In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    A young pastor has been murdered, and Jessie finds herself following the trail of that death into the dark and deadly world of organ trafficking. Jessie is soon introduced to the detective in charge of the case. Matt Parker is a tall, scruffy, ruggedly handsome man who takes an instant dislike to her and the feeling is mutual. He wants her out of his case and she finds herself entangled in it. The tension between them mounts and so does the attraction. This is a new release of a previously published edition.

     The first time they came for Kevin he woke up in a forest on the edge of town with a sword and only seconds to save his life before a lunatic with a battle axe nearly split his skull. At first he thought it was a dream, then it became a living nightmare as he found himself night after night having to fight in abandoned shopping malls, dark alleys and swamps on the outskirts of civilization. The rules were simple; they could come for him anytime they wanted, and if he resisted, someone close to him would die. A twisted clash of Fight Club and Game of Thrones where the only way to survive is to never stop playing.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    There, I was struck by an ancient power which invested me as the head witch of all supernatural creatures. By accident. Fun side note: the mantle was supposed to be granted to my crush, Fletcher, who... guess what... also happens to be a witch. Thanks to Macaroon, I really stepped in it this time. As freaked as I am, the coven is in a complete tizzy. Fearing a magical upheaval in the supernatural community, they warn that no one can learn of this catastrophic secret. But when I’m overcome by a devastating vision, I discover a far more sinister darkness closing in.  Partnering with the coven, can we find a way to transfer the magic to Fletcher? Or will the chaos of rebellion bring the supernatural community to its knees?  Fans of young adult fantasy that leave readers gasping for more will love The Accidental Witch by Gemma Perfect!

    His work was mostly written in tragic, sometimes humorous form, as in this title, often centering on the harsh lives of villagers in the Lori region. Tumanyan's inspiration for his writing came considerably from his parents. He was born in the village of Dsegh in the Province of Lori, Armenia. With his father was an offspring of an Armenian princely family of Tumanian (branch of the Mamikonians) and the village's priest and his mother an avid storyteller with a particular interest in fables, Tumanyan had incorporated many of the themes from his mother's stories and his father's preachings into his writings. Tumanyan is usually regarded in Armenian circles as "All-Armenian poet." He earned this title when the Catholicos of Armenia had ordered that Armenian refugees from the west not enter certain areas of his church and house, since he is considered to be "The Catholicos of all Armenians." Tumanyan in response decried that decision claiming that the refugees could seek relief in the Catholicos' quarters under order of "The Poet of all Armenians."