But what if, instead of having been founded 50 books ago, Hard Case Crime had been founded 50 years ago, by a rascal out to make a quick buck off the popularity of pulp fiction? Such a fellow might make a few enemies – especially after publishing a supposed non-fiction account of a heist at a Mob-run nightclub, actually penned by an 18-year-old showgirl. With both the cops and the crooks after them, our heroes are about to learn that reading and writing pulp novels is a lot more fun than living them...

    hotel (no, not that hotel) investigating a twisty tale of burglary and murder, of skullduggery under cover of darkness, of deception and shifting loyalties – and of the price you pay when you trust the wrong people…

    She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She's been doing this for a while, and she's good at it.And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her. She starts writing down names. And now she's a girl with a mission. Picking up their trails. Hunting them down. Crossing them off her list...

    Michael Tree sees a conspiracy. For Ms. Tree digging into it could mean digging her own grave - and digging up her own murdered husband's.

    But what if she weren't actually dead? What if she somehow secretly survived - but lost her sight, and her memory, and everything else she had - except her enemies? Jack has a second chance to save her.

    — But could any man ever have her? — After years at sea, Swede Nelson just wanted to find a nice girl and settle down. What he found was Corliss Mason: sensual irresistible - and deadly. Soon Swede's helping Corliss cover up a killing, but how long can they get away with murder? And why - even when he's in her arms - can't he shake that feeling that he's being set up?A writer for radio, television, movies, pulp magazines and paperbacks, DAY KEENE created some of the most memorable noir nightmares ever penned. HOME IS THE SALIOR is his greatest book, a tale of passion and obession that makes James M. Cain and Jim Thompson look tame -- now available of the first time in decades!

    In 'Spiderweb', Eddie Haines is collecting secrets from his wealthy clients in order to blackmail them.

    Growing up in the Atlantic City mob has left its mark on Anthony Russo. He wants to go legit, but sometimes the lawful world can prove to be just as dirty. And someone elses murder may be the only way to prevent his own.

    Now he was just an addict, scraping to get by, letting his hunger for drugs consume him. But a man’s life can always get worse - as Ray Stone discovers when he wakes up beside a beautiful nightclub singer only to find her dead... and 16 ounces of pure heroin missing. On the run from the law, desperate to prove his innocence and find a killer, Ray also faces another foe, merciless and unforgiving: his growing craving for a fix...

    Leaving a trail of bodies in his wake, Bill Wayne journeys across the West to discover which one of his former army buddies shot him in the back and left him for dead.

    But that ended the day he saw a beautiful Mob wife become a Mob widow. Now Paul is going to break every one of the rules he’s lived by to protect the woman he loves—even if it means he might be left holding the bag..."Personal, hard-hitting, idiosyncratic...Everything was about storytelling, the great yarn."— Quentin Tarantino"One of the great movie directors of the 20th century...most certainly its greatest storyteller."— Wim Wenders In a career that spanned half a century, Samuel Fuller wrote and directed classic movies that inspired filmmakers as varied as Steven Spielberg, Martin Scorsese, Francis Ford Coppola, Jean-Luc Godard, Jim Jarmusch, Wim Wenders, and Quentin Tarantino. He also wrote unforgettable novels such as the noir classic THE DARK PAGE—and this book, his last, which has never previously been published in the English language.

    When the thirty-six pounds of gold he steals from a lab turns out to be radioactive, down-and-out thief Tony Catell has to stay one step ahead of the FBI while trying desperately to find someone willing to take it off his hands.

    While Chicago cabbie Eddie Miles drives the city streets at midnight, two killers--one targeting prostitutes, the other cab drivers--are out plying their trade.

    American reporter Sam Briscoe, after visiting relatives in Northern Ireland and inadvertently getting involved in an international IRA gun-smuggling plot, must deal with a group of sadistic terrorists who have not only kidnapped his daughter but also have plans on blowing up a historic Manhattan landmark. While visiting his 72-year-old uncle -- a staunch IRA supporter -- in Northern Ireland, Briscoe gets the once-in-a-lifetime chance to talk face to face with an enigmatic IRA leader known only as Commander Steel. In return for the exclusive interview, Briscoe agrees to deliver an envelope to an Irish tavern owner in Queens upon his return to the States. But shortly after Briscoe hands over the envelope to its intended recipient, Irish-born Jack McDaid, McDaid and his bar are blown to smithereens by a bomb; and Briscoe becomes entangled in a bloody conflict that could mean the death of him, his daughter, four prominent Irish-American politicians, and thousands of innocents. As with every Hard Case Crime release since the imprint's 2004 inception, The Guns of Heaven is an utterly readable and thoroughly enjoyable pulp noir gem. As timely as it is timeless, this unearthed crime fiction classic featuring hard-nosed reporter Sam Briscoe will enthrall, enlighten, and, above all else, entertain. Paul Goat Allen

    But in the slums of Kingston James found himself fighting for his life – while Cora found her own path to destruction, in the arms of another man. Available for the first time in more than 50 years, this lost novel by legendary pulp author David Goodis is a stunning, shocking tale of cruelty, danger, desperationâ�¦and the possibility of redemption.