Her next-door neighbor may have been the one to drag her out of the burning building that night, but it doesn’t exonerate him since he caused the fire. Not even when he shows up fourteen years later to help salvage her bakery.Jake Rowan may not have been able to save Emma’s brother from the fire, but at least he was able to save his own brother. By taking the fall and the punishment for him, Jake managed to protect his older brother’s future… but it cost him the girl of his dreams.Now Jake finds himself on Emma’s doorstep once again. Not to save her life this time, but to repair it. And more importantly, her heart, if she’ll let him.

    But sifting through the overwhelming collection of figurines, outdated appliances and dusty books, she finds something that captures her attention: a yellowed envelope of old photographs. In one, taken almost a century ago, a beautiful woman is seated with a young boy who looks uncannily like Erin's five-year-old autistic son, Will. Intrigued, Erin looks further into her family's history, and discovers parallels to her present day life. The boy in the picture, John Cartwright, was deaf. He and his mother, Amelia, are presumed to have drowned together in Geneva Lake, beside Amelia's family home. Named for the butterflies that flocked to its lush gardens, Monarch Manor still stands, though the once-grand Queen Anne house is now in ruins, slated for demolition. Seeking respite from her own exhausting battle to get the best care for Will, Erin delves even deeper into the past-unearthing a story that is both heartbreaking and surprising.Weaving Erin's and Amelia's narratives together, Maureen Leurck creates an unforgettable and moving novel of sacrifice and hope, and the way love between a parent and child can transform them both.Praise for Maureen Leurck's Cicada Summer"Rich with believable characters and an evocative setting, Leurck's novel is a gem." -Publishers Weekly"Leurck has crafted a perfect summertime story of love, loss, and second chances. . . . Readers of Elin Hilderbrand and Nancy Thayer will enjoy this beach read." -Booklist"A captivating novel about the power of redemption." -Jen Lancaster, New York Times bestselling author

    Discerning fans of his cinematic oeuvre, however, have also appreciated the lyrical sensibility that infuses even his most violent works. In Boy, Kitano's essential vision is filtered through crystalline prose and the prism of childhood; the result is a gem of memory and nostalgia. While his impressive cinematic output has been compared to, and introduced to the American public by, Quentin Tarantino and the like, Kitano's equally delightful gift for pure word-craft has been a better-kept secret of his native Japan. This first American translation of his literary fiction illustrates the notion of "boyhood" that has underlain all his work--as well as that of many a creator valuing generous and bold invention.The three stand-alone tales take place at early, middle and late adolescence. In "The Champion in a Padded Kimono" two brothers--one a bookworm and the other a jock--learn a lesson or two about hope and desire on Sports Day. "Nest of Stars" features a different pair of brothers for whom stargazing becomes a poignant way of life. In "Okamesan", a very young history buff goes on his frst solo "field mission" to Kyoto where he runs into a girl from the wrong side of the tracks. Tender and funny, Boy is a perfect introduction to Kitano's world and a must-read for fans of the artist.

    Two very different young people discover who loves them, and who they can love back.Bailey is 17, mixed race, lives with his mum and dad in Hackney and spends all his time playing guitar or tending to his luscious ginger afro. Indigo is 17 and new to London, having grown up in the care system after being found by her mum's dead body as a toddler. All Indigo wants is to know who she really is. When Bailey and Indigo meet at sixth form, sparks fly. But when Bailey becomes the target of a homeless man who seems to know more about Indigo than is normal, Bailey is forced to make a choice he should never have to make.A story about falling in love and everyone's need to belong.

    A confident businesswoman, wife, and mother, she begins to resent everything about her life. Nothing makes sense. Nothing makes her feel. Maybe it’s the recent loss of her mother in a tragic accident. Or maybe she’s just losing her mind. Enter Matias Torres. As their new business partnership thrives, so does their friendship—and his interest in her. Carin is determined to keep her distance, until a work assignment sends them to Southeast Asia where a storm is brewing on the island. In the midst of the chaos, Matias asks her to do something unimaginable, exhilarating, BOLD. Carin knows the consequences could be dire, but it may be the only way to save herself. An honest look at love and marriage and the frailties of the human heart, this is a story of a woman’s loss of self and purpose and the journey she takes to find her way back.

    Although a successful oncologist at only thirty-three he is dreading his family’s inquisition into why he is not married, and terrified that the reason for his bachelordom will be discovered.Joining him are Manasa and Bhagwati, coming from London and Colorado respectively. One the Oxford-educated achiever; the other the disgraced eloper – one moneyed but miserable; the other ostracized but optimistic.All three harbour the same dual objective: to emerge from the celebrations with their grandmother’s blessing and their nerves intact: a goal that will become increasingly impossible thanks to a mischievous maid and a fourth, uninvited guest.Prajwal Parajuly - the son of an Indian father and a Nepalese mother - divides his time between New York and Oxford, but disappears to Gangtok, his hometown in the Indian Himalayas, at every opportunity. Land Where I Flee is his first novel.

    They find themselves in bathhouses, sports bars, grocery stores, and forests in search of exits, pink tennis balls, licorice, and independence. Yet all of her beautifully strange characters are possessed by a familiar and human longing for connection: to their homes, families, God, and themselves.Miniature catastrophes --The rope barrier --Coed picnic --Winners --Grocery story --Garden party --Arranged marriage --American interiors --A house for living --The dance --The nearby place --Invitation --Doorstop --Imaginary museums --Your shining trapdoor --Slovak sceneries --Sabbatical --Flowers for Angelika --Thursdays at Waterhouse --The seamstress --How to eat well --Owls fall in Nitra --Library of lost things --Girls I no longer know --Guest books --Field notes --Rest in pieces --Pets I no longer have --The squinter's watch --Love language

    When they succeed, the garden they finally enter is no Eden, but rather a massive landscape of machines, geometric forms and all manner of nonorganic objects. In Japanese comic-book artist Yuichi Yokoyama's newest and longest (at 328 pages) work of graphic magic, his characters become enmeshed in a fantastic wonderland of distorted mirrors, photographic equipment, massive libraries and complex pathways. To his signature vivid visual style, Yokoyama has added more dialogue than in past works, fleshing out the characters and allowing them equal billing with his spectacular architectural creations, thus yielding a reflection on the myriad ways human interact with the complex mechanical world we have created. Douglas Wolk, writing in the New York Times Book Review, declared that few cartoonists of the moment are "weirder or more original than Yuichi Yokoyama."

    His childhood friend, Chaz, a small-time gangster, loans him an apartment and finds him a job selling hotdogs. But instead of getting his act together, Mason drinks too much, does too many drugs and loses too much money at poker, digging himself even more deeply in debt to Chaz, who also happens to be his drug dealer. Talk about a vicious circle.  Then Mason has a bright idea. He'll find the cash to pay Chaz back by becoming a ghostwriter of suicide notes, a fitting use of his talents. The trouble is that Mason is hard-wired to rescue people, and no one needs rescuing more than the suicidal. Except maybe the woman he is falling in love with — Willy, a wheelchair-bound, heroin-smoking beauty.  What happens when someone already wrestling with his own demons immerses himself in the tragedies of other people's lives? In this case, a lot: a hotdog cart is totalled, a convict sprung, a funeral faked, a head scalped, a horse stolen. Terrible secrets are brought to the light and suicide morphs into murder. Then, just when it looks like Mason is finally going down, he faces the biggest test of all. He'll either become the death-defying hero of his own dreams or lose everything and everybody he's ever loved.

    Pete is an exchange student from Italy with a chronic case of poverty. She needs a baby-daddy, he needs a place to live, so they decide to help each other out by engaging in the time-honored device used by people in need the world over: a marriage of convenience. She’s beautiful and smart, he’s a gorgeous and talented musician, surely they can live together as husband and wife for one academic year? In a one-bedroom on the Upper West Side? With her old-fashioned granny living on the first floor, Pete and Daisy move into a tiny, rooftop apartment, ready to be roommates, husband and wife in name only, for nine months. Real life has a way of getting in the way, though, of messing with the best laid plans... Come along for the journey of Pete Santangelo and Daisy White and their turbulent and very sexy romance, and see how two strangers can become best friends and fall in love. See how a modern American family is born.

    These spare and unsentimental stories display how two very different people -- a tough-minded and tenderhearted woman and an urbane, old-fashioned older man -- fall in love despite their differences, get married, and give birth to a child.8 stories: Frank and Billy French Movie A Little Something Another Marvelous Thing A Country Wedding A Couple of Old Flames [originally titled Old Flames] Swan Song My Mistress

    It's all the things we all hold onto, all the things we let anchor onto us, and all the things that leave us vacant.

    Summer. And Dylan.Jay plays guitar, writes songs and dreams of being a rock star. But his ambitions are stifled by seven siblings and a terrible drummer. Summer works hard at school, looks after her nan and has a one-in-a-million singing voice. But can her talent triumph over her nerves?Dylan is happiest lying on his bunk smoking, but his school rugby coach has other ideas, and Dylan reluctantly joins a band to avoid crunching tackles and icy mud.They're about to enter the biggest battle of their lives. And there's everything to play for.

    The Trinidad of her stories is utterly contemporary but also a place defined by its folk mythologies and its cultural creations, its traditions of masking and disguises. Her stories confront the increasing economic and cultural divisions between rich and poor, the alarming rise in crime, murders and an alternative economy based on drug trafficking. Their daring is that they both look within the human psyche and back in time to make sense of this reality. The figure of the loup-garou, the hyperbolically violent rhetoric of the Midnight Robber of the carnival parade – or even cannibalism taking place far off the beaten track – have become almost comic tropes of a dusty folklore. In Mc Ivor’s stories they become real and terrifying day-light presences, monsters who pass among us.Her great gift as a writer is to take us to unexpected places, both to seduce us into a kind of sympathy for her monsters of greater and lesser kinds, and sometimes to reveal a capacity for redemption amongst characters we are tempted to dismiss as shallow, unlikable human beings. The problem, in a world of masks and disguises, is how to tell the difference.

    In a lyrical and immensely moving style, this book combines a family saga and a doomed love story, set against the background of French Polynesia in the period leading up to the first nuclear tests. The text is highly critical of the French government, and as a result its publication in Tahiti was polarising.