The book is both frank and very revealing of her personality and goals. Her total lack of pretense is especially winning. Meir's practical idealism can be seen in efforts as diverse as the beautification of kibbutzim and her strong advocacy of unemployment benefits. The work that 'most concerned and interested me,' she writes, was 'the translation of socialist principles into the down-to-earth terminology of everyday life.' Although the political events and the world players she worked with are well known they are recounted with drama and spirit.

    Jews no longer needed Jerusalem to be Jews. Whenever a Jew studied—wherever he was—he would be in the holy city. In this way, a few rabbis turned a real city into a city of the mind; in this way, they turned the Temple into a book and preserved their faith. Though you can burn a city, you cannot sack an idea or kill a book. But in our own time, Zionists have turned the book back into a temple. And unlike an idea, a temple can be destroyed. The creation of Israel has made Jews vulnerable in a way they have not been for two thousand years.In Israel Is Real, Rich Cohen’s superb new history of the Zionist idea and the Jewish state—the history of a nation chronicled as if it were the biography of a person—he brings to life dozens of fascinating figures, each driven by the same impulse: to reach Jerusalem. From false messiahs such as David Alroy (Cohen calls him the first superhero, with his tallis as a cape) and Sabbatai Zevi, who led thousands on a mad spiritual journey, to the early Zionists (many of them failed journalists), to the iconic figures of modern Jewish Sparta, David Ben-Gurion, Golda Meir, Yitzhak Rabin, and Ariel Sharon, Cohen shows how all these lives together form a single story, a single life. In this unique book, Cohen examines the myth of the wandering Jew, the paradox of Jewish power (how can you be both holy and nuclear?), and the triumph and tragedy of the Jewish state—how the creation of modern Israel has changed what it means to be a Jew anywhere.

    With its dense history of endless conflict and biblical events, Israel's coastline is by far the most interesting hundred miles in the world. As longtime chief of NBC's Tel Aviv news bureau, Martin Fletcher is in a unique position to interpret Israel, and he brings it off in a spectacular and novel manner. Last year he strolled along the entire coast, from Lebanon to Gaza, observing facets of the country that are ignored in news reports, yet tell a different and truer story. "Walking Israel "is packed with hilarious moments, historical insights, emotional, true-life tales, and, above all, great storytelling.

    As Islamic morality squads staged arbitrary raids in Tehran, fundamentalists seized hold of the universities, and a blind censor stifled artistic expression, the girls in Azar Nafisi's living room risked removing their veils and immersed themselves in the worlds of Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov. In this extraordinary memoir, their stories become intertwined with the ones they are reading. Reading Lolita in Tehran is a remarkable exploration of resilience in the face of tyranny and a celebration of the liberating power of literature.

    Puar argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism. She examines how liberal politics incorporate certain queer subjects into the fold of the nation-state, through developments including the legal recognition inherent in the overturning of anti-sodomy laws and the proliferation of more mainstream representation. These incorporations have shifted many queers from their construction as figures of death (via the AIDS epidemic) to subjects tied to ideas of life and productivity (gay marriage and reproductive kinship). Puar contends, however, that this tenuous inclusion of some queer subjects depends on the production of populations of Orientalized terrorist bodies. Heteronormative ideologies that the U.S. nation-state has long relied on are now accompanied by homonormative ideologies that replicate narrow racial, class, gender, and national ideals. These “homonationalisms” are deployed to distinguish upright “properly hetero,” and now “properly homo,” U.S. patriots from perversely sexualized and racialized terrorist look-a-likes—especially Sikhs, Muslims, and Arabs—who are cordoned off for detention and deportation. Puar combines transnational feminist and queer theory, Foucauldian biopolitics, Deleuzian philosophy, and technoscience criticism, and draws from an extraordinary range of sources, including governmental texts, legal decisions, films, television, ethnographic data, queer media, and activist organizing materials and manifestos. Looking at various cultural events and phenomena, she highlights troublesome links between terrorism and sexuality: in feminist and queer responses to the Abu Ghraib photographs, in the triumphal responses to the Supreme Court’s Lawrence decision repealing anti-sodomy laws, in the measures Sikh Americans and South Asian diasporic queers take to avoid being profiled as terrorists, and in what Puar argues is a growing Islamophobia within global queer organizing.

    Taking his own spiritual journey as a starting point, Professor Ayoub explores all aspects of Islam; from the Qur'an and Islamic law to the epic poetry of the Sufis; from the spread of Islam worldwide to reform movements in the US and Europe.

    Thus began the Iran Hostage Crisis, an affair that captivated the American public for 444 days and marked America's first confrontation with the forces of radical Islam. Using hundreds of recently declassified government documents, historian David Farber takes the first in-depth look at the hostage crisis, examining its lessons for America's contemporary War on Terrorism.Unlike other histories of the subject, Farber's vivid and fast-paced narrative looks beyond the day-to-day circumstances of the crisis, using the events leading up to the ordeal as a means for understanding it. The book paints a portrait of the 1970s in the United States as an era of failed expectations in a nation plagued by uncertainty and anxiety. It reveals an American government ill prepared for the fall of the Shah of Iran and unable to reckon with the Ayatollah Khomeini and his militant Islamic followers.Farber's account is filled with fresh insights regarding the central players in the crisis: Khomeini emerges as an astute strategist, single-mindedly dedicated to creating an Islamic state. The Americans' student-captors appear as less-than-organized youths, having prepared for only a symbolic sit-in with just a three-day supply of food. ABC news chief Roone Arledge, newly installed and eager for ratings, is cited as a critical catalyst in elevating the hostages to cause c�l�bre status.Throughout the book there emerge eerie parallels to the current terrorism crisis. Then as now, Farber demonstrates, politicians failed to grasp the depth of anger that Islamic fundamentalists harbored toward the United States, and Americans dismissed threats from terrorist groups as the crusades of ineffectual madmen. Taken Hostage is a timely and revealing history of America's first engagement with terrorism and Islamic fundamentalism, one that provides a chilling reminder that the past is only prologue.

    These three women and their families, their losses and loves, unspool beautifully against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present. Through the sisters, we glimpse a society in all its degrees, from the very poorest of the local slave families to those making money through the advent of new wealth.

    Ella Rubenstein is forty years old and unhappily married when she takes a job as a reader for a literary agent. Her first assignment is to read and report on Sweet Blasphemy, a novel written by a man named Aziz Zahara. Ella is mesmerized by his tale of Shams's search for Rumi and the dervish's role in transforming the successful but unhappy cleric into a committed mystic, passionate poet, and advocate of love. She is also taken with Shams's lessons, or rules, that offer insight into an ancient philosophy based on the unity of all people and religions, and the presence of love in each and every one of us. As she reads on, she realizes that Rumi's story mir­rors her own and that Zahara—like Shams—has come to set her free.

    Bringing writers to the nation from all corners of the globe, it aimed to break the cultural siege imposed by the Israeli military occupation, to strengthen artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, "the power of culture over the culture of power."Celebrating the tenth anniversary of PalFest, Annexe is a collection of essays, poems, and sketches from some of the world's most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and hope in the most desperate of situations.Contributing authors include J. M. Coetzee, China Mieville, Alice Walker, Geoff Dyer, Claire Messud, Henning Mankell, Michael Ondaatje, Kamila Shamsie, Michael Palin, Deborah Moggach, Mohammed Hanif, Richard Ford, Gillian Slovo, Adam Foulds, Susan Abulhawa, Ahdaf Soueif, Jeremy Harding, Brigid Keenan, Rachel Holmes, Suad Amiry, Gary Younge, Jamal Mahjoub, Molly Crabapple, Najwan Darwish, Nathalie Handal, Omar Robert Hamilton, Pankaj Mishra, Raja Shehadeh, Selma Dabbagh, William Sutcliffe, Atef Abu Saif, Yasmin El-Rifae, Sabrina Mahfouz, Alaa Abd El Fattah, Mercedes Kemp, Ru Freeman."

    Michael Herr’s unsparing, unorthodox retellings of the day-to-day events in Vietnam take on the force of poetry, rendering clarity from one of the most incomprehensible and nightmarish events of our time.Dispatches is among the most blistering and compassionate accounts of war in our literature.

    Two countries in the region, he argues, are America's logical partners in the twenty-first century: Turkey and Iran.Besides proposing this new "power triangle," Kinzer also recommends that the United States reshape relations with its two traditional Middle East allies, Israel and Saudi Arabia. This book provides a penetrating, timely critique of America's approach to the world's most volatile region, and offers a startling alternative.Kinzer is a master storyteller with an eye for grand characters and illuminating historical detail. In this book he introduces us to larger-than-life figures, like a Nebraska schoolteacher who became a martyr to democracy in Iran, a Turkish radical who transformed his country and Islam forever, and a colorful parade of princes, politicians, women of the world, spies, oppressors, liberators, and dreamers.Kinzer's provocative new view of the Middle East is the rare book that will richly entertain while moving a vital policy debate beyond the stale alternatives of the last fifty years.

    In his searing new novel, a young Arab journalist returns to his hometown — an Arab village within Israel — where his already vexed sense of belonging is forced to crisis when the village becomes a pawn in the never-ending power struggle that is the Middle East. Hoping to reclaim the simplicity of life among kin, the prodigal son returns home to find that nothing is as he remembers: everything is smaller, the people are petty and provincial. But when Israeli tanks surround the village without warning or explanation, everyone inside is cut off from the outside world. As the situation grows increasingly dire, the village devolves into a Darwinian jungle, where paranoia quickly takes hold and threatens the community's fragile equilibrium.With the enduring moral and literary power of Camus and Orwell, Let It Be Morning offers an intimate, eye-opening portrait of the conflicted allegiances of the Israeli Arabs, proving once again that Sayed Kashua is a fearless, prophetic observer of a political and human quagmire that offers no easy answers.

    A Palestinian Christian theologian shows how the reality of empire shapes the context of the biblical story, and the ongoing experience of Middle East conflict.

    Its triumphs and disasters are instantly familiar, from the Norman Conquest to the two world wars, but to fully understand their significance we need to know the whole story.A Short History of England sheds light on all the key individuals and events, bringing them together in an enlightening and engaging account of the country's birth, rise to global prominence and then partial eclipse.