Instead, having spirited him from his bedchamber, she apparently sold the metamorphosed Gregor to a Viennese sideshow, where-it being 1915-he could earn his living lecturing carnival crowds on the implications of Rilke and Herr Spengler. In this delightfully original work of imagination, compassion, and good reason, we follow the trajectory of Kafka's salesman-turned-cockroach across two continents and thirty years as he touches the most significant flash points of his time. In the process, Marc Estrin delivers a human saga of cultural ambition and compassionate insight that may be the most surprising addition to Jewish literature in a generation. What's more, the book is funny. And Estrin's Gregor is downright endearing. With its reach and substance, Insect Dreams is nothing short of a liberal education-in cultural history, musical theory, nuclear physics, and the world of ideas. But it's also a remarkable reading experience. With a scope, heart, and intelligence unparalleled in recent memory, Insect Dreams should spark wide-ranging discussions about who we're becoming, now that the swiftest century is complete.

    An invaluable selection of contextual material includes five Hawthorne stories that are closely related to The Scarlet Letter, along with relevant letters and notebook entries. A substantial excerpt from Hawthorne s campaign biography of Franklin Pierce offers a revealing glimpse at Hawthorne s political thought, especially regarding slavery and abolition. "Criticism" provides a comprehensive overview of early and modern commentary on The Scarlet Letter and the stories in this edition, including nineteenth-century reviews of the novel and critical essays by Robert S. Levine, Nina Baym, Larry J. Reynolds, and Jean Fagan Yellin. A Chronology and Selected Bibliography are also included."

    Through the dramatic characterization of the famous physicist, Brecht examines the issues of scientific morality and the difficult relationship between the intellectual and authority. This version of the play is the famous one that was brought to completion by Brecht himself, working with Charles Laughton, who played Galileo in the first two American productions (Hollywood and New York, 1947). Since then the play has become a classic in the world repertoire. "The play which most strongly stamped on my mind a sense of Brecht's great stature as an artist of the modern theatre was Galileo." - Harold Clurman; "Thoughtful and profoundly sensitive." - Newsweek.