The story of an adolescent whose life has been changed forever by his mother's suicide when he was twelve years old. The story of a man who leaves the constraints of his family and its community of dreamers, scholars, and failed businessmen to join a kibbutz, change his name, marry, have children. The story of a writer who becomes an active participant in the political life of his nation.(back cover)

    Harry Rosenmerck is an aging Jewish cardiologist who has left his thriving medical practice in New York--to raise pigs in Israel. His ex-wife, Monique, ruminates about their once happy marriage even as she quietly battles an aggressive illness. Their son, David, an earnest and successful playwright, has vowed to reconnect with his father since coming out. Annabelle, their daughter, finds herself unmoored in Paris in the aftermath of a breakup.Harry eschews technology, so his family, spread out around the world, must communicate with him via snail mail. Even as they grapple with challenges, their correspondence sparkles with levity. They snipe at each other, volleying quips across the Atlantic, the Mediterranean, and Europe, and find joy in unexpected sources.Holy Lands captures the humor and poignancy of an adult family striving to remain connected across time, geography, and radically different perspectives on life.

    Eitan Green is a good man. He saves lives. Then, speeding along a deserted moonlit road in his SUV, he hits someone. Seeing that the man, an African migrant, is beyond help, he flees the scene. It is a decision that changes everything. Because the dead man’s wife knows what happened. When she knocks at Eitan’s door the next day, tall and beautiful, he discovers that her price is not money. It is something else entirely, something that will shatter Eitan’s safe existence and take him into a world of secrets and lies. Waking Lions is a gripping, suspenseful and morally devastating drama of guilt and survival, shame and desire.

    Col. Jonathan Netanyahu, brother of Israel's current prime minister, was killed in battle during Israel's 1976 daring hostage rescue mission in Africa, his personal reflections live on in these letters written to his family and friends. 21 illustrations.

    

    Charismatic and handsome, Hilmi is a talented young artist from Palestine. Liat, an aspiring translation student, plans to return to Israel the following summer. Despite knowing that their love can be only temporary, that it can exist only away from their conflicted homeland, Liat lets herself be enraptured by Hilmi: by his lively imagination, by his beautiful hands and wise eyes, by his sweetness and devotion.Together they explore the city, sharing laughs and fantasies and pangs of homesickness. But the unfettered joy they awaken in each other cannot overcome the guilt Liat feels for hiding him from her family in Israel and her Jewish friends in New York. As her departure date looms and her love for Hilmi deepens, Liat must decide whether she is willing to risk alienating her family, her community, and her sense of self for the love of one man.Banned from classrooms by Israel’s Ministry of Education, Dorit Rabinyan’s remarkable novel contains multitudes. A bold portrayal of the strains—and delights—of a forbidden relationship, All the Rivers (published in Israel as Borderline) is a love story and a war story, a New York story and a Middle East story, an unflinching foray into the forces that bind us and divide us. “The land is the same land,” Hilmi reminds Liat. “In the end all the rivers flow into the same sea.”

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    Rami Elhanan is Israeli. They inhabit a world of conflict that colors every aspect of their daily lives, from the roads they are allowed to drive on, to the schools their daughters, Abir and Smadar, each attend, to the checkpoints, both physical and emotional, they must negotiate.Their worlds shift irreparably after ten-year-old Abir is killed by a rubber bullet and thirteen-year-old Smadar becomes the victim of suicide bombers. When Bassam and Rami learn of each other's stories, they recognize the loss that connects them and they attempt to use their grief as a weapon for peace.McCann crafts Apeirogon out of a universe of fictional and nonfictional material. He crosses centuries and continents, stitching together time, art, history, nature, and politics in a tale both heartbreaking and hopeful. Musical, cinematic, muscular, delicate, and soaring, Apeirogon is a novel for our time.

    Initially, Paul lives with his mother–a secular, assimilated schoolteacher, who he adores until she “betrays” him by marrying the gentile André. He is then sent to live with his father–once an admired avant-garde artist, but now reviled by the critics as a “decadent Jew,” who drowns his anger, pain, and humiliation in drink. Paul searches in vain for stability and meaning in a world that is collapsing around him, but his love for the earthy peasant girl who briefly takes care of him, the strange pull he feels towards the Jews praying in the synagogue near his home, and the fascination with which he observes Eastern Orthodox church rituals merely give him tantalizing glimpses into worlds of which he can never be a part.The fates that Paul’s parents will meet with Paul as terrified witness–his mother, deserted by her new husband and dying of typhus; his father, gunned down while trying to stop the robbery of a Jewish-owned shop–and his own fate as an orphaned Jewish child alone in Europe in 1938 are rendered with extraordinary subtlety and power, as they foreshadow, in the heart-wrenching story of three individuals, the cataclysm that is about to engulf all of European Jewry.

    But too often he is viewed as an Americanized shepherd boy on a Sunday school felt board or a New Testament saint alongside the Virgin Mary. Not only does this neglect one of the Bible’s most complex stories of sin and redemption; it also bypasses the gritty life lessons inherent in the amazing true story of David.  Mark Rutland shreds the felt-board character, breaks down the sculpted marble statue, and unearths the real David of the Bible. Both noble and wretched, neither a saint nor a monster, at times victorious and other times a failure, David was through it all a man after God’s own heart.

    Extraordinary." —Variety One night in Beirut in September 1982, while Israeli soldiers secured the area, Christian militia members entered the refugee camps of Sabra and Shatila and began to massacre hundreds, if not thousands, of Palestinians. Ari Folman was one of those Israeli soldiers, but for more than twenty years he remembered nothing of that night or of the weeks leading up to it. Then came a friend's disturbing dream, and with it Folman's need to excavate the truth of the war in Lebanon and answer the crucial question: what was he doing during the hours of slaughter? Challenging the collective amnesia of friends and fellow soldiers, Folman painfully, candidly pieces together the war and his place in it. Gradually, the blankness of his mind is filled in by scenes of combat and patrol, misery and carnage, as well as dreams and hallucinations. Soldiers are haunted by inexplicable nightmares and flashbacks - snapping, growling dogs with teeth bared and eyes glowing orange; a recurring image of three young men rising naked out of the sea to drift into the Beirut battlefield. Tanks crush cars and buildings with lethal indifference; snipers pick off men on donkeys, men in cars, men drinking coffee; a soldier waltzes through a storm of bullets; rock songs fill the air, and then yellow flares. The recollections accumulate until Ari Folman arrives at Sabra and Shatila and his investigation reaches its terrible end. The result is a gripping reconstruction, a probing inquiry into the unreliable quality of memory, and, above all, a powerful denunciation of the senselessness of all wars. Profoundly original in form and approach, Waltz with Bashir will take its place as one of the great works of wartime testimony.

    "I went to Jerusalem because I had to go somewhere, I had to leave the present and bring it back to the past. You see, the man who came to Jerusalem then came as a beggar, a madman, not believing his eyes and ears, and above all, his memory."This haunting novel takes place in the days following the Six-Day War. A Holocaust survivor visits the newly reunited city of Jerusalem. At the Western Wall he encounters the beggars and madmen who congregate there every evening, and who force him to confront the ghosts of his past and his ties to the present. Weaving together myth and mystery, parable and paradox, Wiesel bids the reader to join him on a spiritual journey back and forth in time, always returning to Jerusalem.

    Their tribe has moved and escaped for thousands of years - across oceans, deserts, and mountains - but now, it seems, there is nowhere else to go. Danger is imminent in every direction, yet the territory of imagination and belief is limitless. At the suggestion of an eleven-year-old girl and a mysterious stranger who has washed up on the riverbank, the villagers decide to reinvent the world: deny any relationship with the known and start over from scratch. Destiny is unwritten. Time and history are forgotten. Jobs, husbands, a child, are reassigned. And for years, there is boundless hope. But the real world continues to unfold alongside the imagined one, eventually overtaking it, and soon our narrator - the girl, grown into a young mother - must flee her village, move from one world to the next, to find her husband and save her children, and propel them toward a real and hopeful future. A beguiling, imaginative, inspiring story about the bigness of being alive as an individual, as a member of a tribe, and as a participant in history, No One Is Here Except All Of Us explores how we use storytelling to survive and shape our own truths. It marks the arrival of a major new literary talent.

    I've never written to someone I didn't know. It feels strange. I don't know if what I'm doing is good or bad, crazy or just eccentric, useful or pointless.When Israeli teenager Tal Levine decides to throw a bottle with a letter into the Gaza Sea, she has little idea what to expect. Against all odds, Tal longs to strike up a correspondence with someone on the other side -- to forge something positive out of the turbulent and troubled times in which Israelis and Palestinians live. But what kind of response might a Palestinian give to an Israeli girl? Tal is not expecting "Gazaman," the boy who retrieves her bottle on a Gaza beach: Gazaman, a thorny, sarcastic young man with a reluctance to reveal anything about his true identity; Gazaman, who at first mocks Tal, only to be gradually drawn in by her. A remarkable e-mail exchange begins, which shakes the beliefs of both to the core and confounds all their expectations.

    is a beautiful seventeen-year-old girl who, while interred in the Theresienstadt concentration camp, becomes a prostitute. Capturing Perla's voice through a series of diary entries, Arnost Lustig shows how she maintains her integrity, honesty, and hope amidst lies and horror. This first paperback edition has been extensively revised and expanded by the author.