Raised with the high-class Victorian values and ideals of a sophisticated upbringing, she is unprepared for the poverty she finds in the gritty factory town of Smeatley, where the locals speak with a hard-to-understand Yorkshire accent and struggle to thrive with few resources or opportunities. Though she has no training as a teacher, she must prove herself successful before her grandfather will release her substantial inheritance to her and allow her to be reunited with her younger sister, the last remaining member of her family after a fever claimed the lives of her parents and brothers. Evangeline's sudden change in circumstances is complicated when her aunt—a woman who values class distinctions more than her family relationships—forbids her from acknowledging any connection to her or to her grandfather, Mr. Farr—the man who owns nearly the entire town. For the first time in her life, Evangeline is truly alone. Heartbroken, she turns to the one person in town who has shown her kindness—an Irish brick mason, Dermot, and his son, Ronan. Despite the difference in their classes and backgrounds, Evangeline and Dermot become friends, due in part to her ability to connect with Ronan, whose behavior requires special attention. The boy is uncomfortable around strangers and rarely even speaks to the other children in town. He often fixates on details other people ignore, and he adheres to specific, self-made rules that give his life order and structure; for example, Dermot's coat must be hung on a specific peg next to the door. Evangeline attempts to prove herself a worthy teacher and earn the respect of her hard-to-understand students. Determined to find a way to introduce them to "proper English" while still honoring their unique language and culture, she enlists the help of a local family to write down familiar stories in the Yorkshire vernacular. Because of her efforts, the students and their families warm to Evangeline and she continues to look for ways to give the children a chance to become more than factory workers in the local cotton mill. When the town learns of her upper-class status, Evangeline must work twice as hard to win back their trust--especially Dermot's. In the end, Evangeline and Dermot discover that, even though they come from different social spheres, together they can overcome social prejudices, make a positive difference in the lives of even the humblest people, and enjoy the strength that comes when two hearts find each other.Ashes on the Moor is the inspiring love story of one Victorian woman's courage to fight against all odds, and the man whose quiet strength gives her the confidence to keep trying.

    Now, Madeline is free to enter the home of a notorious gambler, and pretends to be meek, humble, and competent with an iron. She is, of course, none of those things; she simply is resolved to win her family's fortune back. Just when she thinks matters can't get worse, she meets Gabriel Ansell, the earl of Campion, and they do. Horribly worse.Four years ago, Madeline was engaged to Gabriel, and worshipped his arrogant kisses. Now, being forced to marry a man she doesn't know pales in comparison to the ordeal of facing Gabriel again, the man who betrayed her -- Gabriel, the only man she ever loved.

    William never knew that Elizabeth’s act of charity cost her greatly. Once Cromwell’s men discover that Elizabeth gave aid to one of Charles’ cavaliers, they seize her family’s estates, thus forcing Elizabeth into an unwanted marriage in order to survive.As a widow, Elizabeth arrives in the Merry Monarch’s court hoping to convince the king to restore her lands. William, now Earl Rivers and the court’s official poet, knows he must help his old friend. He knows exactly how to repackage Elizabeth so that she can capture the king’s attention, but what this infamous libertine doesn't expect is that he will fall in love with his new creation instead.

    So when her beloved brother passes away, she welcomes the unexpected trip to the Tuscan city of Siena to resolve his estate, even as she wrestles with grief. But as she delves deeper into her brother’s affairs, she discovers intrigue she never imagined—a 700-year-old conspiracy to decimate the city. As Beatrice explores the evidence further, she uncovers the journal and paintings of the fourteenth-century artist Gabriele Accorsi. But when she finds a startling image of her own face, she is suddenly transported to the year 1347. She awakens in a Siena unfamiliar to her, one that will soon be hit by the Plague. Yet when Beatrice meets Accorsi, something unexpected happens: she falls in love—not only with Gabriele, but also with the beauty and cadence of medieval life. As the Plague and the ruthless hands behind its trajectory threaten not only her survival but also Siena’s very existence, Beatrice must decide in which century she belongs. The Scribe of Siena is the captivating story of a brilliant woman’s passionate affair with a time and a place that captures her in an impossibly romantic and dangerous trap—testing the strength of fate and the bonds of love.