The most elegant men and women of high society meet their destinies as they go from one palatial mansion to the another, from one extravagant party to the next.

    From the center of her bed, "a four poster no less", Mary recalls her fertile past, from her childhood in the Irish countryside to the love affairs she has confronted since leaving for English shores. Wistful, wanton, this erotic reverie shows O'Brien to be one of the foremost heirs to modernism. "Very few writers use language as richly and sensuously... There are passages here worthy of Joyce" (Library Journal).

    Life is good - nice and tidy. Until, that is, on her fiftieth birthday when her boyfriend does the unthinkable: He proposes. Libby's been down the marriage road before and it just didn't work. While she's trying to persuade her guy to keep things status quo, she reconnects online with her high-school boyfriend and begins an email correspondence...just for fun.But fun soon turns to flirtation and Libby is startled to feel some stirrings of the passion she felt at seventeen. How is that possible? She thought she had things all figured out. Now she must take stock of her life and everyone in it, to answer for herself the question everyone has been asking --What more could you wish for?

    Andrews University and, despite their differences, become fast friends. Years later they remain an unlikely pair. Abigail, an actress who confidently uses her charms both on- and offstage, believes herself immune to love. Dara, a counselor, is convinced that everyone is inescapably marked by childhood; she throws herself into romantic relationships with frightening intensity. Yet now each seems to have found "true love"—another stroke of luck?—Abigail with her academic boyfriend, Sean, and Dara with a tall, dark violinist named Edward, who literally falls at her feet. But soon after Dara moves into Abigail's downstairs apartment, trouble threatens both relationships, and their friendship. For Abigail it comes in the form of an anonymous letter to Sean claiming that she's been unfaithful; for Dara, a reconciliation with her distant father, Cameron, who left the family when Dara was ten, reawakens complicated feelings. Through four ingeniously interlocking narratives—Sean's, Cameron's, Dara's, and Abigail's—we gradually understand how these characters' lives are shaped by both chance and determination. Whatever the source, there is no mistaking the tragedy that strikes the house on Fortune Street. "Everyone," claims Abigail, "has a book or a writer who's the key to their life." As this statement reverberates through each of the narratives, Margot Livesey skillfully reveals how luck—good and bad—plays a vital role in our lives, and how the search for truth can prove a dangerous undertaking. Written with her characteristic elegance and wit, The House on Fortune Street offers a surprisingly provocative detective story of the heart.

     She tries to remember her mother's voice and the pitch and treble of it passes through her; the rhythm of it so clear that for a moment they are...connected by frail strings. So begins The Land of Women, and we are swept into Fiona O'Faolain's last summer in Ireland, the season of her burgeoning sexuality. It is a time, too, when mother and daughter step toward friendship among the voluminous gowns they make for local brides. Yet that giddy summer also delivers betrayal. Fiona's journey from the shame that ended her girlhood takes her to Santa Fe and to Carlos Aragon, a restorer of antiquities, whose ancestry is mysteriously linked to hers. As he explores their pasts with the precision of an artisan, Fiona must face her excruciating memory. In The Land of Women the past lives in the present, and physical and emotional geography touch.

    In this charming, fading Gaelic village, Kate quickly develops a bond with members of the local lace-making society: Bernie, alone and yearning for a new purpose since the death of her beloved husband, John; Aileen, plagued by doubt, helplessly watching her teenage daughter grow distant; Moira, caught in a cycle of abuse and denial, stubbornly refusing help from those closest to her; Oona, in remission from breast cancer, secretly harboring misgivings about her marriage; Colleen, the leader of the group, worried about her fisherman husband, missing at sea. And outside this newfound circle is local artist Sullivan Deane, an enigmatic man trying to overcome a tragedy of his own.Under Glenmara's spell, Kate finds the inspiration that has eluded her, and soon she and the lace makers are creating a line of exquisite lingerie. In their skilled hands, flowers, Celtic dragons, nymphs, fish, saints, kings, and queens come to life, rendered with painterly skill. The circle also offers them something more—the strength to face their long-denied desires and fears. But not everyone welcomes Kate, and a series of unexpected events threatens to unravel everything the women have worked so hard for. . . .

    She’s struggling to leave her trophy wife identity behind and make ends meet as a full-time event planner. When her handsome new neighbor needs to throw the perfect birthday party for his niece, Juliet offers her services. If she pulls this off, maybe she can get her life back on track. But to do so, she’ll need the help of the Cupcake Posse. Too bad her friends are grappling with problems of their own:Missy’s recovering from injuries; Nell’s trying to thwart her mother’s matchmaking efforts; Selena’s husband wants her to work less when she needs to do more; and Bria’s facing obstacles she never anticipated trying to save her late aunt’s bakery.Join the Cupcake Posse as they work together to navigate the difficulties of life, loss, and love. They continue to rely on each other, never losing sight of the importance of friendship and family, but will that be enough to save the Berry Lake Cupcake Shop?

    In the late 1960s, in the hollow of an ancient oak tree beyond a derelict cottage in Cork, were found the bones of a three-year-old girl. It was thought that they dated back to the time of the great potato famine of the mid 1800s. The bones were discovered by an American woman, who had inherited the cottage which had lain empty and broken for forty years. Local searches reveal that the house had originally belonged to The Quinns. Eliza Quinn was their baby.This is a story that speaks of generations and of landscapes: abandoned villages, famine graves, old potato ridges sinking back into the earth, traces of a population that fell by two and a half million in less than ten years. It is also about hunger, both physical and emotional. But above all, it is the story of the Quinn family. And it is Carol Birch's tour de force.'Deeply rooted humanity and highly intelligent understanding of the simulataneous complexity and simplicity of individual lives' Alex Clark. TLS

    Fleeing from pirates, Robinson Crusoe is swept ashore in a storm possessing only a knife, a box of tobacco, a pipe-and the will to survive. His is the saga of a man alone: a man who overcomes self-pity and despair to reconstruct his life; who painstakingly teaches himself how to fashion a pot, bake bread, build a canoe; and who, after twenty-four agonizing years of solitude, discovers a human footprint in the sand... Consistently popular since its first publication in 1719, Daniel Defoe's story of human endurance in an exotic, faraway land exerts a timeless appeal.

    This is a tender story of the ill fortune of Goli, a woman who is prey to the constantly roving eyes of a king, while her husband cannot muster the courage to even lay a finger on her. This edition is the full-text version of this tale and will thus always be considered a document of utmost credibility.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Michael is a rising OB/GYN at a prominent private practice in Albany, New York; he also moonlights at a local women’s health clinic. But Annie, his wife, has become tired of her workaholic husband’s absences, and the soccer-mom lifestyle has worn thin. She begins a passionate love affair with bad-boy, fading celebrity painter Simon Haas—an affair that quickly goes awry when Simon’s wife Lydia, who is also the model upon whom he built his career, discovers the truth.  Abortion, local evangelism, marital disenchantment, and the rifts of social class:  Brundage takes on the fault lines of our era with a deft hand.

     Heading north for the holidays, things certainly hadn’t gone as she had planned. A snowstorm, an apple pie, and an old friend, all conspire to bring her to a crossroads. Will a Christmas Eve detour send her back to her snug village home, or will she forge ahead and let a turn in the road lead her to a newfound happiness? In this, the first entry in her new Rose and Briar Inn series, From Women’s Pens author Andrea Twombly weaves a warm story of the Christmas season, rich in challenges overcome and courage discovered along a twisting road to love. You won’t want to miss this one!

    He is obsessed with a beautiful stranger, the art student Miranda. When he wins the pools he buys a remote Sussex house and calmly abducts Miranda, believing she will grow to love him in time.

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.