Struggling to support herself after her father's disappearance, Katherine has neither time nor money to solve the mystery alone. She has no choice but to seek help from a woman she has only just met; awkward socialite Connie Swift.As the letters become increasingly frantic, this unlikely team of amateur detectives must learn to work together, while struggling to navigate the rigid rules of Victorian propriety, their families’ expectations, and the complicating interference of men.Confronting danger as they venture into new and frightening territory, Katherine and Connie risk arrest, exposure, and even their reputations to solve the Case of the Black Tulips. Can they solve the mystery before someone gets killed....or they kill each other?The Case of the Black Tulips is the first book in the Caster & Fleet mystery series, set in 1890s London.

    Thomas Silkstone, anatomist and pioneering forensic detective. . .The death of Sir Edward Crick has unleashed a torrent of gossip through the seedy taverns and elegant ballrooms of Oxfordshire. Few mourn the dissolute young man--except his sister, the beautiful Lady Lydia Farrell. When her husband comes under suspicion of murder, she seeks expert help from Dr. Thomas Silkstone, a young anatomist from Philadelphia.Thomas arrived in England to study under its foremost surgeon, where his unconventional methods only add to his outsider status. Against his better judgment he agrees to examine Sir Edward's corpse. But it is not only the dead, but also the living, to whom he must apply the keen blade of his intellect. And the deeper the doctor's investigations go, the greater the risk that he will be consigned to the ranks of the corpses he studies. . .

    Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.

    Fearing dismissal, Maisie is shocked when she discovers that her thirst for education is to be supported by Lady Rowan and a family friend, Dr. Maurice Blanche. But The Great War intervenes in Maisie’s plans, and soon after commencement of her studies at Girton College, Cambridge, Maisie enlists for nursing service overseas.Years later, in 1929, having apprenticed to the renowned Maurice Blanche, a man revered for his work with Scotland Yard, Maisie sets up her own business. Her first assignment, a seemingly tedious inquiry involving a case of suspected infidelity, takes her not only on the trail of a killer, but back to the war she had tried so hard to forget.

    When a dead body is found during a house party at the home of Agatha Christie and her husband Max Mallowan, it's up to famous author's head of household, Phyllida Bright, to investigate... Tucked away among Devon's rolling green hills, Mallowan Hall combines the best of English tradition with the modern conveniences of 1930. Housekeeper Phyllida Bright, as efficient as she is personable, manages the large household with an iron fist in her very elegant glove. In one respect, however, Mallowan Hall stands far apart from other picturesque country houses...The manor is home to archaeologist Max Mallowan and his famous wife, Agatha Christie. Phyllida is both loyal to and protective of the crime writer, who is as much friend as employer. An aficionado of detective fiction, Phyllida has yet to find a gentleman in real life half as fascinating as Mrs. Agatha's Belgian hero, Hercule Poirot. But though accustomed to murder and its methods as frequent topics of conversation, Phyllida is unprepared for the sight of a very real, very dead body on the library floor...A former Army nurse, Phyllida reacts with practical common sense--and a great deal of curiosity. It soon becomes clear that the victim arrived at Mallowan Hall under false pretenses during a weekend party. Now, Phyllida not only has a houseful of demanding guests on her hands--along with a distracted, anxious staff--but hordes of reporters camping outside. When another dead body is discovered--this time, one of her housemaids--Phyllida decides to follow in M. Poirot's footsteps to determine which of the Mallowans' guests is the killer. With help from the village's handsome physician, Dr. Bhatt, Mr. Dobble, the butler, along with other household staff, Phyllida assembles the clues. Yet, she is all too aware that the killer must still be close at hand and poised to strike again. And only Phyllida's wits will prevent her own story from coming to an abrupt end...

    Smart and savvy, she's got a sixth sense when it comes to seeing the truth in a story-especially if it's murder. Bailey's in bed with her commitment-challenged lover K.C. when she gets a frantic call from her high-maintenance boss at Gloss magazine. Grabbing coffee and a cab outside her Greenwich Village apartment-the consolation prize in her divorce settlement-Bailey reluctantly heads uptown. At Cat Jones's Upper East Side town house, she finds something that seriously clashes with the chic décor: the dead body of the family's live-in nanny. As Bailey-unofficially-delves into the murdered girl's past, she finds no shortage of A-list suspects. But when a startling discovery suggests that Cat may have been the intended victim, Bailey is suddenly up to her bed head in high-profile investigation that's perfect fodder for a tabloid headline: Is someone trying to kill the editor's of women's magazines? With the spotlight on New York's glitzy media world, Bailey interviews back-stabbing editors, straying husbands, and one sexy, six-feet two psychologist who could make her decide to kick K.C. to the curb. Sporting her pair of red slingbacks and armed with the investigative skills she's honed as a true crime reporter, she sets out on a search that takes her from Manhattan's exclusive Carnegie-Hill area-the nanny heartland of America-to the ritzy weekend estates of Pennsylvania and Connecticut. Bailey will need all her street smarts and some lightning-fast detective work to catch a killer who could end up deleting her name from the masthead for good.

    Lady of the Lamp Florence Nightingale has just accepted the position of Superintendent of the Establishment for Gentlewomen During Temporary Illness in London. She has hardly had time to learn the names of the nurses in her charge when she suddenly finds one of them hanging in the Establishment’s library. Her name was Nurse Bellamy.Florence’s mettle is tested by the dual goals of preserving what little reputation her hospital has and bringing Nurse Bellamy’s killer to justice. Her efforts are met with upturned noses and wayward glances except for her close friend and advocate inside the House of Commons, Sidney Herbert. As Florence digs deeper, however, her attention turns to one of the hospital investors and suddenly, Sidney becomes reluctant to help.With no one but herself to count on, Florence must now puzzle out what the death of an unknown, nondescript young nurse has to do with conspiracies lurking about at the highest levels of government before she’s silenced too.For fans of Anne Perry and Laurie R. King comes No Cure for the Dead, the rich and enthralling series debut from Christine Trent.

    In a time when the old approaches to science coexist with the new, one elite community attempts to understand the world by collecting its wonders. Sir Barnaby Mayne, the most formidable of these collectors, has devoted his life to filling his cabinets. While the curious-minded vie for invitations to study the rare stones, bones, books, and artifacts he has amassed, some visitors come with a darker purpose.For Cecily Kay, it is a passion for plants that brings her to the Mayne house. The only puzzle she expects to encounter is how to locate the specimens she needs within Sir Barnaby’s crowded cabinets. But when her host is stabbed to death, Cecily finds the confession of the supposed killer unconvincing. She pays attention to details—years of practice have taught her that the smallest particulars can distinguish a harmless herb from a deadly one—and in the case of Sir Barnaby’s murder, there are too many inconsistencies for her to ignore.To discover the truth, Cecily must enter the world of the collectors, a realm where intellect is distorted by obsession and greed. As her pursuit of answers brings her closer to a killer, she risks being given a final resting place amid the bones that wait, silent and still, in 'THE CABINETS OF BARNABY MAYNE'.

    "Witty, racy, and full of gorgeous period detail, Ask Me No Questions is the perfect book for all of us who miss Downtown Abbey." --Tasha Alexander, NewYork Times bestselling authorMurder and scandals abound in Noble's fresh look at the dazzling world of 1907 Manhattan, from the decadence of high society balls to the underbelly of Belmont horse racing, with an amateur sleuth as scandalous and sparkling as Old New York itself.

    In this delightful new "tale of dark secrets, mysterious men, and heiresses in distress,"* Louisa May Alcott, the beloved author of Little Women, is cast in the role of amateur sleuth-investigating crimes more heinous than anything she can imagine in her "blood and thunder" romances.

    Jane grapples with a vandalized shop, a kidnapping, a creepy doll with seemingly supernatural powers, and a stolen diamond necklace. What do all these have in common? It's up to Jane to find out. About the Jane Carter Historical Cozy Mystery Series: This quirky historical cozy mystery series is set in the fictional American city of Greenville during the 1920s, and features Jane Carter, a young widow who returns home to live with her father after the tragic death of her journalist husband. Jane’s father owns a local newspaper, and wants Jane to take it over someday, but Jane is adamant that she has no desire to be a reporter. Instead, she turns her talent for writing to concocting melodramatic romances for fly-by-night rags who almost never pay on time. This work pays so poorly that Jane supplements her income by becoming an agony aunt, soliciting letters from the lovelorn through advertisements in the back of women’s weekly magazines. Jane dispenses advice to all and sundry, but her personal life is in shambles. Jane claims that she's holding out for a millionaire before she marries again, but the only man who makes her heart beat faster is Jack, a reporter on her father's staff. Not only has Jane vowed she will never be a newspaper man herself, she's doubly insistent on never again marrying one. While trying to turn out enough column inches of overwrought romantic bilge to keep her old car on the road, and herself in shoes, Jane runs into the most extraordinary circumstances. In Jane's madcap world, it's a constant round of kidnappings, curses, stolen jewels, counterfeit paintings, and hidden stashes of gold. There's plenty of crime to go around, but nary a murder. Accompanying Jane on her adventures is her best friend, Florence. Jane and Flo may get into one perilous situation after another, but they are never damsels in distress, because, as Jane puts it, "A real lady always carries her own pocket knife." Neither Jane nor Flo think it beneath them to slip a cosh into their handbag, either, should the situation call for it. All this getting into harm's way alarms the Carter's housekeeper, Mrs. Timms. Mrs. Timms believes it's her mission in life to turn motherless Jane into a proper lady, but seeing as Jane has just turned twenty-four, Mrs. Timms considerable efforts appear to have been in vain. However, the housekeeper won't give up trying, just as Jane won't give up on seeing Mrs. Timms and her father center-aisling it to the alter and saying, "I do." If you like light-hearted historical mysteries with quirky characters and a bit of zany humor, this may be the series for you! These are murderless mysteries. Despite a constant crime wave, there seem to be no murders in the city of Greenville. There may be plenty of peril in the form of kidnappings, heists, and the occasional assault, but nobody ever dies, and justice is always served. There’s plenty of romance, but sex is strictly behind closed doors. Suitable for readers looking for a "clean" mystery novel. This series may be of interest to fans of: Lee Strauss (Ginger Gold Mysteries), Jaqueline Winspear (Masie Dobbs Mysteries), Patricia Wentworth (Miss Silver Mysteries), Jessica Ellicot (Berl and Edwina Mysteries Series), Clara Benson, L. B. Hathaway (Posie Parker Mysteries), Leighann Dobbs (Hazel Martin Mysteries), T. E. Kinsey (Lady Hardcastle Mysteries), Margarete Addison (Rose Simpson Mysteries), Emily Organ (Penny Green Mysteries), and the Phryne Fisher Mystery Series.

    Created after the Metropolitan Police’s spectacular failure to capture Jack the Ripper, The Murder Squad suffers rampant public contempt. They have failed their citizens. But no one can anticipate the brutal murder of one of their own . . . one of the twelve . . .When Walter Day, the squad’s newest hire, is assigned the case of the murdered detective, he finds a strange ally in the Yard’s first forensic pathologist, Dr. Bernard Kingsley. Together they track the killer, who clearly is not finished with The Murder Squad . . . but why?Filled with fascinating period detail, and real historical figures, this spectacular debut in a new series showcases the depravity of late Victorian London, the advent of criminology, and introduces a stunning new cast of characters sure to appeal to fans of The Sherlockian and The Alienist.

    Intelligent, outspoken Sarah Woolson is a young woman with a goal and the fortitude to achieve it. She has always dreamed of becoming a lawyer. The trouble is, everyone believes women belong in the home---that it is not only unnatural, but against God's will for them to seek a career.When Sarah finagles an interview with one of the city's most prestigious law firms, no one thinks she has a prayer of being hired. Except Sarah. Using her brains and a little subterfuge, she not only manages to become the firm's newest (and only female) associate attorney, she also acquires her first client---a lovely young society matron suspected of brutally stabbing to death her wealthy but abusive husband. Sarah is sure of her client's innocence, but the revelation of the woman's secret lover may make that innocence impossible to prove. When four more victims fall prey to the killer's knife, Sarah fears she has bitten off more than she can chew. Bucking her boorish employer and the judicial system, Sarah finds herself embroiled in shady legal maneuvers, a daring Chinatown raid, and a secret and very scandalous sex club in this irresistible blend of history, romance, and murder.

    Albia is now 28 and an established female investigator. Her personal history and her British birth enable her to view Roman society and its traditions as a bemused outsider and also as a woman struggling for independence in a man’s world.The first novel takes place on the plebeian Aventine Hill, with its mix of monumental temples, muddy back lanes and horrible snack bars. We meet Albia’s personal circle – some familiar, some new. We glimpse old haunts and hear of old friends, but the focus is on Albia herself, a tough, witty, winning personality who fearlessly tackles inhumanity and injustice, braving any risks and winning the friendship of unexpected allies.http://us.macmillan.com/theidesofapri...

    Yet her path to professional success hits a speed bump during a disastrous raid where half her team is murdered, a mole in the FBI is uncovered and she herself is severely wounded. As soon as she recovers, she goes rogue and travels to England to assassinate the man responsible for the deaths of her teammates.While fleeing from an unexpected assassin herself, Kendra escapes into a stairwell that promises sanctuary but when she stumbles out again, she is in the same place - Aldrich Castle - but in a different time: 1815, to be exact.Mistaken for a lady's maid hired to help with weekend guests, Kendra is forced to quickly adapt to the time period until she can figure out how she got there; and, more importantly, how to get back home. However, after the body of a girl is found on the extensive grounds of the county estate, she starts to feel there's some purpose to her bizarre circumstances. Stripped of her twenty-first century tools, Kendra must use her wits alone in order to unmask a cunning madman.