He’s won the respect of his opponents for his political skill, and the trust and admiration of observers for his unwavering conviction and proven integrity. His personal story, how he rose from modest beginnings in a hard-working family to the threshold of forming government, is less well known.Now, in this fascinating autobiography, we discover the man behind the headlines, who he is, how he thinks, and how he comes by the values that shaped his character. Learn about his vision to empower Canadians to build a more prosperous, hopeful country, to reduce disparities, to protect our rights and freedoms, and to preserve our land and waters for future generations.

    Because it was extremely difficult to verbalize the events to her own children years later, her adult family knew very little of the details until 30 years after her passing in 1967. That is when her granddaughter discovered her writings and promised to tell the story of what she endured.

    In this inspiring story, the determined hummingbird does everything she can to put out a raging fire that threatens her forest home. The hummingbird—symbol of wisdom and courage—demonstrates that doing something is better than doing nothing at all.The parable is embraced by two of the worldís most influential leaders: Wangari Maathai, the Nobel Peace Prize winner from Kenya who launched the Green Belt Movement (which you can read about here), and His Holiness the Dalai Lama, who has spoken widely about his commitment to preserving the environment. This courageous little book features artwork by internationally renowned artist Michael Nicoll Yahgulanaas. His distinct and lively Haida Manga style engages perfectly with this inspirational story that encourages every individual to act on behalf of the worldís limited and precious resources.

    Now, after three years of research and scores of interviews from coast to coast, author Bette Cahill reveals the truth about the Home, its owners, the babies who were born there, and those who died there.It is a truth that will horrify and enrage, for in these pages Cahill charges that the children of unwed mothers born in the Ideal Maternity Home were offered for adoption in a manner that amounted to little more than baby farming for profit. We also learn that most of the natural parents had no knowledge of these practices. The babies placed in new homes were the lucky ones. Was the high infant mortality rate at the Home coincidence, neglect, accident, or economics?Butterbox Babies is a story of greed, hypocrisy, and justice. It is also the moving story of children who survived the Ideal Maternity Home and their search for a past. Bette Cahill traces their lives today as their search leads them from disappointment to rejection and in some cases the joy of reunion with the parents they never knew.

    But few could have expected that a young Canadian would pen some of the most distinctively American songs, music that seems soaked in the mythology of the Old South. With songs like The Weight, The Night They Drove Old Dixie Down, and Up on Cripple Creek, Robertson and his partners in The Band fashioned a new popular music lexicon that has endured for decades, influencing countless musicians.In this captivating memoir of The Band's storied career, Robertson weaves together his half-Jewish, half-Mohawk upbringing on the Brantford Six Nations Reserve and in Toronto; his odyssey south at sixteen and rollicking early years on the road with rockabilly legend Ronnie Hawkins; the slow formation of The Band, their trial-by-fire with Bob Dylan on his 1966 world tour, and the forging of their unique sound. He recounts being catapulted to fame with the success of their groundbreaking debut, and takes us through the astonishing run of albums that culminated in one of history's most famous farewell concerts: the movie The Last Waltz, directed by Martin Scorcese. This is the story of a time and place--the moment when rock 'n' roll became life, when electric blues legends like Muddy Waters and Otis Rush criss-crossed the circuit of clubs and roadhouses from Texas to Toronto. It's the story of exciting change as the world tumbled into the '60s, and figures like Dylan and The Band redefined music and culture, with a little help from sex and drugs. And it's the moving story of the profound friendship between five young men who together created a new kind of popular music.

    But his unit's mission stayed the same: act as the eyes and ears of the 101st deep in the dreaded A Shau Valley--where the NVA ruled.Relentless thick fog frequently made fighter bombers useless in the A Shau, and the enemy had furnished the nearby mountaintops with antiaircraft machine guns to protect the massive trail network that snaked through it. So, outgunned, outmanned, and unsupported, the teams of L Company executed hundreds of courageous missions. Now, in this powerful personal record, Larry Chambers recaptures the experience of the war's most brutal on-the-job training, where the slightest noise or smallest error could bring sudden--and certain--death. . . .

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    His world crashed down after he smashed his right ankle and causing severe damage to his left fibia and tibia. It was unclear if he would ever walk properly again, let alone ride a motorbike. Charley recounts the ambulance ride, the numerous operations in a Portugese hospital, the medivac flight back to London, and his journey of recovery. As his inability to walk for several months provokes introspection, Boorman recounts his childhood, where his passion for motorbikes began, and the formative influences in his life—from his father, a famed director, to his longtime friend Ewan McGregor, and Sean Connery’s son Jason, who introduced him to bikes. These touchstones give him strength on the long way back to health.

    Margaret Humphreys soon discovered that as many as 150,000 children had in fact been deported from children's homes in Britian and shipped off to a "new life" in distant parts of the Empire—the last as recently as 1967. For numerous children it was to be a life of horrendous physical and sexual abuse in institutions in Western Australia and elsewhere. Margaret Humphreys reveals how she gradually unravelled this shocking secret, how she became drawn into the lives of some of these innocent and unwilling exiles, and how it became her mission to reunite them with their families.

    Staff nursing in a ward where she's challenged by an inventory driven ward sister, she reckons it's time to swap such trivialities for life as a district nurse.Independent thinking is one thing, but Jane's about to find that the drama on district can demand instant reaction; and without hospital back up, she's usually the one having to provide it. She meets a rich cast of patients all determined to follow their own individual star, and goes to Edinburgh where Queen Victoria's Jubilee Institute's nurse training is considered the cr me de la cr me of the district nursing world.Call Me Sister recalls Jane's challenging and often hilarious route to realizing her own particular dream.

    Napoleon himself, expiring at 51 after a lifetime of robust health, suspected otherwise and ordered a thorough autopsy. His suspicions were well founded. So clever was the crime, however, that until recent developments in forensic science, it was impossible to prove a case of murder, let alone name the killer. Now, the authors of The Murder of Napoleon assert, it has been done-by a brilliant man whose 20-year inquest, a feat of detection, has produced one of history's greatest surprises. "Sensational...as gripping as a detective novel yet scrupulously observant of historical fact" (Publishers Weekly) Author Biography: David Hapgood was an editor and writer for The New York Times. He is author or co-author of The Murder of Napoleon, The Screwing of the Average Man, Monte Cassino, and Africa from Independence to Tomorrow. He is a graduate of Swarthmore College and lives in New York City.

    Drawing on the insights of coaches, teammates and league insiders, award-winning writer Douglas Hunter charts Yzerman's career as "the player's player," the embodiment of skill, dedication, sacrifice, and leadership.Yzerman went fourth overall to the Detroit Red Wings in the very strong 1983 NHL entry draft, which included such prospects as Tom Barasso, Cam Neely, and Pat LaFontaine. He made an immediate impact in the NHL with his dazzling offensive skills. In 1986, having just turned 21, he was made the youngest captain in league history.Despite his individual success, including being one of the only three players in NHL history to record a 155-point season, Yzerman's team struggled and Detroit's devoted hockey fans wondered when he would reverse the Red Wings' fortunes. When Detroit was unexpectedly bumped from the playoffs in the '95 Stanley Cup final, many fingers, pointed at the captain. Determined to bring a championship back to Detroit, shrugging off persistent trade rumors, Yzerman continued to adjust his game for the good of the team. While his finesse as a playmaker and goal scorer remained in evidence, the gritty centerman blocked shots, drove to the net, and worked tirelessly along the boards in the corners. He led by aggressive example on the ice and with quiet confidence in the dressing room.In 1997, when the Red Wings won their first Stanley Cup since 1955, Yzerman proved he was a winner. He proved it again the next season, when he raised the Cup for a second time and was awarded the Conn Smythe Trophy as the playoffs' most valuable player. In 2002 the team captured its third Stanley Cup in seven seasons and that same year Yzerman was pivotal in Team Canada's Olympic gold medal victory.

    How did that day you've forgotten look? What did it feel like? Were you lonely? Did you have the sense you were progressing anywhere? Probably not. Yet string a few thousand of them together and that's a life. --From Boy WondersCathal Kelly grew up in the seventies and eighties, decades when dressing like Michael Jackson seemed like a good idea and The Beachcombers--an adventure show about logging--seemed to make sense. But apart from fashion missteps and baffling TV plotlines, Kelly's youth was a time of wonder, obsession and discovery. Navigating an often fraught fam­ily life, Kelly sought refuge in books, music, movies, games and at least one backyard hole. However, looking back he sees that his passion for George Orwell, Star Wars or The Smiths was never just about the book, movie or band. Rather, it was about the promise each new experience offered him in making sense of the world, and how he might find a home within it.By turns funny, elegiac and insightful, Boy Wonders is an unvarnished celebration of grow­ing up and stumbling toward identity. It's about the good and the bad of those brief years when we find purpose without end, obsession with­out limit and joy in the strangest of places.

    It meant nearly freezing when sleeping outside in 50-below-zero weather. It meant canoeing upstream for hundreds of miles to reach remote Indian villages. It meant eating wild cat and other stranger things, or eating nothing for days at a time. But it also meant you were privileged to present the good news of the true Great Spirit to those who were often misunderstood and mistreated. The adventures in this book are rivaled only by the incredible conversions of those who saw the Creator in nature and then worshipped Him too. You will be challenged and inspired by the results of one man who went where the Lord led, with little regard for himself. About the Author Egerton Ryerson Young was a teacher, pastor, author, and a brave missionary to remote Canadian Indians. Young’s mother died in 1842, and consequently he was raised by his stepmother, Maria Farley. After a brief stint as a school teacher, Young was ordained and called to a pastorate of the First Methodist Church in Hamilton. In 1868, however, he was invited to become a missionary to the natives of Rupert’s Land. After praying over this with his new wife, Elizabeth, he asked her what she thought about this call. “I think it is from God and we will go,” was her reply. What happens next is the compelling story of this book.

    In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key creative and critical texts, Justice argues that Indigenous writers engage with these questions in part to challenge settler-colonial policies and practices that have targeted Indigenous connections to land, history, family, and self. More importantly, Indigenous writers imaginatively engage the many ways that communities and individuals have sought to nurture these relationships and project them into the future. This provocative volume challenges readers to critically consider and rethink their assumptions about Indigenous literature, history, and politics while never forgetting the emotional connections of our shared humanity and the power of story to effect personal and social change. Written with a generalist reader firmly in mind, but addressing issues of interest to specialists in the field, this book welcomes new audiences to Indigenous literary studies while offering more seasoned readers a renewed appreciation for these transformative literary traditions.