Douglas Cheeseman is a shy, gawky engineer with jug-handle ears, one marriage gone sour, and a crippling lack of physical courage. They meet in the little Australian town of Karakarook, where Harley has arrived to help the town build a heritage museum and Douglas to demolish the quaint old Bent Bridge. From the beginning they are on a collision course until the unexpected sets them both free. Elegantly and compassionately told, The Idea of Perfection is reminiscent of the work of Carol Shields and Annie Proulx and reveals Kate Grenville as "a writer of extraordinary talent" (The New York Times Book Review).

    An award-winning work, Cloudstreet exemplifies the brilliant ability of fiction to captivate and inspire. Struggling to rebuild their lives after being touched by disaster, the Pickle family, who've inherited a big house called Cloudstreet in a suburb of Perth, take in the God-fearing Lambs as tenants. The Lambs have suffered their own catastrophes, and determined to survive, they open up a grocery on the ground floor. From 1944 to 1964, the shared experiences of the two overpopulated clans -- running the gamut from drunkenness, adultery, and death to resurrection, marriage, and birth -- bond them to each other and to the bustling, haunted house in ways no one could have anticipated.

    When Ellen turns nineteen Holland makes an announcement: she may marry only the man who can correctly name the species of each of the hundreds of gum trees on his property. Ellen is uninterested in the many suitors who arrive from around the world, until one afternoon she chances on a strange, handsome young man resting under a Coolibah tree. In the days that follow, he spins dozens of tales set in cities, deserts, and faraway countries. As the contest draws to a close, Ellen and the stranger's meetings become more erotic, the stories more urgent. Murray Bail's rich narrative is filled with unexpected wisdom about art, feminine beauty, landscape, and language. Eucalyptus is a shimmering love story that affirms the beguiling power of storytelling itself.

    The fiercely nationalistic government of the god-king Sukarno has brought Indonesia to the brink of chaos. Engulfed in the violence are Guy Hamilton, a Western journalist; Billy Kwan, his Chinese-Australian cameraman; and the young British woman they both love. Kwan's disillusionment with his hero Sukarno leads him to desperate action, and a complex drama of loyalty and betrayal is played out in the eye of the political storm.

    When news spreads of a high school teacher's relationship with his underage student, participants and observers alike soon take part in an elaborate show of concern and dismay. But beneath the surface of the teenage girls' display, there simmers a new awareness of their own power. They obsessively examine the details of the affair with the curiosity, jealousy, and approbation native to any adolescent girl, under the watchful eye of their stern and enigmatic saxophone teacher, whose focus may not be as strictly on their upcoming recital as she implies.

    Headstrong Belinda becomes a successful filmmaker, but struggles to deal with her own family drama as her younger siblings are haunted by the past.A sweeping saga covering half a century, this is a powerful exploration of family ties and heartbreaks, and of learning to live with the past

    Neddy can't protect her from the men in town, but can he protect her from the killer on the loose?Part boys' own adventure, part small-town comedy and part horrifying thriller, The Scarecrow is of its own kind, an unexpected and irresistible masterpiece.'One of the most unusual and original novels published in this country for many a long day' - Sydney Morning Herald.

    He's fallen from the upstairs veranda of an isolated farmhouse, and his condition is critical. At first, Finn's fall looks like a horrible accident; after all, he's prone to sleepwalking. Only his frantic mother, Martha McNamara, knows how it happened. And she isn't telling. Not yet. Maybe not ever. Tragedy isn't what the McNamara family expected when they moved to New Zealand. For Martha, it was an escape. For her artist husband Kit, it was a dream. For their small twin boys, it was an adventure. For sixteen-year-old Sacha, it was the start of a nightmare.They end up on the isolated east coast of the North Island, seemingly in the middle of a New Zealand tourism campaign. But their peaceful idyll is soon shattered as the choices Sacha makes lead the family down a path which threatens to destroy them all.Martha finds herself facing a series of impossible decisions, each with devastating consequences for her family.

    With an invisible monster you never know when you're in danger and when you're safe—if you retreat to your fortress you can't be sure you haven't locked it in with you. The invisible monster is something on which no one is an expert. But everyone has the same relationship to it. It could just as well be peering over your shoulder as mine.On a sunny spring morning the settlement of Kahukura in Tasman is suddenly overwhelmed by a mysterious mass insanity. A handful of survivors find themselves cut off from the world, and surrounded by the dead. As the group of try to take care of one another, and survive in ever more difficult circumstances, it becomes apparent that this isn't the first time that this has happened, and that they aren't all survivors and victims - two of them are something quite other. And, it seems, they are trapped with something. Something unseen is picking at the loose threads of their characters, corrupting, provoking, and haunting them.Wake is a book that asks: 'What are the last things left when the worst has happened?' It is a book about extreme events, ordinary people, heroic compassion—and invisible monsters.

    As a freak winter storm bears down on an exclusive, affluent suburb in Connecticut, cars skid out of control, men and women swap partners, and their children experiment with sex, drugs, and even suicide. Here two families, the Hoods and the Williamses, come face-to-face with the seething emotions behind the well-clipped lawns of their lives - in a novel widely hailed as a funny, acerbic, and moving hymn to a dazed and confused era of American life.

    Her mother was a New Zealander, her father a Polish Jew who had jumped off a train to the Treblinka death camp and hidden from the Nazis until the end of the war. When Diana was 13 she moved to New Zealand with her mother, sister and brother. Her father was to follow.Diana never saw him again.Many years later she sets out to discover what happened to him. The search becomes an obsession as she painstakingly uncovers information about his large Warsaw family and their fate at the hands of the Nazis, scours archives across the world for clues to her father’s disappearance, and visits the places he lived.This unforgettable narrative is also a deep reflection on the meaning of family, the trauma of loss, and the insistence of memory. It asks the question: Is it better to know, or more bearable not to?

    Now, because she believes she is dying, Helen wants to expose everything. And Winnie angrily determines that she must be the one to tell her daughter, Pearl, about the past—including the terrible truth even Helen does not know. And so begins Winnie's story of her life on a small island outside Shanghai in the 1920s, and other places in China during World War II, and traces the happy and desperate events that led to Winnie's coming to America in 1949.

    Alberta is a university professor who would like to trade her two boyfriends for a baby but no husband; Lionel is forty and still sells televisions for a patronizing boss; Eli and his log cabin stand in the way of a profitable dam project. These three—and others—are coming to the Blackfoot reservation for the Sun Dance and there they will encounter four Indian elders and their companion, the trickster Coyote—and nothing in the small town of Blossom will be the same again…

    Soon overwhelmed by the sheer beauty of the city and its magnificent art, Miss Garnet’s English reserve begins to melt away. For the first time in her life she falls in love—with an art dealer named Carlo—and her once ordinary world is further transformed by a beautiful Italian boy, Nicco, and an enigmatic pair of twins engaged in restoring the fourteenth-century Chapel-of-the-Plague. Most affecting to Julia, though, is her discovery in a local church of panels depicting the ancient tale of Tobias and the Angel. As Julia unravels the story of Tobias’s redemption, she too strives to recover losses—not just her own but also the priceless painting of an angel that goes mysteriously missing from the Chapel along with one of the twins restoring it. His name is Toby. And Miss Garnet herself may prove to be an angel, but nowhere in this haunting, beautifully textured and multilayered novel is anything quite what it appears to be.

    When fourteen children from the small town of Sam Dent are lost in a tragic accident, its citizens are confronted with one of life’s most difficult and disturbing questions: When the worst happens, whom do you blame, and how do you cope? Masterfully written, it is a large-hearted novel that brings to life a cast of unforgettable small-town characters and illuminates the mysteries and realities of love as well as grief.