There is tremendous variety in this volume including the stories of Kuay Yin, the compassionate Buddhist goddess; Durga, the fierce Hindu warrior goddess; lx Chel, an ancient Mayan goddess; Changing Woman, the man-faceted Navajo deity, and more. Each story in this dynamic collection is accompanied by an exquisite portrait by the late, supremely gifted illustrator Trina Schart Hyman

    Scottish form of ‘home’: a valued place regarded as a refuge or place of originIn the wake of the breakdown of her relationship, Mhairi McPhail dismantles her life in New York and moves with her 9-year-old daughter, Agnes, to the remote Scottish island of Fascaray. Mhairi has been commissioned to write a biography of the late Bard of Fascaray, Grigor McWatt, a cantankerous poet with an international reputation.But who was Grigor McWatt? Details of his past – his tough childhood and his war years as a commando – are elusive, and there is evidence of a mysterious love affair which Mhairi is determined to investigate. As she struggles to adapt to her new life, and put her own troubled past behind her, Mhairi begins to unearth the astonishing secret history of the poet regarded by many as the custodian of Fascaray’s – and Scotland’s – soul.A dazzling, kaleidoscope of a novel, Hame layers extracts from Mhairi’s journal, Grigor’s letters and poems and his evocative writing about the island into a compelling narrative that explores identity, love and the universal quest for home.

    In Hebrides, readers will accompany him on an odyssey in prose and images, through a history of the Vikings’ ‘Long Island’ and his own deep personal connection with the islands that influenced his bestselling work. Travelling as if alongside his protagonist Fin Macleod, he describes the island life – as bewitching as it is treacherous – his encounter with the bird-hunters of Sula Sgeir, the savage seas of Ness and the churches of Eriskay. With extracts from the trilogy and specially commissioned photographs, this book places his writing and characters within the land that gave them form.

    He asked voters then what kind of country they hoped for, what they feared, and what they expected—questions that animate his book as well.In his search for a nation, Acherson explores many themes: the slow, hybrid formation of the Scottish people over centuries of successive immigrations; the way their most renowned intellectuals and writers came to hate the national church; the peculiar nature of their diaspora; the coexistence of their search for an "authentic" Scotland with the myths others create; and the Scots' proud sense of true independence. Stone Voices enlightens us about Scotland, about Europe, and about the conditions for freedom that we must all seek today.

    Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, " The Original Folk and Fairy Tales of the Brothers Grimm" makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezso.From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.A delight to read, "The Original Folk and Fairy Tales of the Brothers Grimm" presents these peerless stories to a whole new generation of readers."

    It's a chance to rediscover her lifelong love of the sea - and to forget, if only for a few weeks, the boring career her parents have mapped out for her.Swept immediately into the rhythm of life in a fishing community, Saskia slowly begins to realize how little she really knows about her roots. Somehow, she needs to understand the past if she is to find the direction she needs for her future - a future that may or may not include her new friend Ben.Just as the sea gives up its bounty, so too her great-aunt must reveal the secrets of the past - the terrible toll of lives lost, and the very personal tragedy that left Alessandra herself so isolated.Only then can Saskia break free . . .

    For years, Walter has striven to impose his family values – stairs must be regularly washed, noise kept down, and wheelie bins moved back and forth at the correct times. When Walter is found murdered, there are plenty of suspects among his ungrateful neighbours. Comic book dealer Billy Briggs is estranged from his daughter, with his business in ruins, and Tony Miller is jobless and facing eviction, all because of Walter. Henrietta Quayle, bullied and belittled by the dead man, conceals a murderous obsession beneath her timid exterior. And alcoholic solicitor Gus Mackinnon has even more reason to hate Walter than anyone else. As Close Quarters takes a look back over the years at the various turbulent relationships between Walter and his neighbours, one thing becomes clear: although only one may be the murderer, none of them will mourn his passing.

    In this book feature over two dozen stories taken from popular oral tradition and united with John D. Batten's black and white drawings, full of movement and energy. Many of the earliest children's books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality editions, using the original text and artwork so these works can delight another generation of children. John Dickson Batten (1860-1932) was a British painter, illustrator and print maker who was a leading light in the Art Nouveau movement. He illustrated a series of fairy tale books written by Joseph Jacobs as well as English language versions of Arabian Nights and Dante's Inferno. His illustrations are strongly influenced by the printmakers of Japan and are characterised by an intense romanticism and refined technique.

    They include stories of princes and princesses who have been transformed into animals, trolls, and maneating giants who possess magical powers, and good-hearted, clever young men and women, often poor and ridiculed, who eventually come away with wealth and love beyond measure.In addition to such well-known favorites as "Dapplegrim," "Katie Woodencloak," "Tatterhood," and "Legend of Tannhäuser," this collection also brings to light many gems difficult to find elsewhere. In "The Werewolf," a cruel stepmother thwarts a beautiful princess's marriage plans by transforming her fiancé into a hunted denizen of the forest. The hilarious "Such Women Are" proves the world is never without a sufficiency of fools, while "The Three Dogs" tells of a youth whose four-legged friends defeat a serpent with the nasty habit of devouring a town's young women. Among many other hard-to-find stories are "King Gram," "The Magician's Pupil," "The Outlaw," "Temptations," "The Widow's Son," "The Three Sisters Trapped in a Mountain," and "The Goatherd" (the inspiration for Washington Irving’s story of Rip van Winkle).These stories preserve the ancient myths of Western Europe that have been passed down from generation to generation, but aside from their importance as seminal folktales, they are simply good reading — full of passion and excitement, magic, mystery, and sheer storytelling power. Popular Tales from Norse Mythology will delight any student or admirer of myths and mythology.Excerpt:The Dasent family is believed to have been originally of French extraction, the name having been traced to an ancient Norman source. It has owned property in the West Indies since the Restoration, and is repre sented in the island of St. Vincent at the present day. Some of its members were amongst the earliest colonists in St. Christopher's at a time when that island and Martinique were held jointly by the French and the English; and the highest judicial and administrative offices in St. Christopher's, in Nevis, in Antigua, and, more recently, in St. Vincent itself were filled by Sir George Dasent's ancestors.

    Alistair's travels along the hidden ways reveal not only the searing beauty and magic of the Scottish landscape, but open up a new means of understanding our past: in retracing the forgotten paths, he charts a powerful, surprising and moving history of Scotland through the unremembered lives who have moved through it.

    The origins and legends of the Giants, the Ancient Britons, the Picts, the Scots and the English are all explained, in a work aimed at both the specialist and the casual reader. Organised into a simple system based on Robert Graves' classic Greek Myths, Ashe describes the myth or theme first followed by discussion or analysis.

    The most dramatic of all the Hebrides is Harris, a tiny island formed from the oldest rocks on earth, a breathtaking landscape of soaring mountains, wild lunarlike moors, and vast Caribbean-hued beaches. This is where local crofters weave the legendary Harris Tweed -- reflecting the strength, durability, and integrity of life there.In Seasons on Harris, David Yeadon, "one of our best travel writers" (Bloomsbury Review) and intrepid chronicler of the "world's most remote regions" (New York Times), captures, through elegant words and line drawings, life on Harris -- the people, their folkways and humor, and their centuries-old Norse and Celtic traditions of crofting and fishing. Here Gaelic is still spoken in its purest form; music and poetry ceilidh evenings flourish in the local pubs; remnants of ancient "black houses" huddle near five-thousand-year-old stone circles; Sabbath Sundays are observed with Calvinistic strictness; and folklore, in the form of mythical creatures and "second sight" abilities, is still both tantalizing and tangible. Yeadon also journeys to Barra, the southernmost of the Hebrides, to the Shiant Islands with author Adam Nicolson, and to the fabled St. Kilda, the most remote of all the Scottish islands -- fifty miles out in the Atlantic, wreathed in legend and mystery.Harris, while beautiful and beguiling, is also a symbol of the threats to traditional island life everywhere. Through Yeadon's unique book we come to care about these proud islanders, their challenges, and, in particular, the future of their beloved tweed.

    A collection of folk tales from the southern Appalachians that center on a single character, the irrepressible Jack.

    These include brownies, kelpies, trolls, mermen, and other beings from the unseen world that pop up again and again to assist, annoy, and otherwise meddle in the lives of simple country folk.This treasury was assembled by a noted folklorist who heard these picturesque traditional tales over a century ago while visiting in rural homes throughout Scotland. Recounted in their native vernacular, they include nursery tales and animal fables, stories of fairies, accounts of witchcraft, comic and literary lore, and more.Included in this collection are clever and imaginative stories of "The Strange Visitor," "How the Wolf Lost His Tail," "The Smith and the Fairies," "The Scottish Brownie," "The Witches of Delnabo," "The Witty Exploits of Mr. George Buchanan," "The Haunted Ships," and scores of other delightful tales. Together, they offer folklore lovers, readers, and listeners of all ages hours of imaginative storytelling entertainment.

    It is also a terrific introduction to Celtic culture. The recipes in this book were gathered during four trips the author took to Ireland and Britain, as well as visits to Scotland and Wales. She searched for people who still cooked in the traditional of their ancestors, passing down recipes from generation to generation. The result is a book that is rich in Celtic tradition. And the foods are delicious any time, too!Like a well-stocked larder, Celtic Folklore Cooking offers plenty of tempting choices for daily meals or special celebrations. Pick from more than 200 tasty traditional dishes, all nestled among colorful food-related proverbs, poems, tales, customs, and other nuggets of folk wisdom. Each recipe lists ancient and modern holidays associated with the dish so you can select the perfect fare to complement the season. Recipes include: - Mushroom and Scallop Pie - Heather Wine - Pratie Oaten - Beestings Pancakes - Hot Cross buns - Figgy Pudding - Boxty on the Griddle - Barm Brack - Sweet Scones - Scotch Eggs - Colcannon - Cockle Soup - Flower Pudding - Flummery - MeadThe ancient Celts celebrated their Sabbats with music, dance, games, food, and drink. Whether you are a solitary practitioner or a part of a larger group, food and drink should always be a part of your festivities, rituals, and ceremonies. This book can be the key to a wide variety of foods that will make you the talk of the town!If you are involved in Celtic traditions, this book is a must. If you simply like unique recipes for foods that are as tasty today as they were hundreds, even thousands of years ago, you'll want this book, too.