He outslugged Willie Mays, Hank Aaron, and Mickey Mantle when they were in their prime, but while they made repeated World Series appearances in the 1950s and 60s, Banks spent his entire career with the woebegone Chicago Cubs, who didn't win a pennant in his adult lifetime.Today, Banks is remembered best for his signature phrase, "Let's play two," which has entered the American lexicon and exemplifies the enthusiasm that endeared him to fans everywhere. But Banks's public display of good cheer was a mask that hid a deeply conflicted, melancholy, and often quite lonely man. Despite the poverty and racism he endured as a young man, he was among the star players of baseball's early days of integration who were reluctant to speak out about Civil Rights. Being known as one of the greatest players never to reach the World Series also took its toll. At one point, Banks even saw a psychiatrist to see if that would help. It didn't. Yet Banks smiled through it all, enduring the scorn of Cubs manager Leo Durocher as an aging superstar and never uttering a single complaint.Let's Play Two is based on numerous conversations with Banks and on interviews with more than a hundred of his family members, teammates, friends, and associates as well as oral histories, court records, and thousands of other documents and sources. Together, they explain how Banks was so different from the caricature he created for the public. The book tells of Banks's early life in segregated Dallas, his years in the Negro Leagues, and his difficult life after retirement; and features compelling portraits of Buck O'Neil, Philip K. Wrigley, the Bleacher Bums, the doomed pennant race of 1969, and much more from a long-lost baseball era.

    During his prime he became a legend in Cuba and one of Black America’s most popular figures. Yet even among serious sports fans, Oscar Charleston is virtually unknown today. In a long career spanning from 1915 to 1954, Charleston played against, managed, befriended, and occasionally fought men such as Lou Gehrig, Jimmie Foxx, Lefty Grove, Satchel Paige, Josh Gibson, Jesse Owens, Roy Campanella, and Branch Rickey. He displayed tremendous power, speed, and defensive instincts along with a fierce intelligence and commitment to his craft. Charleston’s competitive fire sometimes brought him trouble, but more often it led to victories, championships, and profound respect. While Charleston never played in the Major Leagues, he was a trailblazer who became the first Black man to work as a scout for a Major League team when Branch Rickey hired him to evaluate players for the Dodgers in the 1940s. From the mid‑1920s on, he was a player‑manager for several clubs. In 1932 he joined the Pittsburgh Crawfords and would manage the club many consider the finest Negro League team of all time, featuring five future Hall of Famers, including himself, Cool Papa Bell, Josh Gibson, Judy Johnson, and Satchel Paige. Charleston’s combined record as a player, manager, and scout makes him the most accomplished figure in Black baseball history. His mastery of the quintessentially American sport under the conditions of segregation revealed what was possible for Black achievement, bringing hope to millions. Oscar Charleston introduces readers to one of America’s greatest and most fascinating athletes.

    Underneath the crew cut and behind the all-American boy-next-door good looks lurked a maverick with a signature style. Whether it was his frank talk about player salaries and mistreatment by management, his passionate advocacy of progressive politics, or his efforts to convince the United States to boycott the 1968 Olympics, Bouton confronted the conservative sports world and compelled it to catch up with a rapidly changing American society.                Bouton defied tremendous odds to make the majors, won two games for the Yankees in the 1964 World Series, and staged an improbable comeback with the Braves as a thirty-nine-year-old. But it was his fateful 1969 season with the Seattle Pilots and his resulting insider’s account, Ball Four, that did nothing less than reintroduce America to its national pastime in a lasting, profound way. In Bouton: The Life of a Baseball Original, Mitchell Nathanson gives readers a look at Bouton’s remarkable life. He tells the unlikely story of how Bouton’s Ball Four, perhaps the greatest baseball book of all time, came into being, how it was received, and how it forever changed the way we view not only sports books but professional sports as a whole. Based on wide-ranging interviews Nathanson conducted with Bouton, family, friends, and others, he provides an intimate, inside account of Bouton’s life. Nathanson provides insight as to why Bouton saw the world the way he did, why he was so different than the thousands of players who came before him, and how, in the cliquey, cold, bottom‑line world of professional baseball, Bouton managed to be both an insider and an outsider all at once.

    And even fewer who are as well respected as Bill White.Bill White, who's now in his mid 70s, was an All-Star first baseman for many years with the New York Giants, St.Louis Cardinals and Philadelphia Phillies before launching a stellar broadcasting career with the New York Yankees for 18 years. He left the broadcast booth to become the President of the National League for five years. A true pioneer as an African-American athlete, sportscaster, and top baseball executive, White has written his long-awaited autobiography in which he will be candid, open, and as always, most forthcoming about his life in baseball. Along the way, White shares never-before-told stories about his long working relationship with Phil Rizzutto, insights on George Steinbrenner, Barry Bonds, Reggie Jackson, Thurman Munson, Bob Gibson, Bart Giamatti, Fay Vincent, and scores of other top baseball names and Hall of Famers. Best of all, White built his career on being outspoken, and the years fortunately have not mellowed him. UPPITY is a baseball memoir that baseball fans everywhere will be buzzing about.

    That it culminated in an unlikely World Series win—during a campaign split by the longest player strike in baseball history—is not even the most interesting thing about this team. The Dodgers were led by the garrulous Tommy Lasorda—part manager, part cheerleader—who unyieldingly proclaimed devotion to the franchise through monologues about bleeding Dodger blue and worshiping the “Big Dodger in the Sky,” and whose office hosted a regular stream of Hollywood celebrities. Steve Garvey, the All-American, All-Star first baseman, had anchored the most durable infield in major league history, and, along with Davey Lopes, Bill Russell, and Ron Cey, was glaringly aware that 1981 would represent the end of their run together. The season’s real story, however, was one that nobody expected at the outset: a chubby lefthander nearly straight out of Mexico, twenty years old with a wild delivery and a screwball as his flippin’ out pitch. The Dodgers had been trying for decades to find a Hispanic star to activate the local Mexican population; Fernando Valenzuela was the first to succeed, and it didn’t take long for Fernandomania to sweep far beyond the boundaries of Chavez Ravine.They Bled Blue is the rollicking yarn of the Los Angeles Dodgers’ crazy 1981 season.

    For more than fifty years, Casey Stengel lived baseball, first as a player (he was the only person in history to play for all the New York teams--the Dodgers, Giants, Yankees, and Mets), and then as a manager (for the Yankees and Mets, among others). He made his biggest mark on the game, revolutionizing the role of manager while winning an astounding ten pennants and seven World Series Championships (including FIVE STRAIGHT!) with the Yankees. Playing with and against a Who's Who of Cooperstown--Babe Ruth, Christy Mathewson, Ty Cobb--and forming indelible, and sometimes complicated, relationships with Yogi Berra, Joe DiMaggio, Mickey Mantle, and Billy Martin, Casey Stengel was, for an astonishing five decades, the undisputed, hilarious, and beloved face of baseball. For a man who spent so much of his life in the limelight, he still remains an enigma. New York Times bestselling author Marty Appel paints an intimate portrait of a private man who was larger than life and remains the embodiment of the national pastime.

    Then, one day, he lost it.The Phenomenon is the story of how St. Louis Cardinals prodigy Rick Ankiel lost his once-in-a-generation ability to pitch -- not due to an injury or a bolt of lightning, but a mysterious anxiety condition widely known as "the Yips." It came without warning, in the middle of a playoff game, with millions of people watching. And it has never gone away. Yet the true test of Ankiel's character came not on the mound, but in the long days and nights that followed as he searched for a way to get back in the game. For four and a half years, he fought the Yips with every arrow in his quiver: psychotherapy, medication, deep-breathing exercises, self-help books, and, eventually, vodka. And then, after reconsidering his whole life at the age of twenty-five, Ankiel made an amazing turnaround: returning to the Major Leagues as a hitter and playing seven successful seasons. This book is an incredible story about a universal experience -- pressure -- and what happened when a person on the brink had to make a choice about who he was going to be.

    David Maraniss now brings the great baseball player brilliantly back to life in "Clemente: The Passion and Grace of Baseball's Last Hero," a book destined to become a modern classic. Much like his acclaimed biography of Vince Lombardi, "When Pride Still Mattered," Maraniss uses his narrative sweep and meticulous detail to capture the myth and a real man. Anyone who saw Clemente, as he played with a beautiful fury, will never forget him. He was a work of art in a game too often defined by statistics. During his career with the Pittsburgh Pirates, he won four batting titles and led his team to championships in 1960 and 1971, getting a hit in all fourteen World Series games in which he played. His career ended with three-thousand hits, the magical three-thousandth coming in his final at-bat, and he and the immortal Lou Gehrig are the only players to have the five-year waiting period waived so they could be enshrined in the Hall of Fame immediately after their deaths.

    This is the definitive biography of a black showman-athlete. The author interviewed more than 200 veteran fellow players of the Negro and Major Leagues.

    Aaron Judge (25 years old), Gary Sanchez (24), Luis Severino (23), and Greg Bird (24) could be even more talented than that 1990s’ “Core Four” group, according to manager Joe Girardi. And they’re not alone . . . The Yankees also have youthful players such as Aaron Hicks, Clint Frazier, Didi Gregorius, Tyler Austin, Miguel Andujar, Chance Adams, Jordan Montgomery and Tyler Wade making their names known.Beginning with Judge and Sanchez competing at the 2017 Home Run Derby, when Judge―the 6-foot-7, 282-pound slugger―planted the Yankees’ Youth flag on the All-Star Weekend grounds by mashing four miles of dingers to take the crown, veteran Yankees clubhouse reporter Bryan Hoch looks back to the final days of Jeter's historic career, and then fleshes out general manager Brian Cashman’s blueprint for building a new-look Yankees roster, the young players’ fascinating paths to the Majors, their playoff run, streaks and slumps, historic assaults on the record books, how they stack up against Hall of Famers and Yankee legends, and whether or not they can maintain their alluring charisma and amazing numbers in the years to come. It’s a baseball insider’s account of how the Baby Bombers were born and how they’ve electrified Yankees Nation.

    Although the oldest rookie around, he was already a legend. For twenty-two years, beginning in 1926, Paige dazzled throngs with his performance in the Negro Baseball Leagues. Then he outlasted everyone by playing professional baseball, in and out of the majors, until 1965. Struggle—against early poverty and racial discrimination—was part of Paige's story. So was fast living and a humorous point of view. His immortal advice was "Don't look back. Something might be gaining on you."

    This glaring omission—later rectified by a panel of experts—raised an important question: How could a first-ballot Hall of Famer, widely considered one of the greatest hitters in baseball history, still rank as the most underrated athlete of all time?In Stan Musial, veteran sports journalist George Vecsey finally gives this twenty-time All-Star and St. Louis Cardinals icon the kind of prestigious biographical treatment previously afforded to his more celebrated contemporaries Ted Williams and Joe DiMaggio. More than just a chronological recounting of the events of Musial’s life, this is the definitive portrait of one of the game’s best-loved but most unappreciated legends, told through the remembrances of those who played beside, worked with, and covered “Stan the Man” over the course of his nearly seventy years in the national spotlight.Stan Musial never married a starlet. He didn’t die young, live too hard, or squander his talent. There were no legendary displays of temper or moodiness. He was merely the most consistent superstar of his era, a scarily gifted batsman who compiled 3,630 career hits (1,815 at home and 1,815 on the road), won three World Series titles, and retired in 1963 in possession of seventeen major-league records. Away from the diamond, he proved a savvy businessman and a model of humility and graciousness toward his many fans in St. Louis and around the world. From Keith Hernandez’s boyhood memories of Musial leaving tickets for him when the Cardinals were in San Francisco to the little-known story of Musial’s friendship with novelist James Michener—and their mutual association with Pope John Paul II—Vecsey weaves an intimate oral history around one of the great gentlemen of baseball’s Greatest Generation. There may never be another Stan the Man, a fact that future Hall of Famer Albert Pujols—reluctantly nicknamed “El Hombre” in Musial’s honor—is quick to acknowledge. But thanks to this long-overdue reappraisal, even those who took his greatness for granted will learn to appreciate him all over again.

    They all grew up dreaming of skating in the big league as stars. Then one day, a coach tells them the only way to make it is to drop the gloves. And every guy says the same thing: I'll do whatever it takes to play in the NHL.Not Stu Grimson, though. When he was offered a contract to patrol the ice for the Calgary Flames, he said no thanks, and went to university instead. And that's the way Grimson has approached his career and his life: on his own terms. He stared down the toughest players on the planet for seventeen years, while working on his first university degree. He retired on his own terms, and went on to practice law, including a stint as in-house counsel for the NHLPA.This has put him in a unique position when it comes to commenting on the game. He's seen it from the trenches, and he's seen it from the courtroom. This puts him in the eye of the storm surrounding fighting and concussions. And he handles that the way he does everything: on his own terms. When Don Cherry called him out on televison, it was the seemingly indominable Cherry who backed down. Hockey fans will be fascinated by his data-driven defence of fighting.But in the end, this is not a book about fighting and locker-room stories. It's the story of a young man who ultimately took on the toughest role in pro sports and came out the other side. Where many others have not.

    He was one of the most famous athletes in the country, in the midst of a record-breaking season with the legendary 1927 World Series-winning Yankees. In an effort to grow Lou’s star, pioneering sports agent Christy Walsh arranged for Lou’s tale of baseball greatness to syndicate in newspapers across the country. Until now, those columns were largely forgotten and lost to history. Lou comes alive in this inspiring memoir. It is a heartfelt rags-to-riches tale about a dirt poor kid from New York who became one of the most revered baseball players of all time. Fourteen years after his account, Lou would tragically die from ALS, a neuromuscular disorder now known as Lou Gehrig’s Disease. His poignant autobiography is followed by an insightful biographical essay by historian Alan D. Gaff. Here is Lou—Hall of Famer, All Star, and MVP—back at bat.

    It was the quiet beginning to the most resonant baseball achievement of all time. Starting that day, the vaunted Yankee centerfielder kept on hitting-at least one hit in game after game after game.In the summer of 1941, as Nazi forces moved relentlessly across Europe and young American men were drafted by the millions, it seemed only a matter of time before the U.S. went to war. The nation was apprehensive. Yet for two months in that tense summer, America was captivated by DiMaggio's astonishing hitting streak. In 56, Kostya Kennedy tells the remarkable story of how the streak found its way into countless lives, from the Italian kitchens of Newark to the playgrounds of Queens to the San Francisco streets of North Beach; from the Oval Office of FDR to the Upper West Side apartment where Joe's first wife, Dorothy, the movie starlet, was expecting a child. In this crisp, evocative narrative Joe DiMaggio emerges in a previously unseen light, a 26-year-old on the cusp of becoming an icon. He comes alive-a driven ballplayer, a mercurial star and a conflicted husband-as the tension and the scrutiny upon him build with each passing day.DiMaggio's achievement lives on as the greatest of sports records. Alongside the story of DiMaggio's dramatic quest, Kennedy deftly examines the peculiar nature of hitting streaks and with an incisive, modern-day perspective gets inside the number itself, as its sheer improbability heightens both the math and the magic of 56 games in a row.