Handsome and arrogant, he makes multimillion dollar business deals and seduces New York’s most beautiful women with just a smile. He has loyal friends and an indulgent family. So why has he been shuttered in his apartment for seven days, miserable and depressed? He’ll tell you he has the flu.But we all know that’s not really true.Katherine Brooks is brilliant, beautiful and ambitious. She refuses to let anything - or anyone - derail her path to success. When Kate is hired as the new associate at Drew’s father’s investment banking firm, every aspect of the dashing playboy’s life is thrown into a tailspin. The professional competition she brings is unnerving, his attraction to her is distracting, his failure to entice her into his bed is exasperating. Then, just when Drew is on the cusp of having everything he wants, his overblown confidence threatens to ruin it all. Will he be able untangle his feelings of lust and tenderness, frustration and fulfillment? Will he rise to the most important challenge of his life? Can Drew Evans win at love? Tangled is not your mother’s romance novel. It is an outrageous, passionate, witty narrative about a man who knows a lot about women…just not as much as he thinks he knows. As he tells his story, Drew learns the one thing he never wanted in life, is the only thing he can’t live without.

    The moment she realizes her parents' latest dinner party is a setup with the man they want her to marry, she's out the back door in a flash. Imagine her surprise when the same guy shows up at her office a week later -- the new lawyer hired to save her struggling company. What's not surprising: he's not too thrilled to see her either after that humiliating fiasco.Jay Shah looks good on paper...and off. Especially if you like that whole gorgeous, charming lawyer-in-a-good-suit thing. He's also arrogant and infuriating. As their witty office banter turns into late night chats, Liya starts to think he might be the one man who truly accepts her. But falling for each other means exposing their painful pasts. Will Liya keep running, or will she finally give love a real chance?

    Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense non-profit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl's eccentrically-ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual fantasies and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.

    Drawn into a complex triangle with two boys, she distracts herself from the onslaught of adulthood by playing the game of go with strangers in a public square--and yet the force of desire, like the occupation, proves inevitable. Unbeknownst to the girl who plays go, her most worthy and frequent opponent is a Japanese soldier in disguise. Captivated by her beauty as much as by her bold, unpredictable approach to the strategy game, the soldier finds his loyalties challenged. Is there room on the path to war for that most revolutionary of acts: falling in love?

    Piya Roy, a young American marine biologist of Indian descent, arrives in this lush, treacherous landscape in search of a rare species of river dolphin and enlists the aid of a local fisherman and a translator. Together the three of them launch into the elaborate backwaters, drawn unawares into the powerful political undercurrents of this isolated corner of the world that exact a personal toll as fierce as the tides.

    Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie; then Connie tells him she thinks she wants a divorce.The timing couldn’t be worse. Hoping to encourage her son’s artistic interests, Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead with the original plan is for the best anyway. Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage and might even help him bond with Albie.Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves and learning how to get closer to a son who’s always felt like a stranger.

    Both are poles apart in terms of spiritual awakening. Destiny maneuvers their lives to cross each other’s paths, until Salaar falls in love with Imama after facing a horrifying experience that totally changes the course of his life.It was published in Shuaa Digest from July 2003 to February 2004.

    You don't buy me, a$#%^*e. You earn me." The bride is a doll. The groom is the perfect gentleman. But the rest of the wedding party? They're the stuff of nightmares. Rich? Check. Vapid? Double Check. Entitled? Not enough checks in the world. And the Best Man? More like the Worst Man.But Maid of Honor Franchesca takes her duties seriously. Kidnapped groom? She's got this. Rude attendees? You just watch her handle them. So a Best Man with a big attitude and an even bigger...checkbook? Yeah, there's no way she's going to let that pretentious, judgmental jackhole ruin her best friend's wedding. No matter how sexy he is. (Well, that's the plan anyway...)Aiden Kilbourn doesn't do long-term relationships. He's busy ruling the business world, and has yet to find a woman he can tolerate for longer than a month, two at the outside, anyway. Conquering the unconquerable is basically his bread and butter. And he hasn't met a challenge that he can't win. But Franchesca Baranski? This smart-mouthed girl from Brooklyn may just be his downfall.

    Her life is organized and predictable, revolving around her husband and two children. All that changes the day she stops at the grocery store for some carrots. As the cashier rings up her purchases, a gunman is busy robbing the bank inside the store. When a customer grabs the robber's mask, he is shot and everyone runs for cover. Everyone except Shelby, who finds herself face to face with the killer. The next thing she knows, she's lying on the floor with a bullet wound to her head. Luckily, the bullet only grazes her scalp, and she doesn't suspect any lasting affects until later, when she suddenly 'hears' what people are thinking. With this uncanny ability, her life takes on a whole new dimension. Her kids think she's bossy and too old to understand them, but that's nothing compared to her husband. He says he loves her, but what is it about the redhead at work that he doesn't want her to know? As if that isn't enough, the gunman knows she can identify him, and he's out to silence her forever. In her fight to stay alive, she is saved from certain death by a handsome hit-man with ties to organized crime. This pulls Shelby even deeper into danger, where knowing someone's thoughts can not only hurt her feelings, but get her killed.

       In 2016, Pakistan’s first social media celebrity, Qandeel Baloch, was murdered in a suspected honor killing. Her death quickly became a media sensation. It was both devastatingly routine and breathtakingly brutal, and in a new media landscape, it couldn’t be ignored.   Qandeel had courted attention and outrage with a talent for self-promotion that earned her comparisons to Kim Kardashian—and made her the constant victim of harassment and death threats. Social media and reality television exist uneasily alongside honor killings and forced marriages in a rapidly, if unevenly, modernizing Pakistan, and Qandeel Baloch’s story became emblematic of the cultural divide.   In this deftly reported and artfully told account, Sanam Maher reconstructs the story of Qandeel’s life and explores the depth and range of her legacy from her impoverished hometown rankled by her infamy, to the aspiring fashion models who follow her footsteps, to the Internet activists resisting the same vicious online misogyny she faced. Maher depicts a society at a crossroads, where women serve as an easy scapegoat for its anxieties and dislocations, and teases apart the intrigue and myth-making of the Qandeel Baloch story to restore the humanity of the woman at its center.

    She is studying ballet and he is practising in a law firm. She falls madly in love. He does, but he also cannot, because he is Muslim and there are certain rules.Set in a world of students, Karuna Ezara Parikh sets up a dazzling framework of impossible, forbidden love, difficult joyous friendship, as she delves into migration, Islamophobia and jihad in the wake of a cataclysmic terror event that will have dangerous ramifications the world over.Brilliantly crafted, this magical first novel reveals with great power and grace both the agony and the ecstasy of being human.

    Ali is particularly deft at evoking what life must have been like for those doomed inhabitants, besieged on all sides by intolerant Christendom. "This is a novel that have something to say, and says it well." --"The""Guardian"

    Yasodhara tells the story of her own Sinhala family, rich in love, with everything they could ask for. As a child in idyllic Colombo, Yasodhara's and her siblings' lives are shaped by social hierarchies, their parents' ambitions, teenage love and, subtly, the differences between the Tamil and Sinhala people—but this peace is shattered by the tragedies of war. Yasodhara's family escapes to Los Angeles. But Yasodhara's life has already become intertwined with a young Tamil girl's… Saraswathie is living in the active war zone of Sri Lanka, and hopes to become a teacher. But her dreams for the future are abruptly stamped out when she is arrested by a group of Sinhala soldiers and pulled into the very heart of the conflict that she has tried so hard to avoid – a conflict that, eventually, will connect her and Yasodhara in unexpected ways. In the tradition of Michael Ondatjee's Anil's Ghost and Arundhati Roy's The God of Small Things, Island of a Thousand Mirrors is an emotionally resonant saga of cultural heritage, heartbreaking conflict and deep family bonds. Narrated in two unforgettably authentic voices and spanning the entirety of the decades-long civil war, it offers an unparalleled portrait of a beautiful land during its most difficult moment by a spellbinding new literary talent who promises tremendous things to come.

    A few short weeks before, Aasha’s grandmother Paati passed away under mysterious circumstances and her older sister, Uma, departed for Columbia University--leaving Aasha alone to cope with her mostly absent father, her bitter mother, and her imperturbable older brother.Beginning with Aasha’s grandfather’s ascension from Indian coolie to illustrious resident of the Big House on Kingfisher Lane, and going on to tell the story of how Appa, the family’s Oxford-educated patriarch, courted Amma, the humble girl next door, Evening Is the Whole Day moves gracefully backward and forward in time to answer the many questions that haunt the family: What was Chellam’s unforgivable crime? Why was Uma so intent on leaving? How and why did Paati die? What did Aasha see? And, underscoring all of these mysteries: What ultimately became of Appa’s once-grand dreams for his family and his country? Sweeping in scope, sumptuously lyrical, and masterfully constructed, Evening Is the Whole Day offers an unflinching look at relationships between parents and children, brothers and sisters, the wealthy and the poor, a country and its citizens--and the ways in which each sometimes fails the other. Illuminating in heartbreaking detail one Indian immigrant family’s secrets and lies while exposing the complex underbelly of Malaysia itself, Preeta Samarasan’s debut is a mesmerizing and vital achievement sure to earn her a place alongside Arundhati Roy, Kiran Desai, and Zadie Smith.

    Hari and Lila were born and raised in the village, but now their family is falling into despair: the father to alcohol while the mother is seriously ill. As for money, that there is not even enough to meet the most basic needs between.