In two short weeks, that’s what workaholic Cole Jansen discovers. Still single at thirty-two, he’s more focused on managing his clients’ money and his own material success than he is with any woman who gets close, or reconciling his estranged relationship with his parents. But when his father’s ill health leads him from urban Cedar Rapids, Iowa to the tiny rural community of Harmony, Minnesota for a rare visit, his myopic life is suddenly questioned when he meets Rachel Miller, a young Amish woman committed to her church and family – and conflicted by forbidden dreams of meeting him, the man in the pictures she ritualistically dusts each week as part of her cleaning duties at his parents’ home. No sooner than such an unlikely courtship begins to flourish, a series of tragedies strike, and commitment and character must be confronted, bringing each of their paths to a crossroads and shaking the foundations of their lives. Will the threat of excommunication and career suicide be too great? Or is there hope for such an improbable love as this?My Father’s House, a love story of truth, tenderness and tragedy that will touch your heart.

    Now a coach driver, he is at the most crucial crossroads of his life. His wife has thrown him out. The crisis serves only to deepen his despair over another failed liaison - until he elects to steer his coach on a spectacularly reckless quest for the son he has never seen.

    I never won anything. But here I was, boarding a plane for an all-expenses paid trip to Makani Island. Alone. I wasn’t expecting anything more than a soul-soothing vacation.Then I met him. A total grouch, or so I thought. A guy I wouldn’t want to see again. Ever. But somehow, he convinced me to take a walk on the beach. The walk turned into an all-night conversation. A once in a lifetime connection. We both knew it, but his mega-wealthy parents had wedding plans set out for him already.He said he was his own man, but I refused to be a wedge between them. Could I really give him up? The bigger question was…would he let me?Island Dreams is a clean short read, and the first in a vacation romance series.

    Her charming hosts offer Ava a chance to relax at their idyllic ancestral estate, Woodburn Hall, while working on her first novel. But Woodburn is anything but quiet: Ancient feuds lurk just beneath its placid surface, and modern-day rivalries emerge as Ava finds herself caught between the competing attentions of Will and his black-sheep cousin Jake. Fascinated by the family’s impressive history—their imposing house filled with treasures, and their mingling with literary lions Fitzgerald, Hemingway, and Faulkner—Ava stumbles onto rumors about the darker side of the Woodburns’ legacy. Putting aside her planned novel, she turns her creative attentions to the eccentric and tragic clan, a family with more skeletons (and ghosts) in their closets than anyone could possibly imagine. As Ava struggles to write the true story of the Woodburns, she finds herself tangled in the tragic history of a mysterious Southern family whose secrets mirror her own.

    In "Homesick Creek," Hammond returns to Hubbard and captivates us once again with a cast of characters so vivid we feel like we've known them all our lives.Anita and Bunny have been friends since high school, when Anita was a beauty queen runner-up and Bunny a sweet single mother with average looks. They were both taken by surprise when the handsome, charismatic Hack Neary chose Bunny to be his wife. A natural-born salesman, Hack now works his charms at the local car dealership, and he and Bunny enjoy a very comfortable life. But after sixteen years of excusing Hack's white lies, Bunny is more shaken than she'd like to be by his dangerous new flirtation and her rising suspicions that Hack never meant to put down roots in Hubbard.Anita has also married, but unlike Hack and Bunny, she and her husband are barely scraping by. Bob isn't ambitious enough to properly support his wife and daughter. He is, however, constant in his love: for Anita, still beautiful in his eyes despite the toll of age, work, and poverty; for his daughter and granddaughter, who need more than the couple can provide; and for Warren, his best friend since they were poor and unwanted children in the same trailer park.Facing a future that seems increasingly difficult, the friends turn to one another and find reserves of love and strength that help heal the wounds they inadvertently inflict on each other. At the deepest point of her grief, Bunny realizes, "If you loved somebody once, no matter how long ago, that had to be worth something."

    On a scorching day in August 1954, thirteen-year-old Jubie Watts leaves Charlotte, North Carolina, with her family for a Florida vacation. Crammed into the Packard along with Jubie are her three siblings, her mother, and the family's black maid, Mary Luther. For as long as Jubie can remember, Mary has been there cooking, cleaning, compensating for her father's rages and her mother's benign neglect, and loving Jubie unconditionally. Bright and curious, Jubie takes note of the anti-integration signs they pass and of the racial tension that builds as they journey further south. But she could never have predicted the shocking turn their trip will take. Now, in the wake of tragedy, Jubie must confront her parents failings and limitations, decide where her own convictions lie, and make the tumultuous leap to independence.Infused with the intensity of a changing time, here is a story of hope, heartbreak, and the love and courage that can transform us from child to adult, wounded to indomitable.

    Celebrated writer ZZ Packer takes the editorial helm of Algonquin's signature series, selecting 20 rock-solid stories that reflect the geography, people, and way of life in the South.

    Troubled by his wife’s disturbing mental state and concerned about a mysterious plague sweeping through his slave population, Master Satterfield purchases Polly Shine, a slave reputed to be a healer. But Polly’s sharp tongue and troubling predictions cause unrest across the plantation. Complicating matters further, Polly recognizes “the gift” in Granada, the mistress’s pet, and a domestic battle of wills ensues.   Seventy-five years later, Granada, now known as Gran Gran, is still living on the plantation and must revive the buried memories of her past in order to heal a young girl abandoned to her care. Together they learn the power of story to heal the body, the spirit and the soul.  Rich in mood and atmosphere, The Healing is the kind of novel readers can’t put down—and can’t wait to recommend once they’ve finished.This download includes a 30-minute bonus feature.

    They’d been trapped beneath a collapsed roof for hours, injured and unable to call for help.The morning of their rescue, Orlando Gallo promised he would find her again. But Maggie hasn’t seen or heard from him in over seventy years, and now, widowed and childless, Maggie hopes to leave her estate to Orlando’s descendants. She invites her neighbor, forty-year-old Jo Sampson, to travel with her, and as the two women return to San Francisco to track down Orlando, they form a strong bond of friendship and healing that transcends time and place.

    The technique is controlled, not ostentatious, and one senses here a conscious link to the work of older poets such as Larkin and Levertov. Karr's strength lies in her delicate and meticulous control of detail. Characteristically, she describes a cat's nighttime prowl with humor and precision: `` . . . he pounced and rabbit-kicked my head. / I had to disentangle from my hair / all four sets of claws, then tossed him / out into the pyramid of boxes / we'd erected in the yard.'' Such loving attention to seemingly insignificant events is reminiscent of the early work of Adrienne Rich and the use of imagery is similarly evocative (``When the moon / clicked over the sun like a black lens / over a white eye. . . ''). Karr's work generally falls into clipped stanzas, the lines flowing over for an effect of ironic tension appropriate for much of the ``devilish'' material with which she is concerned. While the poet's unflinching consciousness stands out in this text, the poetic voice is not completely developed. (Apr.)

    A wealthy social misfit, his much-younger wife, a runaway, and a big-hearted prostitute find their lives intersecting in the wake of quirky gangster activities, strait-laced professors, and fast-and-loose police officers.

    "Used to" was a graceful home in a historic Charleston neighborhood. Country clubs, cotillions, childhood friends, and a close-knit church group. "Now" is a run-down cottage on an island estate that is no longer in the family. A restaurant job, a cantankerous old truck, and mud on just about everything.But something is wearing DeVeaux down. It's not living on the island, which is actually kind of interesting. And it's not missing her old friends, who have developed an annoying fixation on boys. What really bothers DeVeaux is that being "ruined" has changed her dad into an ill-tempered jerk, and her mother just tiptoes around him. If the good Lord has a plan for saving them, now might be a good time to start.A gritty but gentle drawl of a story, Grace at Low Tide is a tender and evocative portrait of a young girl embracing womanhood. With southern society as her backdrop, Beth Webb Hart paints for us a hard-luck family scrabbling to find its heart again. It is a testimony to the small miracles of love and loyalty--the gifts of grace that manage to keep us all afloat, even at our lowest ebb.