But one thing's for sure: After fifteen years of being a Hollywood stuntman, Laddy's back to run for mayor of his hometown of Gasoline, Texas. His opponent is incumbent Edwin Win-Win Winslow. Win-Win is the quintessential Texas good ol' boy. A former star lineman at Texas A&M, Win-Win now owns Texas Rolling Stock, an upscale SUV dealership that sells internal combustion monsters like gas was still 25¢ a gallon. Which in Gasoline it still is. The town has its own oil field and refinery. And the Municipal Field is what the election is all about. Laddy vows to keep it. Win-Win wants to sell it to Big Oil, which is getting nervous about the idea of anybody in the country still having access to affordable fuel. Win-Win promises that every homeowner in town will get a windfall payment that will make the sale a good deal. Laddy cautions that Big Oil is way too slippery to trust. Who will win? Will the Winslow dynasty be extended another generation? Will Laddy ever find out who his daddy is? Will he marry his first love, now a famous movie star? Or will he chuck everything to take up with Win-Wins long lost daughter, Hayley? Finding out is a gusher of fun.

    His teenage son, introduced to Islam by his girlfriend, fell into the clutches of a radical mosque. Dimitri watched helplessly as his son, Jay, transformed from a gentle boy to a soldier in training, wearing traditional robes and following a strict diet. Completely brainwashed, Jay snuck out of the house and traveled to Syria, all but vanishing. Too late, Dimitri learned that their country, Belgium, was the leading hotbed of Islamic radicalization. Large numbers of teenagers were being lured into this world and expertly indoctrinated into radical Islam. One by one, they disappeared into the Middle East, most never to be seen again.With no one to help him, Dimitri--a white, Christian-raised atheist--set off on his own to save his son. Using only his military training, a lot of courage, and a little luck, he gradually embedded himself deeper and deeper into the Middle East. After months of searching and several close calls--including being thrown in a jail cell and beaten--he was able to find his son and bring him home. The world was shocked at his unprecedented success, and he started receiving pleas from families around the world, asking that he rescue their children, as well. Increasingly fearful for his own life but unable to ignore these cries for help, Dimitri accepted his newfound role as The Jihadi Hunter.

    He references his own contributions to the canon of popular music, and he provides fascinating insider portraits of the industry and its protagonists. But above all, he questions our ideas of music and our attitude to sound, introducing us throughout this provocative and superbly written book to his current work, The17.

    There, Cuban expats view her with suspicion--assuming she's an informant for the Castro regime. To Cleo's surprise, that suspicion follows her home to Cuba, where she finds herself under constant surveillance by the government. When she meets and falls in love with a Hollywood filmmaker, she discovers her family is not who she thought they were . . . and neither is the filmmaker.

    Now a killer has taken the law into their own hands and meted out brutal retribution for ancient crimes.Salka is faced with tracking down the murderer of a stalwart of the church and the community, a man whose reputation stretches deep into the past, and even into the police team tasked with solving the case.As the killer prepares to strike again, Salka and her team search for the band of old friends who could be either killers or victims – or both.A bestseller in Iceland, The Commandments asks many challenging questions as it takes on some highly controversial issues.

    Hauge deserves a larger American readership, and this book may summon it." —Publishers Weekly "(Hauge's) poetry is miniaturist, pictorial, and ruminative; personal in that his experience, cognitive and sensual observations, and intentions are everywhere in it. Yet it isn't at all confessional or self-assertive....He is a man who knows where he is and helps us feel that we can know where we are, too."—Booklist “If you have a tiny farm, you need to love poetry more than the farm. If you sell apples, you need to love poetry more than the apples.”—Robert Bly, from the introduction Olav H. Hauge, one of Norway’s most beloved poets, is a major figure of twentieth-century European poetry. This generous bilingual edition—introduced by Robert Bly—includes the best poems from each of Hauge’s seven books, as well as a gathering of his last poems. Ever sage and plainspoken—and bearing resemblance to Chinese poetry—Hauge’s compact and classically restrained poems are rooted in his training as an orchardist, his deep reading in world literatures, and a lifetime of careful attention to the beauties and rigors of the western fjordland. His spare imagery and unpretentious tone ranges from bleak to unabashedly joyous, an intricate interplay between head and heart and hand. The rose has been sung about. I want to sing of the thorns, and the root—how it gripsthe rock hard, hardas a thin girl’s hand. During a writing career that spanned nearly fifty years, Olav H. Hauge produced seven books of poetry, numerous translations, and several volumes of correspondence. A largely self-educated man, he earned his living as a farmer, orchardist, and gardener on a small plot in the fjord region of western Norway.

    Call Us What We Carry is Gorman at her finest. Including “The Hill We Climb,” the stirring poem read at the inauguration of the 46th President of the United States, Joe Biden, and bursting with musical language and exploring themes of identity, grief, and memory, this lyric of hope and healing captures an important moment in our country’s consciousness while being utterly timeless.The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman.

    

    The woman you see at the bus stop every morning; the man who reaches for the last newspaper just before you get to it. Everyone you meet, and some you nearly meet, will have an impact on the way your day goes.Small World is the story of a group of men and women, living and working in a city, who are connected through love, work, friendship, or simply by virtue of proximity. We connect with the hearts and minds of characters including an all-coping housewife, a stressed out working mother, a put-upon nanny, a long-suffering journalist, an Indian waiter who dreams of stardom, a grieving shop assistant, a stand-up comic and a psychotic policeman - all of whom speak directly to us about their innermost thoughts, fears and desires in a series of interwoven first-person narratives.

    Rifaat (1930-1996) did not go to university, spoke only Arabic, and seldom traveled abroad. This virtual immunity from Western influence lends a special authenticity to her direct yet sincere accounts of death, sexual fulfillment, the lives of women in purdah, and the frustrations of everyday life in a male-dominated Islamic environment.Translated from the Arabic by Denys Johnson-Davies, the collection admits the reader into a hidden private world, regulated by the call of the mosque, but often full of profound anguish and personal isolation. Badriyya's despariting anger at her deceitful husband, for example, or the hauntingly melancholy of "At the Time of the Jasmine," are treated with a sensitivity to the discipline and order of Islam.

    Carry your sword, my prophetess. Obstinate contumacy training. Find the objective that is more draining. More strenuous tasks will make you grow. Pain upon you I bestow. I’ll take it all and nothing less. I claim it back; I repossess. Tip the scale; Turn it over. Mark the unused; What’s leftover. The main part no longer exists; Despite the reduction, it persists. Continued movement; A quest for traction. An opposite and negative reaction. Hex induced metamorphosis; Reoccur once again for us. Physically and internally changing. The process of rearranging. The alteration was so fitting. Now they’re pausing; They’re intermitting. In reaffirming the causation; Keep kempt, and maintain your original explanation. Wear our serpent, prophetess; Prior to you was profitless. The soil was sown with no reaping. Tear our hearts out for your keeping. Beyond the boundaries of what is permitted. Reward me for the sins I’ve committed. My acts were bold; Caress my flesh. I give it all and nothing less. The facsimile will shudder. Express what it is I utter. Amidst psychos and others. Among psychos and others. Live with vigor; Efficiently transfigure. Disfigure; Change his figure. Make it so; Mark the torso. Undergo; Nock the torso. Let it grow; Open the torso. Let him know; Carve the torso.

    

    Half a decade later, the international media has largely moved on from Egypt's explosive cycles of revolution and counter-revolution - but the Arab World's most populous nation remains as volatile as ever, its turmoil intimately bound up with forms of authoritarian power and grassroots resistance that stretch right across the globe.In The Egyptians: A Radical Story, Jack Shenker uncovers the roots of the uprising that succeeded in toppling Hosni Mubarak, one of the Middle East's most entrenched dictators, and explores a country now divided between two irreconcilable political orders. Challenging conventional analyses that depict contemporary Egypt as a battle between Islamists and secular forces, The Egyptians illuminates other, far more important fault lines: the far-flung communities waging war against transnational corporations, the men and women fighting to subvert long-established gender norms, the workers dramatically seizing control of their own factories, and the cultural producers (novelists, graffiti artists and illicit bedroom DJs) appropriating public space in defiance of their repressive and increasingly violent western-backed regime.Situating the Egyptian revolution in its proper context - not as an isolated event, but as an ongoing popular struggle against a certain model of state authority and economic exclusion that is replicated in different forms around the world - The Egyptians explains why the events of the past five years have proved so threatening to elites both inside Egypt and abroad. As Egypt's rulers seek to eliminate all forms of dissent, seeded within the rebellious politics of Egypt's young generation are big ideas about democracy, sovereignty, social justice and resistance that could yet change the world.

    Yet the spirited young beauty only has eyes for Rafael Alfandari, the handsome Jewish son of an esteemed court physician. In defiance of their families, they marry, fleeing to Paris to build a new life.But when the Nazis invade France and begin rounding up Jews, the exiled lovers will learn that nothing—not war, not politics, not even religion—can break the bonds of family. For after they learn that Selva is but one of their fellow citizens trapped in France, a handful of brave Turkish diplomats hatch a plan to spirit the Alfandaris and hundreds of innocents, many of whom are Jewish, to safety. Together, they must traverse a war-torn continent, crossing enemy lines and risking everything in a desperate bid for freedom. From Ankara to Paris, Cairo, and Berlin, Last Train to Istanbul is an uplifting tale of love and adventure.

    A sweltering, segregated society. Hadachinou is a lonely boy. His mother shares secrets with her best friend Jamila while his father prays at the mosque. Sneaking through the sun drenched streets of Tripoli, he listens to the whispered stories of the women. He turns into an invisible witness to their repressed desires while becoming aware of his own.