's court-appointed; he's not an Extra because nothing about him is anonymous; and he's not a Movie Star because even though everyone know his name like an A-lister, he isn't invited to the cool parties. As the director calls action, Jude is the flamer that lights the set on fire.Before everything turns to ashes from the resulting inferno, Jude drags his best friend Angela off the casting couch and into enough melodrama to incite the paparazzi, all while trying to fend off the haters and win the heart of his favourite co-star Luke Morris. It's a total train wreck!But train wrecks always make the front page.

    Eilleen Hoffman has just told Danny, her con-artist lover and father of her youngest daughter Grace, to get out — for good. Once a teacher, Eilleen lived a middle-class life, but her taste in men coupled with a predilection for pills and booze has brought her down. Desperate to prevent her family from sinking deeper into poverty, Eilleen reluctantly goes on welfare. Eventually she turns to the only friends she has left, hustlers and hookers, to learn how a woman makes fast money, no investment necessary.With Eilleen on welfare and her older daughter Charlotte a teenaged runaway, child welfare authorities descend on the Hoffmans. As Eilleen trails through several attempts at drying out, the well-intentioned Children's Protection Society finally intervenes to apprehend Grace. With the threat of prolonged separation now a stark reality, Eilleen and Grace must rally to confront their demons with grit, determination and humour. Unblinkingly observed and brilliantly written, Going Down Swinging is about the powerful bond between mother and child. And with her skilful narrative interplay, Billie Livingston illustrates poignantly how the truth of our stories lies not so much in the black and white, as it does in the grey.

    A seminal text in Canadian and feminist literature, Mauve Desert is a must-read for readers and writers alike.This is both a single novel and three separate novels in one. In the first, Mauve Desert, fifteen-year-old Mélanie drives across the Arizona desert in a white Meteor chasing fear and desire, cutting loose from her mother and her mother's lover, Lorna, in their roadside Mauve Motel. In the second book, Maudes Laures reads Mauve Desert, becomes obsessed with it, and embarks on an extraordinary quest for its mysterious author, characters and meaning. The third book – Mauve, the horizon – is Laures's eventual translation of Mauve Desert. Like all good translations, it is both the same and revealingly different from the original.Nicole Brossard's writing is agile and inventive; from moment to moment gripping, exhilarating and erotic. Her language drifts and swells like sand dunes in a desert, cresting and accumulating into a landscape that shifts like wind and words; she translates the practice of translation, the pulse of desire.