But when her mother dies, leaving her to live alone in the house she grew up in, to work the farm she was raised to take care of, she finds herself lost in a kind of loneliness she hadn't expected. After years of rebuffing the advances of imperfect, yet eligible bachelors from her small town, Ivorie is without companionship with more love in her heart and time on her hands than she knows what to do with. But her life soon changes when a feral, dirty-faced boy who has been sneaking onto her land to steal from her garden comes into her life. Even though he runs back into the hills as quickly as he arrives, she's determined to find out who he is because something about the young boy haunts her. What would make him desperate enough to steal and eat from her garden? But what she can't imagine is what the boy faces, each day and night, in the filthy lean-to hut miles up in the hills. Who is he? How did he come to live in the hills? Where did he come from? And, more importantly, can she save him? As Ivorie steps out of her comfort zone to uncover the answers, she unleashes a firestorm in the town-a community that would rather let secrets stay that way.This pitch perfect story of redemption and the true meaning of familial love is Donna VanLiere at her very best.

    A moving depiction of the transformative power of first love, Hamann’s first novel follows Eveline Auerbach from her high school years in East Hampton, New York, in the 1970s through her early adulthood in the moneyed, high-pressured Manhattan of the 1980s. Centering on Evie’s fragile relationship with her family and her thwarted love affair with Harrison Rourke, a professional boxer, the novel is both a love story and an exploration of the difficulty of finding one’s place in the world. As Evie surrenders to the dazzling emotional highs of love and the crippling loneliness of heartbreak, she strives to reconcile her identity with the constraints that all relationships—whether those familial or romantic, uplifting to the spirit or quietly detrimental—inherently place on us. Though she stumbles and strains against social conventions, Evie remains a strong yet sensitive observer of the world around her, often finding beauty and meaning in unexpected places. Newly edited and revised since its original publication, Anthropology of an American Girl is an extraordinary piece of writing, original in its vision and thrilling in its execution.

    But a fateful misunderstanding gave Vietnam vet Caney the flashiest joke in the entire state. Twelve years later, the once-busy highway is dead and the sign is as worn as Caney, who hasn't ventured outside the diner since it opened. Then one blustery December day, a thirtyish Crow woman blows in with a three-legged dog in her arms and a long-buried secret on her mind. Hiring on as a carhop, Vena Takes Horse is soon shaking up business, the locals, and Caney's heart...as she teaches them all about generosity of spirit, love, and the possibility of promise-just like the sign says.

    Paired as roommates, the two become fast friends. Daniella, raised in Georgetown by a Jewish father and a Methodist mother, has always felt caught between two worlds. But at Belmont, her bond with Eve allows her to finally experience a sense of belonging. That is, until the girls’ expanding awareness of the South’s systematic injustice forces them to question everything they thought they knew about the world and their places in it. Eve veers toward radicalism—a choice pragmatic Daniella cannot fathom. After a tragedy, Eve returns to Daniella for help in beginning anew, hoping to shed her past. But the past isn’t so easily buried, as Daniella and Eve discover when their daughters are endangered by secrets meant to stay hidden. Spanning more than thirty years of American history, from the twilight of Kennedy’s Camelot to the beginning of Bill Clinton’s presidency, We Are All Good People Here is “a captivating…meaningful, resonant story” (Emily Giffin, author of All We Ever Wanted) about two flawed but well-meaning women clinging to a lifelong friendship that is tested by the rushing waters of history and their own good intentions.

    Forced to move out of her family home, Nina returns to the rundown Southampton council estate—and the sister—she thought she had left far behind.But Nina can’t let herself be overwhelmed—her boys need her. To save them, and herself, she will have to do what her husband discouraged for so long: pursue a career of her own. Torn between the life she thought she knew and the reality she now faces, Nina finally must learn what it means to take control of her life.Bestselling author Amanda Prowse once again plumbs the depths of human experience in this stirring and empowering tale of one woman’s loss and love.

    His father runs a methodically organized meth ring, with local authorities on the dime to turn a blind eye to his dealings. Having dropped out of high school and cut himself off from his peers, Jacob has been working for this father for years, all on the promise that his payday will come eventually. The only joy he finds comes from reuniting with Maggie, his first love, and a girl clearly bound for bigger and better things than their hardscrabble town.Jacob has always been resigned to play the cards that were dealt him, but when a fatal mistake changes everything, he’s faced with a choice: stay and appease his father, or leave the mountains with the girl he loves. In a place where blood is thicker than water and hope takes a back seat to fate, Jacob wonders if he can muster the strength to rise above the only life he’s ever known.A Finalist for the Edgar Award for Best First Novel In the country-noir tradition of Winter's Bone meets 'Breaking Bad,' a savage and beautiful story of a young man seeking redemption.

    The neighborhood children call him the Pee-can Man; their mothers call them inside whenever he appears. When the police chief's son is found stabbed to death near his camp, the man Ora knows as Eddie is arrested and charged with murder. Twenty-five years later, Ora sets out to tell the truth about the Pecan Man. In narrating her story, Ora discovers more truth about herself than she could ever have imagined. This novel has been described as To Kill a Mockingbird meets The Help.

    And then they stopped. From the author of the bestselling Sweeney Sisters Series comes a novel of friendship, family, and hope.When new next-door neighbors Georgia, Midge, and Lula first assembled on Georgia’s porch in Charleston for sweet tea, they couldn’t have known their gathering was the beginning of a treasured tradition. For twenty-six years they have met on Tuesdays at four o’clock, watching the seasons change and their children grow up, supporting each other in good times and in bad. With their ambitions as different as their personalities, these best friends anticipate many more years of tea time. And then, one Tuesday, Georgia shares news that brings their long-standing social hour to an abrupt halt. And that’s only the beginning as unraveling secrets threaten to alter their friendship forever. This is a new release of an edition originally published by Leisure Time Books.

    But on one rainy Connecticut afternoon, struggling painter William Lomazzo appears at her door. He brings with him a sixteenth-century treatise on art, left remarkably intact; Rose is quickly able to identify the pages as a palimpsest, a document written over a hidden text that had purposely been scraped away. Yet the restoration poses a confounding issue: Rose and William--a married man--are captivated by one another, an unspoken attraction linking them almost instantly.Five centuries earlier, Renaissance-era Venetians find themselves at the mercy of an encroaching Ottoman fleet, preparing for a bloody war. Giovanni Lomazzo, a respected portrait artist still grappling with the death of his wife and young son, is terrified to discover his vision declining with each passing day, forcing him to document his every encounter as he faces the possibility of a completely dark, colorless world. Commissioned to paint the enchanting courtesan of one of Venice's most respected military commanders--what may very well be his final artistic feat--Gio soon finds himself enraptured by a dangerous, magnificent forbidden love. All the while, the threat of the Ottoman Empire looms as the rival army hopes to lay siege to the port city.Spellbound by Gio's revelations, Rose and William find themselves forced to confront the reality of their own mystifying connection. A richly detailed page-turner shadowed by one of history's darkest times, The Lost Diary of Venice weaves a heartbreakingly vivid portrait of two vastly different worlds and two tales of entrancing, unrelenting love.

    But then a tragic accident stops her life in its tracks, and in an instant everything changes. Retreating to her family’s rural farm and the humble origins she has been trying to hide, Pip is haunted by what she has done.When she discovers the diary of actress Evelyn Mountcastle in a box of old books, Pip revels in the opportunity to lose herself in someone else’s life rather than focus on the disaster that is her own. But soon she sees parallels—Evelyn’s life was also beset by tragedy, and, like Pip, she returned to Southwold under a dark cloud.When Pip and Evelyn’s paths cross in real life they slowly begin to reveal the hidden stories that are holding them back. Can they help each other forgive what happened in the past and, perhaps, find happiness in the future?

    But one student can't stand to witness this budding relationship: Ian decides to destroy the friendship between the black boy and the golden girl. By the end of the day, the school and its key players - teachers and pupils alike - will never be the same again. The tragedy of Othello is transposed to a 1970's suburban Washington schoolyard, where kids fall in and out of love with each other before lunchtime, and practice a casual racism picked up from their parents and teachers. Peeking over the shoulders of four 11 year olds Osei, Dee, Ian, and his reluctant girlfriend Mimi, Tracy Chevalier's powerful drama of friends torn apart by jealousy, bullying and betrayal will leave you reeling.

    She knew how. Mildred could breathe the word no to a second cup of ice cream. Could resist drinking too much champagne. But when it came right down to a friend needing a favor, she might say no first, but if someone really needed her—really needed her! —she always said yes. That’s how Mildred ended up with strangers camped out in her spare bedroom, helping her friend Fran to start a new business at the antique emporium, and walking around the empty church with a dust rag in her hand even though she hated to dust. She couldn’t say no to dust for long either. The only real no Mildred had said in recent history was to a man who loved her. Hugh wasn’t the first man to pursue her. But he was the most recent. And she had been flattered but not interested—not in the way he wanted her to be interested. Hugh didn’t give up right away. He lodged himself near her at church. Found her in the church kitchen after a fellowship supper to aid in the clean-up. And finally, her would-be lover had just asked her outright. That was the moment when Mildred had to say no. Until then Millie had been artfully dodging him. Only her best friend Fran understood. Fran said when Mildred finally felt the regretful effects of that no, “We’re all of us such fools.” But they aren’t fools. Mildred Budge and her friends are just people trying to live inside the faith released from heaven through the One who didn’t say no. This is the first novel in the series about Mildred Budge and her friends—just ordinary people trying to live out an extraordinary hope available to anyone who realizes what kind of help he or she really needs. That hope has a name, and Mildred Budge knows it. Need hope? Need a friend. Mildred Budge is a very good friend. If you like spending time with people who are just ordinary but extraordinarily hopeful, then you’ll love this story. Get a copy of this first novel in the series and find out for yourself what church ladies really think. About the author: Daphne Simpkins is an Alabama writer who writes about a variety of subjects and often on the secret lives of church ladies. Befriend her on Facebook, Twitter, or Linkedin.com.

    This exceptional collection of stories is about young women of different ages, from their early teens to their late twenties, coming to terms with what it means to desire, and be desired, with funny, surprising and sometimes confronting results.Ulman first made her mark with the story Chagall's Wife in Meanjin; this collection shows that she's a young Australian writer to put alongside Ceridwen Dovey, Nam Le and Fiona McFarlane.

    Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family’s entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it?In the gothic tradition of Flannery O’Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre’s literary masters.

    She finds solace in “The Kingdom,” a stand of red oak and thick mountain laurel near her home in suburban Pennsylvania, where she can escape from her large and unruly family and share menthol cigarettes and lukewarm beers with her best friend. One night, while driving home, Libby’s mother, exhausted and overwhelmed with the fighting in the backseat, pulls over and orders Libby’s little sister Ellen to walk home. What none of this family knows as they drive off leaving a twelve-year-old girl on the side of the road five miles from home with darkness closing in, is what will happen next. A Crooked Tree is a surprising, indelible novel, both a poignant portrayal of an unmoored childhood giving way to adolescence, and a gripping tale about the unexpected reverberations of one rash act.