After all, it was so-called love that turned Huxley from her childhood best friend into a social-world dictator, and love that left Becca's older sister devastated at the altar. Instead of sitting on the sidelines, Becca strikes back—for just one hundred dollars via PayPal, she will trick and manipulate any couple's relationship into smithereens. And with relationship zombies overrunning her school and treating single girls as if they're second-class citizens, business is unfortunately booming. Even Becca's best friend, Val, has resorted to outright lies to snag a boyfriend.One night, Becca receives a mysterious offer to break up the most popular couple in school: Huxley and raw football team's star player, Steve. To succeed, she'll have to plan her most elaborate scheme to date—starting rumors, sabotaging cell phones, breaking into cars...not to mention sneaking back into Huxley's good graces. All while fending off the inappropriate feelings she may or may not be having for Val's new boyfriend.No one said being the Break-Up Artist would be easy.

    But inside, Maddie spends more time agonizing over what will happen in the next issue of her favorite comic book than planning pep rallies with her squad. That she’s a nerd hiding in a popular girl's body isn’t just unknown, it's anti-known. And she needs to keep it that way. Summer is the only time Maddie lets her real self out to play, but when she slips up and the adorkable guy behind the local comic shop’s counter uncovers her secret, she’s busted. Before she can shake a pom-pom, Maddie’s whisked into Logan’s world of comic conventions, live-action role-playing, and first-person-shooter video games. And she loves it. But the more she denies who she really is, the deeper her lies become…and the more she risks losing Logan forever.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.