These energetic, sensual street celebrations serve as backdrops to the story of best friends Neet and Shay and their families.When Neet becomes pregnant by one of the corner boys, Shay arranges an abortion that goes terribly awry when Neet begins to hemorrhage. Neet is left unable to bear children and to Shay’s horror slips under the spell of her mother Alberta’s severe, esoteric religious beliefs. Shay is left to struggle with the grief of losing a cherished friendship, while she also bears witness to the the disintegration of her parents’ marriage. The story climaxes during the second block party, during which time it is discovered that Neet and Alberta have disappeared from Cecil Street—the holy-roller mother, Alberta, having finally been set free from the shackles of her church by none other than Shay’s father.

    Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father. As she grows older, Mattie becomes more like family to Lisbeth than her own kin and the girl’s visits to the slaves’ quarters—and their lively and loving community—bring them closer together than ever. But can two women in such disparate circumstances form a bond like theirs without consequence? This deeply moving tale of unlikely love traces the journey of these very different women as each searches for freedom and dignity. Revised edition: This edition of Yellow Crocus includes editorial revisions.

    She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle's, estimation, but she's also the brightest. Rozelle--beautiful, charismatic, and light-skinned--exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at "the farmhouse" on the edge of town, where Rozelle beds local men for money.But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle's grasp without ruinous--even fatal--consequences?

    For an enslaved mother, daughter, and grandmother, Montpelier plantation in Virginia is a living hell- and the proprietor, at least initially, is none other than President James Madison. A Long Way from Home opens during Madison's lifetime, when Susie and her daughter Clara serve the First Couple as house slaves. Yet even this regime seems civilized compared to the havoc unleashed by Madison's brutal stepson. As Clara fends off (and ultimately succumbs to) the sexual advances of one master after another, the author conjures up the entire world of the "peculiar institution."It is Susie's granddaughter and namesake, Susan, who first leaves Montpelier. Not, of course, voluntarily: she is sold to a family living in Richmond. Chained in the back of a departing wagon, she "clenched her teeth and stared at the sky. How dare the day be so clear, so beautiful, on this, the worst day of her life." But as the Civil War erupts, Susan ponders the possibility of a more joyous liberation. As Briscoe makes clear, the prospect elicited a complex blend of emotions from many slaves- Susan, for example, has been lulled into considering herself a part (if a diminished part) of her white master's family. A Long Way from Home does occasionally fall back on the pat formulas of the television miniseries, and Briscoe doesn't manage to quite ignite Susan's conflicted feelings about bondage and freedom. But Susan's postwar travails do convey the reality that Reconstruction was not only a political process but also a painfully personal one. --Katherine Anderson

    Neighbors while away afternoons at the local bar, swapping rumors about voodoo, incest, and illegitimate children. Usually they're gossiping about the Botens. In this epic saga, Lolita Files unveils the hidden lives of three generations of the Boten clan, a family as cursed by fate as they are blessed with hope. There's Grandma Amalie, who's willing to sacrifice everything for her son; there's Grace, who manages to conceal the identity of her child's father for more than twenty years; there's Aunt Sukie, whose strange power over her husband, Walter, is matched only by the strength of her dark magic; and, finally, there's Lay, whose secret betrayals will set the Boten clan in motion, sending its members on a quest for self-discovery that will lead them from one end of the world to the other.From the drug-infested world of inner-city Detroit to the jungles of Vietnam, Lolita Files deftly captures one family's struggle to drag demons out into the light in this compelling story of the bonds of blood, forbidden love, sacrifice and redemption.

    Sandy’s mother, Annjee, works as a housekeeper for a rich white family, while his father traverses the country in search of work. Not Without Laughter is a moving examination of growing up in a racially divided society. A rich and important work, Hughes deftly echoes the Black American experience with this novel.

    In and out of school, taking care of her fourteen brothers and sisters, she can see no way out. But when a new family burden threatens to overwhelm her, she at last leaves for the city, only to find that her life gets even tougher. Ranging from the Deep South at the turn of the century, to a diverse contemporary town filled with people striving for a better life, Some People, Some Other Place is J. California Cooper at her irresistible, surprising best.

    He's also a pastor. And when he starts courting the quiet, homespun Essie Lee Lane-and she accepts his marriage proposal-a few of the church folk decide to teach Essie what it really means to be a pastor's wife, and show her how little she knows about them. But as Theophilus gains prominence in his denomination, Essie evolves from a mousy parishioner into an independent and Godly woman. Now sporting an afro and driving her new purple Cadillac, Essie teaches the church folk what it really means to stand by your man-and your beliefs.

    . .Annette Goode is a shy, awkward, overweight child with a terrible secret. Frightened and ashamed, Annette withdraws into a world of books and food. But the summer Annette turns thirteen, something incredible happens: Rhoda Nelson chooses her as a friend. Dazzling, generous Rhoda, who is everything Annette is not--gorgeous, slim, and worldly--welcomes Annette into the heart of her eccentric family, which includes her handsome and dignified father;her lovely, fragile "Muh'Dear;" her brooding, dangerous brother Jock;and her colorful white relatives--half-crazy Uncle Johnny, sultry Aunt Lola, and scary, surly Granny Goose.With Rhoda's help, Annette survives adolescence and blossoms as a woman. But when her beautiful best friend makes a stunning confession about a horrific childhood crime, Annette's world will never be the same."A coming-of-age journey depicted with wit, poignancy and bite." --Publishers Weekly

    Let the people of West Mills say what they will; the neighbors’ gossip won’t keep Knot from what she loves best: cheap moonshine, nineteenth-century literature, and the company of men. And yet, Knot is starting to learn that her freedom comes at a high price. Alone in her one-room shack, ostracized from her relatives and cut off from her hometown, Knot turns to her neighbor, Otis Lee Loving, in search of some semblance of family and home. Otis Lee is eager to help. A lifelong fixer, Otis Lee is determined to steer his friends and family away from decisions that will cause them heartache and ridicule. After his failed attempt as a teenager to help his older sister, Otis Lee discovers a possible path to redemption in the chaos Knot brings to his doorstep. But while he’s busy trying to fix Knot’s life, Otis Lee finds himself powerless to repair the many troubles within his own family, as the long-buried secrets of his troubled past begin to come to light.Set in an African American community in rural North Carolina from 1941 to 1987, In West Mills is a magnificent, big-hearted small-town story about family, friendship, storytelling, and the redemptive power of love.

    Stevie is a bookworm, yet she longs to fit in with the cool crowd. Fighting her mother every step of the way, she begins to experiment with talkin' trash, "kicking butt," and boys.With the assassination of Dr. King she gains a new political awareness, which makes her decide to wear her hair in a 'fro instead of straightened, to refuse to use skin bleach, and to confront the prejudice she observes in blacks as well as whites. April Sinclair writes frankly about a young black woman's sexuality, and about the confusion Stevie faces when she realizes she's more attracted to the school nurse—who is white—than her teenage boyfriend. As readers follow Stevie's at times harrowing, at times hilarious story, they will learn what it was like to be black before black was beautiful.

    When the daughters from each family meet and form a friendship, only one of them knows they are sisters. It is a relationship destined to explode when secrets are revealed and illusions shattered. As Jones explores the backstories of her rich and flawed characters, she also reveals the joy, and the destruction, they brought to each other’s lives.At the heart of it all are the two girls whose lives are at stake, and like the best writers, Jones portrays the fragility of her characers with raw authenticity as they seek love, demand attention, and try to imagine themselves as women.

    Multigenerational saga of Alex Haley's father's family through his grandmother, Queen, the proud daughter born of a slave and a white slave owner.

    But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' storylines intersect?Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person's decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.

    Sherry has struggled all her life to understand who she is, where she comes from, and, most important, why her mother slapped her cheek one summer afternoon. The incident has haunted Sherry, and it causes her to dig into her family's past. Like many family histories, it is fractured and stubbornly reluctant to reveal its secrets; but Sherry is determined to know the full story. In just a few days' time, her extended family will gather for a reunion, and Sherry sets off across the country with her mother, Dumpling, to join them. What Sherry and Dumpling find on their trip is far more important than scenic sites here and there--it is the assorted pieces of their family's past. Pulled together, they reveal a history of amazing survival and abundant joy.