She’s struggling to leave her trophy wife identity behind and make ends meet as a full-time event planner. When her handsome new neighbor needs to throw the perfect birthday party for his niece, Juliet offers her services. If she pulls this off, maybe she can get her life back on track. But to do so, she’ll need the help of the Cupcake Posse. Too bad her friends are grappling with problems of their own:Missy’s recovering from injuries; Nell’s trying to thwart her mother’s matchmaking efforts; Selena’s husband wants her to work less when she needs to do more; and Bria’s facing obstacles she never anticipated trying to save her late aunt’s bakery.Join the Cupcake Posse as they work together to navigate the difficulties of life, loss, and love. They continue to rely on each other, never losing sight of the importance of friendship and family, but will that be enough to save the Berry Lake Cupcake Shop?

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    Whether in business or his personal life. Not many people tell him, “No.” Until Kourtney Deen, a striking beauty, refused to sell her business to him so that he could put up a luxury spa and golf course. Business is business that’s what Zac has always believed. He refuses to get caught in the marriage trap like his cousins. However, the day he meets the feisty shop owner face to face, he can’t resist the attraction he has for her. Kourtney refuses to allow herself to get distracted. No matter how tall, grey-eyed and handsome he maybe. That road has already been traveled. Years ago, she made some mistakes and had to make some tough choices. Now, the only two things she cares about are her daughter and the success of her shop. In Zac’s structured life, things have always gone how he planned it, but one unexpected event leads to another. When he discovers that nothing is what it seems and there are secrets, yet revealed, he learns quickly that it is not his wallet he has to lean on, but his heart.

    Back-in-print early work by the author of subUrbia and Sex, Drugs, Rock & Roll.

    With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

    Moments that make us who we are. But what if they don't unfold the way they're supposed to...?What if you get on the wrong bus, or don't speak to the right person at a party, or stay in a job that isn't for you? Will you miss your one chance at happiness? Or will happiness find you eventually, when the moment is right?Meet Matthew and Myrtle. They have never really felt like they fitted - in life or with anyone else. But they are meant to be together - if only they can find each other.A powerful and emotional story about missed chances, interwoven lives and the moments that define us.

    

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    Comes complete with a color photo section of scenes from the movie and a bio of the renowned film score composer John Barry.

    Someone - or something - is leaving bite marks in the avocados, Clay and Kelly's little daughter has an itch, and Carol can't remember who played Gandhi. This work takes a look at phoney liberal values.

    The house sits on a hilltop, neglected and weathered, until an outlander rolls in to bring it back to life. The lively story of the sordid secrets the renovation reveals is told by a pack of local barflies, a ragged bunch of half-cocked civic boosters and gossips who give us history as seen through the bottom of a shot glass. Funny, bittersweet, and glancingly philosophical, Eaglesworth is a fanciful biography of a place, a latter-day slice of the Old Dominion that the Sage of Monticello would hardly recognize.