But it never rained rain and it never snowed snow and it never blew just wind. It rained things like soup and juice. It snowed things like mashed potatoes. And sometimes the wind blew in storms of hamburgers. Life for the townspeople was delicious until the weather took a turn for the worse. The food got larger and larger and so did the portions. Chewandswallow was plagued by damaging floods and storms of huge food. The town was a mess and the people feared for their lives. Something had to be done, and in a hurry.

    Chelm is a village of fools. The most famous fools—the oldest and the greatest—are the seven Elders. But there are lesser fools too: a silly irresponsible bridegroom; four sisters who mix up their feed in bed one night; a young man who imagines himself dead. Here are seven magical folktales spun by a master storyteller, that speak of fools, devils, schlemiels, and even heroes—like Zlateh the goat.The New York Times called Zlateh the Goat and Other Stories, "beautiful stories for children, written by a master." The New York Book Review said, "This book is a triumph. If you have no older children on your list, buy it for yourself." Singer's extraordinary book of folklore is illustrated by Maurice Sendak, who won a Caldecott Medal for Where the Wild Things Are.Supports the Common Core State Standards

    Acclaimed writer, editor, and publisher Armand Eisen brings together timeless childhood favorites in this one-of-a-kind anthology, a perfect bedside companion ready to be picked up again and again.

    Arlene Mosel and Blair Lent's classic re-creation of an ancient Chinese folktale has hooked legions of children, teachers, and parents, who return, generation after generation, to learn about the danger of having such an honorable name as Tikki tikki tembo-no sa rembo-chari bari ruchi-pip peri pembo.

    Join Joey and his sister Mary Alice as they spend nine unforgettable summers with the worst influence imaginable--their grandmother!

    Heralded as the "standard" Mother Goose by parents, grandparents, teachers, and librarians, this wonderful book with Blanche Fisher Wright's lively, colorful pictures makes an enchanting introduction for the very young.Mother Goose rhymes are a vital part of childhood. And this collection of essential rhymes have been reproduced exactly as they have been repeated from generation to generation.

    Kirstie and her brother Angus find the egg and take it home. The next day it has hatched into a tiny greeny-grey creature with a horse's head, warty skin, four flippers and a crocodile's tail. The baby sea monster soon becomes the family pet – but the trouble is, it just doesn't stop growing!

    In answer to the prayers of his oppressed citizens, the gods create Enkidu, a wild man whose destiny is to first fight Gilgamesh, and then become his life-long friend. They embark on adventures together, but when they - together - kill the Bull of Heaven, Enkidu must pay the ultimate price. In his grief and fear of his own death, Gilgamesh goes on a journey to discover the secret to immortality...

    Seuss!

    Eliot for his godchildren and friends in the thirties. They have delighted generations of children since, and inspired Andrew Lloyd Webber's brilliant musical Cats.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    There's a `just right' quality to the verse that makes it a pleasure to read the words aloud. Because it appeals on so many levels, this is one poetry book that won't sit on the shelf for long."—Booklist.This New York Times Notable Book of the Year is a wonderful introduction to the pleasures of poetry and word play from a master of the genre, Jack Prelutsky.

    Collected here and illustrated to wonderful haunting effect by Edward Gorey, these short, funny pieces offer moral instruction for all types of mischief makers—from a certain young Jim, "who ran away from his nurse and was eaten by a lion," to the tale of Matilda, "who told lies and was burned to death”—and add up to a delightful read for any fan of Roald Dahl or Shel Silverstein.

    The three little pigs have never looked so cute and the big bad wolf never looked so bad in this retelling of the classic fairy tale! Vintage Disney artwork from the 1940s makes this book an important addition to every Little Golden Book collector’s library.

    And, His Excellency has a boy! Pepito, as he is named, is not just any boy: according to Madeline, he is a "bad hat"--for starters, he's equipped with an irksome slingshot, he "ghosts," and he boasts. And when Miss Clavel gives him a box of tools to function as an "outlet for his energy," he makes a guillotine for the cook's chickens. ("He ate them ROASTED, GRILLED, AND FRITO! Oh what a horror was PEPITO.") Children will love Ludwig Bemelmans's jaunty rhymes and simple, evocative drawings, and the ferocity with which the feisty Madeline suspects, condemns, and rebuffs the boisterous new boy neighbor. In the end, however, everything comes out right, and we, along with Miss Clavel, can relax. (Ages 4 to 8) --Karin Snelson