But as the line between idealism and violence becomes increasingly blurred, the friends are driven apart—one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom.

    They and their five children work relentlessly to tame their patch of land, buying saplings from a local tree man known as John Appleseed so they can cultivate the fifty apple trees required to stake their claim on the property. But the orchard they plant sows the seeds of a long battle. James loves the apples, reminders of an easier life back in Connecticut; while Sadie prefers the applejack they make, an alcoholic refuge from brutal frontier life.1853: Their youngest child Robert is wandering through Gold Rush California. Restless and haunted by the broken family he left behind, he has made his way alone across the country. In the redwood and giant sequoia groves he finds some solace, collecting seeds for a naturalist who sells plants from the new world to the gardeners of England. But you can run only so far, even in America, and when Robert's past makes an unexpected appearance he must decide whether to strike out again or stake his own claim to a home at last.Chevalier tells a fierce, beautifully crafted story in At the Edge of the Orchard, her most graceful and richly imagined work yet.

    Having Polish friends meant it was becoming increasingly unsafe for her to stay there and she finds a new life in the Harz Mountains. This taking her still further away from her home and her beloved younger sister, Erika.In Goslar, Hilde meets her husband, Karl, a young officer in the German Army.When he joins the 7th Panzer Brigade led by General Erwin Rommel at the beginning of WW II, Hilde is left to bring up their children in war-torn Germany.After Rommel's promotion to Field Marshal, Karl follows him to Africa, later Italy and ultimately Karl is posted to the Russian front. Hilde's story is based on facts and is told by her youngest daughter, Elisabeth

    Anna, a devoutly Catholic teenager, watches as her friend is shot, as her father is dragged off for conscription in the German army.Szymon, the young village priest, stands silently with his parishioners as their church is ransacked and torched. Anna clings to him—her dear friend and confidant—and by some luck, the Germans spare them.Five Septembers later, Anna and Szymon still cling together, now amid the turmoil of war. Though Anna dreads her engagement to a local ruffian and Szymon fears for his father’s life back home, the two find solace in their friendship.But when the Soviet army comes to “liberate” them, Anna endures an unspeakable atrocity and Szymon suffers his own tragedy. Now bound even more tightly by the sorrows they carry, they face a choice: honor the vows they’ve made to others or risk everything for the chance at salvation in each other.

    In this, his final novel, he confronts the legacy of evil, and our unquenchable desire to wrest good from it. One week in late autumn of 1996, a group gathers at the site of a former death camp. They offer prayer at the crematoria and meditate in all weathers on the selection platform. They eat and sleep in the sparse quarters of the Nazi officers who, half a century before, sent more than a million Jews in this camp to their deaths. Clements Olin has joined them, in order to complete his research on the strange suicide of a survivor. As the days pass, tensions both political and personal surface among the participants, stripping away any easy pretense to resolution or healing. Caught in the grip of emotions and impulses of bewildering intensity, Olin is forced to abandon his observer’s role and to bear witness, not only to his family’s ambiguous history but to his own. Profoundly thought-provoking, In Paradise is a fitting coda to the luminous career of a writer who was “for all readers. He was for the world” (National Geographic).

    Benjamin Katz and his frightened family stand at the train station in occupied Holland, unsure if they would be taken to their freedom—or the death camp. Sylvie, his granddaughter, who was six years old at the time, would later recall the madness as they wondered if their desperate last minute escape would work. When the German officer received the order to allow the escape he said, “I would have much rather been given the order to kill all of you.”Their entire art collection had long made them a prime target of Adolf Hitler and his greedy henchmen. Now they had one big trade—a Rembrandt in exchange for twenty-five lives.Based on a true story, Rembrandt’s Shadow is the story of two women from different generations—each with their own distinct horrific memories—who find themselves at odds when forced to confront the here and now.

    Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family’s entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it?In the gothic tradition of Flannery O’Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre’s literary masters.

    An only child, he lives alone with Emilie, the mother he adores but who treats him with bitter severity. He begins an intense friendship with a Jewish boy his age, talented and mercurial Anton Zweibel, a budding concert pianist. Moving backward to the war years and the painful repercussions of an act of conscience, and forward through the lives and careers of two men, The Gustav Sonata explores the passionate love of childhood friendship as it is lost, transformed, and regained over a lifetime. Moving between the 1930s and the 1990s, this fierce and beautifully orchestrated novel explores the vast human issues of racism and tolerance, flight and refuge, cruelty and tenderness. It is a powerful and deeply moving addition to the beloved oeuvre of one of our greatest contemporary novelists.

    Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.