If she tells, it could blow their world apart.When Nell and Layla were little, Nell used to call them Nellayla. Because to Nell, there was no difference between where she started and her adored big sister ended. They're a unit; divorce made them rely on each other early on, so when one pulls away, what is the other to do? But now, Nell's a freshman in high school and Layla is changing, secretive. And then Nell discovers why. Layla is involved with one of their teachers. And even though Nell tries to support Layla, to understand that she's happy and in love, Nell struggles with her true feelings: it's wrong, and she must do something about it.

    And with her moms fighting at home and her beloved car teetering on the brink of death, the store has become a welcome escape.When her boss announces a holiday bonus to the person who sells the most books, Shoshanna sees an opportunity to at least fix her car, if none of her other problems. The only person standing in her way? New hire Jake Kaplan.Jake is an affront to everything Shoshanna stands for. He doesn’t even read! But somehow his sales start to rival hers. Jake may be cute (really cute), and he may be an eligible Jewish single (hard to find south of Atlanta), but he’s also the enemy, and Shoshanna is ready to take him down.But as the competition intensifies, Jake and Shoshanna grow closer and realize they might be more on the same page than either expects…

    So as he walks through the doors at St. Clare’s—a strict Catholic school—sporting a plaid tie, things can’t get much worse. His dad has just made the family move again, and Michael needs a friend. When a girl challenges their teacher in class, Michael thinks he might have found one, and a fellow nonbeliever at that. Only this girl, Lucy, is not just Catholic . . . she wants to be a priest.But Lucy introduces Michael to other St. Clare’s outcasts, and he officially joins Heretics Anonymous, where he can be an atheist, Lucy can be an outspoken feminist, Avi can be Jewish and gay, Max can wear whatever he wants, and Eden can practice paganism. After an incident in theology class, Michael encourages the Heretics to go from secret society to rebels intent on exposing the school’s hypocrisies. When Michael takes one mission too far—putting the other Heretics at risk—he must decide whether to fight for his own freedom, or rely on faith, whatever that means, in God, his friends, or himself.

    Okay, the whole world is a Simon Snow fan.... But for Cath, being a fan is her life—and she's really good at it. She and her twin, Wren, ensconced themselves in the Simon Snow series when they were just kids; it's what got them through their mother leaving.Reading. Rereading. Hanging out in Simon Snow forums, writing Simon Snow fanfiction, dressing up like the characters for every movie premiere. Cath's sister has mostly grown away from fandom, but Cath can't let go. She doesn't want to.Now that they're going to college, Wren has told Cath she doesn't want to be roommates. Cath is on her own, completely outside of her comfort zone. She's got a surly roommate with a charming, always-around boyfriend; a fiction-writing professor who thinks fanfiction is the end of the civilized world; a handsome classmate who only wants to talk about words... and she can't stop worrying about her dad, who's loving and fragile and has never really been alone.For Cath, the question is: Can she do this? Can she make it without Wren holding her hand? Is she ready to start living her own life? And does she even want to move on if it means leaving Simon Snow behind?An unabridged recording on 10 CDs (12 hours, 49 minutes).

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.