He just broke up with his long-term girlfriend, lost his job, and moved back home with his parents (shudder). Welcome to rock bottom in Bristol. As Josh starts questioning all his life choices, he has a mad thought: Maybe he would just be better flipping a coin. After all, careful planning has landed him homeless, jobless, and single.What starts as a joke soon becomes serious and Josh decides to start putting his faith in the capriciousness of currency. He doesn’t have anything to lose.But when the chance of a lifetime and the girl of his dreams are on the line, will the coin guide him to a rich love life or leave him flat broke?

    I was wowed by Keane’s writing and narrative skill—and by what she knows about trouble.” —Stephen King How much can a family forgive? Francis Gleeson and Brian Stanhope, rookie NYPD cops, are neighbors in the suburbs. What happens behind closed doors in both houses—the loneliness of Francis’s wife, Lena, and the instability of Brian’s wife, Anne, sets the stage for the explosive events to come.In Mary Beth Keane's extraordinary novel, a lifelong friendship and love blossoms between Kate Gleeson and Peter Stanhope, born six months apart. One shocking night their loyalties are divided, and their bond will be tested again and again over the next thirty years. Heartbreaking and redemptive, Ask Again, Yes is a gorgeous and generous portrait of the daily intimacies of marriage and the power of forgiveness.

    She codes all day and collapses at night, her human contact limited to the two brothers who run the neighborhood hole-in-the-wall from which she orders dinner every evening. Then, disaster! Visa issues. The brothers close up shop, and fast. But they have one last delivery for Lois: their culture, the sourdough starter used to bake their bread. She must keep it alive, they tell her—feed it daily, play it music, and learn to bake with it.Lois is no baker, but she could use a roommate, even if it is a needy colony of microorganisms. Soon, not only is she eating her own homemade bread, she’s providing loaves daily to the General Dexterity cafeteria. The company chef urges her to take her product to the farmer’s market, and a whole new world opens up.When Lois comes before the jury that decides who sells what at Bay Area markets, she encounters a close-knit club with no appetite for new members. But then, an alternative emerges: a secret market that aims to fuse food and technology. But who are these people, exactly?

    If only she’d stayed in Wisconsin, she might never have met Anthony Shaw, and she would have held onto the future she’d so carefully planned for herself. Instead, Ann ends up harboring a devastating secret that strains her relationship with her parents, sends her sister Poppy to every corner of the world chasing waves (and her next fling), and leaves her adopted brother Michael estranged from the family. Now, fifteen years later, her parents have died, and Ann and Poppy are left to decide the fate of the beach house that’s been in the Gordon family for generations. For Ann, the once-beloved house is forever tainted with bad memories. And while Poppy loves the old saltbox on Drummer Cove, owning a house means settling, and she’s not sure she’s ready to stay in one place.Just when the sisters decide to sell, Michael re-enters their lives with a legitimate claim to a third of the estate. He wants the house. But more than that, he wants to set the record straight about what happened that long-ago summer that changed all of their lives forever. As the siblings reunite after years apart, their old secrets and lies, longings and losses, are pulled to the surface. Is the house the one thing that can still bring them together––or will it tear them apart, once and for all?Told through the shifting perspectives of Ann, Poppy, and Michael, this assured and affecting debut captures the ache of nostalgia for summers past and the powerful draw of the places we return to again and again. It is about second homes, second families, and second chances. Tender and compassionate, incisive and heartbreaking, Christina Clancy's The Second Home is the story of a family you'll quickly fall in love with, and won't soon forget.

    To protect his professional credibility, he’s determined to remain anonymous. Soon his preoccupation with anonymity takes over their lives as he tries to limit the family’s contact with anyone who might have ties to the foodie world. Meanwhile, Lila craves adult conversation and some relief from the constraints of her homemaker role. With her patience wearing thin, she begins to question everything: her decision to get pregnant again, her break from her career, her marriage—even if leaving her ex-boyfriend was the right thing to do. As Sam becomes more and more fixated on keeping his identity secret, Lila begins to wonder if her own identity has completely disappeared—and what it will take to get it back.

    They casserole. They pinwheel. They pump the salad spinner like it's a CPR dummy. And then they kill a party crasher, carefully stepping around the body to pull cookies out of the oven. These twelve irresistible stories take us from a haunted prewar Manhattan apartment building to the set of a rigged reality television show, from the unique initiation ritual of a book club to the getaway car of a pageant princess on the lam, from the gallery opening of a tinfoil artist to the fitting room of a legendary lingerie shop. Vicious, fresh, and nutty as a poisoned Goo Goo Cluster, American Housewife is an uproarious, pointed commentary on womanhood.

    Then one evening, as they gather to watch the Miss America Pageant, Linda admits that she aspires to write a novel herself, and the Wednesday Sisters Writing Society is born. The five women slowly, and often reluctantly, start filling journals, sliding pages into typewriters, and sharing their work. In the process, they explore the changing world around them: the Vietnam War, the race to the moon, and a women’s movement that challenges everything they believe about themselves. At the same time, the friends carry one another through more personal changes—ones brought about by infidelity, longing, illness, failure, and success. With one another’s support and encouragement, the Wednesday Sisters begin to embrace who they are and what they hope to become, welcoming readers to experience, along with them, the power of dreaming big.

    Her husband of nearly twenty years has just left her for one of her friends, and she is let go from her office job--on Valentine's Day, of all days. Bewildered and completely lost, Thea doesn't know what to do. But when she learns that a distant great uncle in Scotland has passed away, leaving her his home and a hefty antique book collection, she decides to leave Sussex for a few weeks. Escaping to a small coastal town where no one knows her seems to be exactly what she needs.Almost instantly, Thea becomes enamored with the quaint cottage, comforted by its cozy rooms and shaggy, tulip-covered lawn. The locals in nearby Baldochrie are just as warm, quirky, and inviting. The only person she can't seem to win over is bookshop owner Edward Maltravers, to whom she hopes to sell her uncle's antique novel collection. His gruff attitude--fueled by an infamous, long-standing feud with his brother, a local lord--tests Thea's patience. But bickering with Edward proves oddly refreshing and exciting, leading Thea to develop feelings she hasn't felt in a long time. As she follows a thrilling yet terrifying impulse to stay in Scotland indefinitely, Thea realizes that her new life may quickly become just as complicated as the one she was running from.

    For year-round resident Darcy Cotterill, it means late-night stargazing in the backyard of the beautiful house she grew up in and inherited from her beloved grandmother. It s also Darcy s chance to hit the beach and meet her new summertime neighbors. But the last person the thirty-year-old librarian expects to see staying next door is her ex-husband, Boyz, along with his wife, Autumn, and stepdaughter, Willow.Darcy must also navigate the highs and lows of a new romantic relationship with local carpenter Nash Forester even as she becomes smitten with handsome vacationer Clive Rush, a musicologist in town to write a book and visit family. And she finds herself pulled into the concerns of Boyz, Autumn, a charming elderly neighbor, and an at-risk teen.As the season nears its end, Darcy must decide her next move: retreating to the comforts of her steady and secure island life, or risking it all for a chance at true happiness.

    Broke and knocked up, she’s got all her worldly possessions crammed into six giant trash bags, and nowhere to go. Try as she might, Mattie can no longer deny that she really is turning into her mother, a broken alcoholic who never met a bad choice she didn’t make. When Mattie gets news of a possible inheritance left by a grandmother she’s never met, she jumps at this one last chance to turn things around. Leaving the Florida Panhandle, she drives eight hundred miles to her mother’s birthplace—the tiny town of Gandy, Oklahoma. There, she soon learns that her mother remains a local mystery—a happy, talented teenager who inexplicably skipped town thirty-five years ago with nothing but the clothes on her back. But the girl they describe bears little resemblance to the damaged woman Mattie knew, and before long it becomes clear that something terrible happened to her mother, and it happened here. The harder Mattie digs for answers, the more obstacles she encounters. Giving up, however, isn’t an option. Uncovering what started her mother’s downward spiral might be the only way to stop her own.Hilarious, gripping, and unexpectedly wise, The Art of Crash Landing is a poignant novel from an assured new voice.

    They live in a honey-colored house in a picture-perfect Cotswolds village, with rambling, unkempt gardens stretching beyond. Pragmatic Meg, dreamy Beth, and tow-headed twins Rory and Rhys all attend the village school and eat home-cooked meals together every night. Their father is a sweet gangly man named Colin, who still looks like a teenager with floppy hair and owlish, round-framed glasses. Their mother is a beautiful hippy named Lorelei, who exists entirely in the moment. And she makes every moment sparkle in her children's lives.Then one Easter weekend, tragedy comes to call. The event is so devastating that, almost imperceptibly, it begins to tear the family apart. Years pass as the children become adults, find new relationships, and develop their own separate lives. Soon it seems as though they've never been a family at all. But then something happens that calls them back to the house they grew up in -- and to what really happened that Easter weekend so many years ago.Told in gorgeous, insightful prose that delves deeply into the hearts and minds of its characters, The House We Grew Up In is the captivating story of one family's desire to restore long-forgotten peace and to unearth the many secrets hidden within the nooks and crannies of home.

    She would then put it in a drawer; “for the future,” she would say. The future is now. Across town from St. Jarlath’s Crescent, featured in Minding Frankie, is Chestnut Street, where neighbors come and go. Behind their closed doors we encounter very different people with different life circumstances, occupations, and sensibilities. Some of the unforgettable characters lovingly brought to life by Binchy are Bucket Maguire, the window cleaner, who must do more than he bargained for to protect his son; Nessa Byrne, whose aunt visits from  America every summer and turns the house—and Nessa’s world—upside down; Lilian, the generous girl with the big heart and a fiancé whom no one approves of; Melly, whose gossip about the neighbors helps Madame Magic, a self-styled fortune-teller, get everyone on the right track; Dolly, who discovers more about her perfect mother than she ever wanted to know; and Molly, who learns the cure for sleeplessness from her pen pal from Chicago . . . Chestnut Street is written with the humor and understanding that are earmarks of Maeve Binchy’s extraordinary work and, once again, she warms our hearts with her storytelling.

    When she was eight years old, Lily Decker somehow survived the auto accident that killed her parents and sister, but neither her emotionally distant aunt nor her all-too-attentive uncle could ease her grief. Dancing proves to be Lily's only solace, and eventually she receives a "scholarship" to a local dance academy--courtesy of a mysterious benefactor.Grown and ready to leave home for good, Lily changes her name to Ruby Wilde and heads to Las Vegas to be a troupe dancer, but her sensual beauty and voluptuous figure land her work instead as a showgirl performing everywhere from Les Folies Bergere at the Tropicana to the Stardust's Lido de Paris. Wearing costumes dripping with feathers and rhinestones, five-inch heels, and sky-high headdresses, Ruby may have all the looks of a Sin City success story, but she still must learn to navigate the world of men--and figure out what real love looks like.With her uncanny knack for understanding the hidden lives of women, Elizabeth J. Church captures both the iconic extravagance of an era and the bravery of a young woman who dances through her sadness to find connection, freedom, and, most important, herself.Advance praise for All the Beautiful Girls"A riveting novel, at once raw and tender, of a woman's struggle to heal the wounds of a devastating childhood . . . Elizabeth J. Church makes us feel Ruby Wilde's pain and root for her to survive. This is a heartbreaking story, passionately told."--Ellen Feldman, author of Next to LovePraise for Elizabeth J. Church's The Atomic Weight of Love"Oh, what an incandescent debut! Church follows one extraordinary woman who is brave to enough to challenge the times, take defiant wing, and chart her own extraordinary flight path. The Atomic Weight of Love is so engrossing I couldn't wait to read another page, and so alive I never wanted the story to end."--Caroline Leavitt, author of Is This Tomorrow"A tightly crafted novel."--The New York Times Book Review"Exquisite . . . the beautifully written story of a woman who must negotiate the tricky terrain of love, responsibility, ambition, and sacrifice. . . . It shows the impossible choices women faced--and still face--between family and self."--Tara Conklin, author of The House Girl"What does love require of us? How does one strike a balance between compromise and self-fulfillment? In her debut novel, Church writes to these issues in a style that is thoughtful and elegant. . . . Church hits the mark in this emotionally driven debut."--Library Journal"A striking story of a woman forced to choose between the future she desires or the path society insists she take." --Harper's Bazaar "An elegant glimpse into the evolution of love and womanhood."--Kirkus Reviews