Few works of contemporary literature have been so universally acclaimed as central to their time and to our understanding of the human experience.

    The subject of major film and stage adaptations, the novel's prime movers, the Vicomte de Valmont and the Marquise de Merteuil, form an unholy alliance and turn seduction into a game - a game which they must win. This new translation gives Laclos a modern voice, and readers will be able a judge whether the novel is as "diabolical" and "infamous" as its critics have claimed, or whether it has much to tell us about the kind of world we ourselves live in. David Coward's introduction explodes myths about Laclos's own life and puts the book in its literary and cultural context.

    The eight stories in this collection, his first to be published in English, represent some of his best writing and most imaginative storylines: from the love story between Balthazar, wealthy and successful author, and Odette, cashier at a supermarket, to the tale of a barefooted princess; from the moving story of a group of female prisoners in a Soviet gulag to the entertaining portrait of a perennially disgruntled perfectionist. Here are eight contemporary fables, populated by a cast of extravagant and affecting characters, about people in search of happiness. Behind each story lies a simple, if elusive, truth: happiness is often right in front of our eyes, though we may frequently be blind to it.

    There’s a fury within him, and he fears he has become dangerous to those he loves. He arrives in New York at a time of unprecedented plenty, in the highest hour of America’s wealth and power, seeking to “erase” himself. But fury is all around him. An astonishing work of explosive energy, Fury is by turns a pitiless and pitch-black comedy, a love story of mesmerizing force, and a disturbing inquiry into the darkest side of human nature.

    Philosophy of the Boudoir follows three aristocrats as they indoctrinate the fifteen-year-old Eugénie de Mistival in “the principles of the most outrageous libertinism.” 200 years after de Sade’s death, readers will continue to find shock and delight in this most joyous of his erotic works, now with a new introduction by Francine du Plessix-Gray.

    But Lou is about to change her life—and that of her parents—all because of a school project about homeless teens. Whilst doing research, Lou meets No, a teenage girl living on the streets. As their friendship grows, Lou bravely asks her parents if No can live with them, and is astonished when they agree. No’s presence forces Lou’s family to come to terms with a secret tragedy. But can this shaky, newfound family continue to live together when No’s own past comes back to haunt her?Winner of the prestigious Booksellers’ Prize in France, No and Me is a timely and thought-provoking novel about homelessness that has far-reaching appeal.

    M. Coetzee has been dazzling the literary world. After eight novels that have won, among other awards, two Booker Prizes, and most recently, the Nobel Prize for literature, J.M. Coetzee has once again crafted an unusual and deeply affecting tale. Told through an ingenious series of formal addresses, Elizabeth Costello is, on the surface, the story of a woman's life as a mother, sister, lover, and writer. Yet it is also a profound and haunting meditation on the nature of storytelling.

    Blurring the lines between fact and fiction, an unnamed narrator attempts to plot the emotional and physical course of her two-year relationship with a married foreigner where every word, event, and person either provides a connection with her beloved, or is subject to her cold indifference. With courage and exactitude, she seeks the truth behind an existence lived entirely for someone else, and, in the pieces of its aftermath, she is able to find it.

    A twenty-five-year-old Aramaic scholar, Antoine has had it with being brilliant and deeply self-aware in today's culture. So tortured is he by the depth of his perception and understanding of himself and the world around him that he vows to denounce his intelligence by any means necessary in order to become stupid enough to be a happy, functioning member of society. What follows is a dark and hilarious odyssey as Antoine tries everything from alcoholism to stock-trading in order to lighten the burden of his brain on his soul.

    Rousseau's great epistolary novel, Julie, or the New Heloise, has been virtually unavailable in English since 1810. In it, Rousseau reconceptualized the relationship of the individual to the collective and articulated a new moral paradigm. The story follows the fates and smoldering passions of Julie d'Etange and St. Preux, a one-time lover who re-enters Julie's life at the invitation of her unsuspecting husband, M. de Wolmar. The complex tones of this work made it a commercial success and a continental sensation when it first appeared in 1761, and its embodiment of Rousseau's system of thought, in which feelings and intellect are intertwined, redefined the function and form of fiction for decades. As the characters negotiate a complex maze of passion and virtue, their purity of soul and honest morality reveal, as Rousseau writes in his preface, "the subtleties of heart of which this work is full." A comprehensive introduction and careful annotations make this novel accessible to contemporary readers, both as an embodiment of Rousseau's philosophy and as a portrayal of the tension and power inherent in domestic life.

    Together they embark upon a riotously Bohemian life, full of gaiety, color and bustle. And then there is Kate, the enigmatic German girl with the mysterious smile.Capricious, untamed and curiously innocent, Kate steals their hearts in turn, and so begins the moving and tender story of three people in love, with each other and with life. Francois Truffaut, whose film of the novel is one of cinema's greatest achievments, has called Jules et Jim "a perfect hymn to love."Henri-Pierre Roch devoted his life to the arts, numbering Duchamp, Brancusi, Braque, Satie and Picasso amongst his closest friends. Jules et Jim, an autobiographical novel, was originally published in France in 1953 and was followed by Deux Anglaises et le Continent, which Truffaut also made into a film."A delightful account of people sharing and unsharing each other."?Times Literary Supplement

    The work develops a theme that persistently inspired Bernanos: the existence of evil as a spiritual force and its dramatic role in human destiny. This haunting novel follows the fortunes of a young, gauche, and fervent Catholic priest who is a misfit in the world and in his church, creating scandal and disharmony wherever he turns. His insight into the inner lives of others and his perception of the workings of Satan in the everyday are gifts that fatefully come into play in the priest's chance encounter with a young murderess, whose life and emotions he can see with a dreadful clarity, and whose destiny inexorably becomes entangled with his own.

    Hector is very good at treating patients in need of his help. But he can't do much for those who are simply dissatisfied with life, and that is beginning to depress him. When a patient tells him he looks in need of a vacation, Hector takes a trip around the world to learn what makes people happy—and sad. As he travels from Paris to China to Africa to the United States, he lists his observations about the people he meets. Is there a secret to happiness, and will Hector find it? Combining the winsome appeal of The Little Prince with the inspiring philosophy of The Alchemist, Hector's journey ventures around the globe and into the human soul. Lelord's writing inspires us to consider life's great questions. Uplifting, empowering, and optimistic, this is a fable for our times and all time.

    One by one he introduces, demonstrates and expounds the discoveries and inventions of his fertile, encyclopaedic mind. An African mud-sculpture representing a naked child; a road-mender's tool which, when activated by the weather, creates a mosaic of human teeth; a vast aquarium in which humans can breathe and in which a depilated cat is seen stimulating the partially decomposed head of Danton to fresh flights of oratory. By each item in Cantarel's exhibition there hangs a tale - a tale such as only that esteemed genius Roussel could tell. As the inventions become more elaborate, the richness and brilliance of the author's stories grow to match them; the flow of his imagination becomes a flood and the reader is swept along in a torrent of wonder and hilarity.

    Massacres, conspiracies, clandestine trysts, secret alliances, daring escapes, sumptuous feasts, and duels of wit propel the action in this delightful story of French royalty during the 16th century. Advertising with movie.