The couple who survived the Great Hunger have had to watch more than half their family leave the parish. The responsibility to care for one another extends beyond blood or marriage ties for the McGrother family in New York, when a young Irishman goes missing in America. Back in Ireland, at a time when James and Mary least expect it, a family member returns - but not everyone is pleased with the reunion.

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.

    This book, which won raves at its first publication, shows all the hallmarks of the writer who became the award-winning film director so well known today.

    With compassionate wit and insight, Campbell McGrath transports us on a journey through contemporary society, transforming the commonplace into scenes of profound revelation. From late-night bars to early-morning diners, suburban malls to the Mojave Desert, McGrath's meticulously detailed vision defines singular moments of joy and melancholy.

    So when Amy Donoghue, social media manager extraordinaire steps in to rehabilitate her image, Ali realises she may have to wade once more into the grubby insta-hole. With her ex, Sam, still ignoring her and her mother Mini having a mild grief-induced psychotic break (her scheme for scattering Miles' ashes seems not only bonkers but borderline illegal), Ali's got little else to cling on to but #sponcon and #ootds. Meanwhile Shelly is trying to settle into her new life as a mum-of-two while being held hostage by her mysterious insta-stalker whose sole objective is to keep Shelly on Instagram. But with her fellow Mummy Influencer friends @HolisticHazel immersed in creating WYND festival (her answer to the Goop Summit) and @PollysFewBits being as non-descript as ever, Shelly must get to the bottom of it herself. When Ali starts attending Catfishers Anonymous as a part of Amy's plan for Image Rehab, she discovers some information that may just help Shelly ...

    Not so much a stream of consciousness, as an unconscious railing against a life that makes little sense, and a shocking and intimate insight into the thoughts, feelings and chaotic sexuality of a vulnerable and isolated protagonist. To read A Girl Is A Half-Formed Thing is to plunge inside its narrator's head, experiencing her world first-hand. This isn't always comfortable - but it is always a revelation.Touching on everything from family violence to sexuality and the personal struggle to remain intact in times of intense trauma, McBride writes with singular intensity, acute sensitivity and mordant wit. A Girl is a Half-formed Thing is moving, funny – and alarming. It is a book you will never forget.

    With a passionate introduction by Enright, The Granta Book of the Irish Short Story traces this great tradition through decades of social change and shows the pleasure Irish writers continue to take in the short-story form. Deft and often devastating, these short stories dodge the rolling mythologies of Irish life to produce truths that are delightful and real. Includes Roddy Doyle, Elizabeth Bowen, Frank O’Connor, Seán Ó Faoláin, Edna O’Brien, Colm Tóibín, Clarie Keegan and William Trevor.The road to the shore / Michael McLaverty --The pram / Roddy Doyle --An attack of hunger / Maeve Brennan --Summer voices / John Banville --Summer night / Elizabeth Bowen --Music at Annahullion / Eugene McCabe --Naming the names / Anne Devlin --Shame / Keith Ridgway --Memory and desire / Val Mulkerns --The mad Lomasneys / Frank O'Connor --Walking Away / Philip Ó Ceallaigh --Villa Marta / Clare Boylan --Lilacs / Mary Lavin --Meles Vulgaris / Patrick Boyle --The trout / Seán Ó Faoláin --Night in Tunisia / Neil Jordan --Sister Imelda / Edna O'Brien --The key / John McGahern --A priest in the family / Colm Tóibín --The supremacy of grief / Hugo Hamilton --The swing of things / Jennifer C Cornell --Train Tracks / Aidan Mathews --See the tree, how big it's grown / Kevin Barry --Visit / Gerard Donovan --Everything in this country must / Colum McCann --Curfew / Sean O'Reilly --Language, truth and lockjaw / Bernard MacLaverty --Midwife to the fairies / Éilís Ní Dhuibhne --Men and women / Clare Keegan --Mothers were all the same / Joseph O'Connor --The dressmaker's child / William Trevor

     When Colin Coyne, a young American filmmaker seeking aesthetic inspiration in Ireland, catches a pickpocket red-handed in a hotel pub, all it takes is one look into her dazzling eyes for him to fall hard. Purely for the sake of research -- or so he tells himself -- he hurtles headlong into the bewitching world of Gina Furey, a stunningly beautiful, iron-willed denizen of Dublin's gypsy criminal underground. Before he knows what's happening, he finds himself a star player in a Pygmalion-like relationship rich with dramatic film possibilities: the earnest Yankee auteur woos and wins the dangerous gypsy thief. But the tenuous lines separating art and reality soon dissolve and the neatly linear screenplay unfolding inside Colin's head is eclipsed by the brutal chaos and unpredictability of true life. By turns devastating and hopeful, bittersweet and hilarious, Fork in The Road is both a tragic love story and the riveting drama of one man's heartbreaking journey from exhilaration to desolation.

    In this stunningly unusual prose debut, Doireann Ni Ghriofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers centuries apart. In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem. In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story. A devastating and timeless tale about one woman freeing her voice by reaching into the past and finding another's.

    Solar Bones is the story of one such visit. Marcus Conway, a middle-aged engineer, turns up one afternoon at his kitchen table and considers the events that took him away and then brought him home again.Funny and strange, McCormack’s ambitious and other-worldly novel plays with form and defies convention. This is profound new work is by one of Ireland’s most important contemporary novelists. A beautiful and haunting elegy, this story of order and chaos, love and loss captures how minor decisions ripple into waves and test our integrity every day.

    This is it. This is really the end. I was now a matter of seconds away from the moment all the numbers stopped for ever. My career total of National Hunt winners would remain at 4,348 after this, my 17,546th ride. All the stats, the numbers that had governed my life for the last two decades, they were just a few hundred yards from being stilled for ever. My whole career, my whole adult life, had been built on making those numbers click upwards as fast as I could, but in a couple of furlongs they would never move again.Deciding to retire was the most difficult decision I've ever had to make. Fortunately I was able to go out at the very top, and being able to say that makes me a very, very lucky man indeed. And now, in this book, I've been able to look back over my entire career - both good and bad moments - and see it in its entirety: the biggest wins, the disappointments, the injuries and the tragedies, my wonderful family, and the amazing horses and the fantastic personalities I've worked with.18,000 people turned up to that final race at Sandown, and I can now look back on my career with immense pride and gratitude. But that chapter of my life is closed. This book is the final word on my riding career - it's time to move forward.

    Here are sad-hearted priests, old friends, young lovers, rockers and rebels, husbands and runaway wives, punks and poets. They all are clinging desperately to some kind of faith in a mutable and dangerous world.

    Philo announces herself at their door one Sunday evening with the words, "God pointed me here." A large presence, weighing 240 pounds and bearing tattoos on her arm, Philo smokes, swears, and loves to eat. She is also a mother of five and in flight from her abusive husband, Tommo. In no time at all, Philo has made herself indispensable. At the senior Daycare Center, she gets the old folks talking to one another, singing old favorites, and playing bingo again. And with all the love she's got to give, it's only natural that she helps Cap and Dina-two people at the Center long separated by a bitter feud-come together again. By turns comical and tender, Peter Sheridan's novel is a beautifully written portrait of an unforgettable woman who touches everyone she meets through the sheer force of being herself.

    Where Stella's family struggle to make ends meet, Charlie can have anything he wants, and that includes Stella, who is rapidly falling for him. Then Stella discovers she is pregnant. Suddenly Charlie is gone, and Stella is left with only the bracelet he gave her. Stella's devoutly religious mother, horrifed by the scandal, sends her errant daughter to a Magdalene Laundry convent, miles from home, where in return for daily and rigorous and endless chores, Stella will be able to have her baby in secret. The convent is bleak and austere, the nuns themselves cruel and lacking compassion. When Stella's baby girl is born, it will be taken from her for adoption, the only answer is to run away with her child. But Stella didn't expect the struggle and pain of being a single mother - with her family turning against her, who can she rely on for help. Out of the blue, comes support and love from an unexpected quarter, to finally make Stella's story a happy one.

    The one catch is she has to masquerade as a member of a cookery course and the only piece of culinary equipment Leo can handle is a tin opener - Weekend Entertaining Part 1 is daunting to say the least. As she strips away layers of marital infidelity - not to mention several other scandalous secrets - she battles with bread-making and brulee. But where will it all end - in triumph or tragedy?