Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.

    "Impeccably composed and meticulously particular in its observation of everything" (Harpers & Queen), it focuses on the friendship of two men: William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, an old Africa hand, searching for someone to write his biography and inherit his traditions.

    When Luke Morrissey shows up on the Bexley campus his presence immediately shakes things up. Charlie and Luke are drawn to each other the moment they meet, giving Sage the opportunity to steal away to spend time with Charlie’s twin brother, Nick. But Charlie is afraid of what others will think if he accepts that he has much more than a friendship with Luke. And Sage fears that things with Nick are getting too serious too quickly. The duo will need to rely on each other and their lifelong friendship to figure things out with the boys they love.

    His Broadway theatre baron father is dead—but by purpose or accident? The question rips him apart.Unable to face alone his mother’s ghastly remarriage to his uncle, Ben turns to his dearest friend, Horatio Patel, whom he hasn’t seen since their relationship changed forever from platonic to something…other. Loyal to a fault (truly, a fault), Horatio is on the first flight to NYC when he finds himself next to a sly tailor who portends inevitable disaster. And who seems ominously like an architect of mayhem himself.Meanwhile, Ben’s ex-fiancé Lia, sundered her from her loved ones thanks to her addiction recovery and torn from her art, has been drawn into the fold of three florists from New Orleans—seemingly ageless sisters who teach her the language of flowers, and whose magical bouquets hold both curses and cures. For a price.On one explosive night these kinetic forces will collide, and the only possible outcome is death. But in the masterful hands of Lyndsay Faye, the story we all know has abundant surprises in store. Impish, captivating, and achingly romantic, this is Hamlet as you’ve never seen it before.

    With a deadline hanging over him, he heads for the Bible Belt, looking for the perfect combination of sweetness and challenge.Seth is a blind musician, part of a traveling tent revival. He’s cute, mystically talented, and quotes the Bible at every turn. His soul is pure enough to fill Abaddon’s quota for months to come, and Abaddon is determined to claim it.The problem? There’s the revival foreman who watches Abaddon’s every move. Then there’s the mystery of Seth’s many unusual talents. Lastly, there’s Abaddon himself. He’s beginning to like Seth a bit too much. Maybe Seth deserves something better than damnation.But Hell’s agenda isn’t negotiable, and time is running out. If Abaddon doesn’t play his cards right, he could condemn both of them to the worst fate of all—an eternity apart.Warning: Contains a Bible-quoting twink and an irreverent devil who’ll do anything to avoid going “back to the office”. Also, snakes. Lots and lots of snakes.

    After my last disastrous relationship with a close friend, you'd think I'd learn my lesson and choose someone else for a rebound. Someone I don't have a solid friendship with. I should definitely stay away from Wyatt. But when have I ever listened to logic?WYATTI’d long forgotten my college crush on Aron. He was never a possibility, having friend-zoned me from the beginning. But now he’s drunk and looking for a rebound. It’d totally ruin our almost decade-long friendship. I have to say no and be the bigger person … right?**Rebound is a 17,000 word short story that belongs to the Fake Boyfriend series but does not contain a fake boyfriend trope. While it can be read as a standalone, it’s recommended to be read in companion with the series.**

    His grades sucked. Making friends? Out of the question thanks to his nervous breakdowns and unpredictable moods. Still, Vince thought when Maggie Atkins took him in, he might’ve finally found a place to get his life—and his issues—in order.But then Maggie keels over from a heart attack. Vince is homeless, alone, and the inheritance money isn't going to last long. A year ago, Vince watched a girl leap to her death off a bridge, and now he's starting to think she had the right idea.Vince stumbles across a website forum geared toward people considering suicide. There, he meets others with the same debate regarding the pros and cons of death: Casper, battling cancer, would rather off herself than slowly waste away. And there’s quiet, withdrawn Adam, who suspects if he died, his mom wouldn't even notice.As they gravitate toward each other, Vince searches for a reason to live while coping without Maggie's guidance, coming to terms with Casper's imminent death, and falling in love with a boy who doesn't plan on sticking around.

    A wise and brilliant guide to transforming the self and our society.In her powerful new book, critically acclaimed author Melissa Febos examines the narratives women are told about what it means to be female and what it takes to free oneself from them.When her body began to change at eleven years old, Febos understood immediately that her meaning to other people had changed with it. By her teens, she defined herself based on these perceptions and by the romantic relationships she threw herself into headlong. Over time, Febos increasingly questioned the stories she’d been told about herself and the habits and defenses she’d developed over years of trying to meet others’ expectations. The values she and so many other women had learned in girlhood did not prioritize their personal safety, happiness, or freedom, and she set out to reframe those values and beliefs.Blending investigative reporting, memoir, and scholarship, Febos charts how she and others like her have reimagined relationships and made room for the anger, grief, power, and pleasure women have long been taught to deny.Written with Febos’ characteristic precision, lyricism, and insight, Girlhood is a philosophical treatise, an anthem for women, and a searing study of the transitions into and away from girlhood, toward a chosen self.

    But her ex-husbands linger in the background while her four children spin away to their own separate futures, each carrying the baggage of a complex family history. Matt serves as caretaker to the ailing father who abandoned him as a child, while his wild teenage sister, Karen, hides herself in marriage to a born-again salesman. Joe, a perpetual outsider, struggles with a private sibling rivalry that nearly derails him. And then there’s the youngest, Frankie, an endearing, eccentric sci-fi freak who’s been searching since childhood for intelligent life in the universe–and finds it.Written with wry affection, and with compassion for every character in its pages, Send Me is a wholly original, haunting evocation of family love, loss, and, ultimately, forgiveness.From the Hardcover edition.

    Relationships will change, he’ll change, but maybe, just maybe, he’ll find freedom in the release.Time is running out though, because way across town a ghost as risen from the lake. Searching, yearning, she leaves a trail of destruction in her wake…

    *Shortlisted for the Forward Prize for Best First Collection 2019*Jay Bernard’s extraordinary debut is a fearlessly original exploration of the black British archive: an enquiry into the New Cross Fire of 1981, a house fire at a birthday party in south London in which thirteen young black people were killed.Dubbed the ‘New Cross Massacre’, the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain.Tracing a line from New Cross to the ‘towers of blood’ of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, to form a living presence in the absence of justice.A ground-breaking work of excavation, memory and activism – both political and personal, witness and documentary – Surge shines a much-needed light on an unacknowledged chapter in British history, one that powerfully resonates in our present moment.

    While the two increasingly dehydrated and sleep-deprived boys are locking lips, they become a focal point in the lives of other teen boys dealing with languishing long-term relationships, coming out, navigating gender identity, and falling deeper into the digital rabbit hole of gay hookup sites—all while the kissing former couple tries to figure out their own feelings for each other.

    Almost one hundred years later, a groom-to-be prepares for his gay wedding.Queers celebrates a century of evolving social attitudes and political milestones in British gay history, as seen through the eyes of eight individuals.Poignant and personal, funny, tragic and riotous, these eight monologues for male and female performers cover major events - such as the Wolfenden Report of 1957, the HIV/AIDS crisis, and the debate over the age of consent - through deeply affecting and personal rites-of-passage stories.Curated by Mark Gatiss, the monologues were commissioned to mark the anniversary of the 1967 Sexual Offences Act, which decriminalised homosexual acts in private between two men over the age of twenty-one. They were broadcast on BBC Four in 2017, directed and produced by Gatiss, and starring Alan Cumming, Rebecca Front, Ian Gelder, Kadiff Kirwan, Russell Tovey, Gemma Whelan, Ben Whishaw and Fionn Whitehead. They were staged at The Old Vic in London.This volume includes:The Man on the Platform by Mark GatissThe Perfect Gentleman by Jackie CluneSafest Spot in Town by Keith JarrettMissing Alice by Jon BradfieldI Miss the War by Matthew BaldwinMore Anger by Brian FillisA Grand Day Out by Michael DennisSomething Borrowed by Gareth McLean

    What he doesn’t need is everyone in his family trying to play matchmaker so he can find someone new… which is exactly what they’ll do at the three stupid weddings he has to attend this summer.Fortunately, it’s Dominic Lowe to the rescue. Dom is more than willing to come along to all the weddings as his best friend’s “boyfriend”… even if he’d much rather be there as Vic’s real boyfriend.Convincing people they’re a couple is easy. The charade is miserable for Dom, though, after years of being madly in love with Vic. But maybe those three weddings are a rehearsal for the relationship he knows they could have for real.This asexual M/M romance is approximately 38,000 words long.Trigger warnings: eating disorder, discussions of verbal/emotional abuse

    While all this friends can't stop talking about their heterosexual hookups and relationships, Jay can only dream of his own firsts, compiling a romance to-do list of all the things he hopes to one day experience—his Gay Agenda.Then, against all odds, Jay's family moves to Seattle and he starts his senior year at a new high school with a thriving LGBTQIA+ community. For the first time ever, Jay feels like he's found where he truly belongs, where he can flirt with Very Sexy Boys and search for love. But as Jay begins crossing items off his list, he'll soon be torn between his heart and his hormones, his old friends and his new ones...because after all, life and love don't always go according to plan.From debut novelist Jason June comes a moving and hilarious sex-positive story about the complexities of first loves, first hookups, and first heartbreaks—and how to stay true to yourself while embracing what you never saw coming.