She intends to renovate the ruinous house into a hotel, but the shocking discovery of human remains brings her ambitious restoration plans to an abrupt halt before they even begin. Few physical clues are left to identify the body, but one thing is certain: this person did not die a natural death.Hungry for answers, Hetty discovers that Muirlan was once the refuge of her distant relative Theo Blake, the acclaimed painter and naturalist who brought his new bride, Beatrice, there in 1910. Yet ancient gossip and a handful of leads reveal that their marriage was far from perfect; Beatrice eventually vanished from the island, never to return, and Theo withdrew from society, his paintings becoming increasingly dark and disturbing.What happened between them has remained a mystery, but as Hetty listens to the locals and studies the masterful paintings produced by Theo during his short-lived marriage, she uncovers secrets that still reverberate through the small island community—and will lead her to the identity of the long-hidden body.

    Hysterical rumors swirl that Jack the Ripper has crossed the Channel, and Inspector Achille Lefebvre enters the Parisian underworld to track down the brutal killer. His suspects are the artist Toulouse-Lautrec; Jojo, an acrobat at the Circus Fernando, and Sir Henry Collingwood, a mysterious English gynecologist and amateur artist.Pioneering the as-yet-untried system of fingerprint detection and using cutting edge forensics, including crime scene photography, anthropometry, pathology, and laboratory analysis, Achille attempts to separate the innocent from the guilty. But he must work quickly before the “Paris Ripper” strikes again.

    In 1933, the year that forms the centerpiece of the narrative, Harry is 11 years old and living with his mother, father, and younger sister on a farm outside of Marvel Creek, Texas, near the Sabine River bottoms. Harry's world changes forever when he discovers the corpse of a young black woman tied to a tree in the forest near his home. The woman, who is eventually identified as a local prostitute, has been murdered, molested, and sexually mutilated. She is also, as Harry will soon discover, the first in a series of similar corpses, all of them the victims of a new, unprecedented sort of monster: a traveling serial killer.From his privileged position as the son of constable (and farmer and part-time barber) Jacob Collins, Harry watches as the distinctly amateur investigation unfolds. As more bodies -- not all of them "colored" -- surface, the mood of the local residents darkens. Racial tensions -- never far from the surface, even in the best of times -- gradually kindle. When circumstantial evidence implicates an ancient, innocent black man named Mose, the Ku Klux Klan mobilizes, initiating a chilling, graphically described lynching that will occupy a permanent place in Harry Collins's memories. With Mose dead and the threat to local white women presumably put to rest, the residents of Marvel Creek resume their normal lives, only to find that the actual killer remains at large and continues to threaten the safety and stability of the town.Lansdale uses this protracted murder investigation to open up a window on an insular, poverty-stricken, racially divided community. With humor, precision, and great narrative economy, he evokes the society of Marvel Creek in all its alternating tawdriness and nobility, offering us a varied, absolutely convincing portrait of a world that has receded into history. At the same time, he offers us a richly detailed re-creation of the vibrant, dangerous physical landscapes that were part of that world and have since been buried under the concrete and cement of the industrialized juggernaut of the late 20th century. In Lansdale's hands, the gritty realities of Depression-era Texas are as authentic -- and memorable -- as anything in recent American fiction.

    The prize has called to Vicky Bliss, drawing her and an arrogant male colleague into the forbidding citadel and its dark secrets. But the treasure hunt soon turns deadly. Here, where the blood of the long forgotten damned stains ancient stones, Vicky must face two equally perilous possibilities. Either a powerful supernatural evil inhabits this place. . .or someone frighteningly real is willing to kill for what Vicky is determined to find.

    After an unspeakable crime shatters her life, she changes her identity and moves to a small town in Illinois, hoping to spare her children from further trauma…or worse. But crime follows her everywhere.When the former mayor winds up dead, Rachel can’t help but get involved. Where local detectives see suicide, she sees murder. They resent her for butting in—especially since she’s always one step ahead. But her investigative genius may be her undoing: the deeper she digs, the harder it is to keep her own secrets buried.Her persistence makes her the target of both the cops and a killer. Meanwhile, the terrifying truth about her past threatens to come to light, and Rachel learns the hard way that she can’t trust anyone. Surrounded by danger, she must keep her steely resolve, protect her family, and stay one step ahead, or else she may become the next victim.

    The isolated house he buys sight unseen should give him the space to come to terms with his grief and the quiet to allow him to work. Kilnsgate House turns out to be rather more than he expected, however. A man died there, sixty years ago. His wife was convicted of murder. And something is pulling Chris deeper and deeper into the story of Grace Elizabeth Fox, who was hanged by the neck until she was dead...

    The brief was to keep things fast-moving, with no unwieldy adjectives and (if possible) seduce into reading those who have either lost--or had never acquired--the habit. Ironically, Chickenfeed, despite its brevity, reads very much like Walters’ customary fare: a violent crime is committed (offstage, as it were), but the concentration is on perpetrator and victim rather than a dogged police inspector putting the pieces together.The subject is a true story: in 1920s East Sussex, the corpse of Elsie Cameron is discovered in a chicken run. The man found guilty of the crime, her fiancé Norman Thorne, was sentenced to death and hanged. At the time of his death, doubts were cast on the verdict, and it is very much Walters’ concern to address those doubts here. We're given a fascinating and detailed study of two blighted lives: Norman, living under cramped conditions, is struggling against heavy odds to make a living as a chicken farmer. The unprepossessing Elsie, prickly and self obsessed, finds it difficult to get on with her family or her workmates, and is fired from a succession of jobs. Marriage to Norman is the one thing--she comes to believe--that will change her wretched life, but although she does her damnedest to get the reluctant Norman to marry her, she withholds sex, allowing Norman to undress her and touch her naked body, but forbidding any other sexual contact. Things grow worse, as Elsie's family (keen to rid themselves of her) join their daughter in pressing marriage on the increasingly reluctant Norman. Then he meets someone else... and Elsie disappears.This story, in its own terms, is fascinating enough, but in Walters’ expert hands, the swiftest of reads is guaranteed. Some may be unhappy with her deliberately vague treatment of the grim finale of the tale, and long-term Walters aficionados will be keen for her to get back to her normal-length novels--but certainly this is a book that it is difficult to put down.

    She also has a job to do—report on the event for the society page of the Newport Observer.But Emma observes much more than glitz and gaiety when she witnesses a murder. The victim is Cornelius Vanderbilt’s financial secretary, who plunges off a balcony faster than falling stock prices. Emma’s black sheep brother Brady is found in Cornelius’s bedroom passed out next to a bottle of bourbon and stolen plans for a new railroad line. Brady has barely come to before the police have arrested him for the murder. But Emma is sure someone is trying to railroad her brother and resolves to find the real killer at any cost…