Here, for the first time, Sam Wasson presents the woman behind the little black dress that rocked the nation in 1961. The first complete account of the making of Breakfast at Tiffany's, Fifth Avenue, 5 A.M. reveals little-known facts about the cinema classic: Truman Capote desperately wanted Marilyn Monroe for the leading role; director Blake Edwards filmed multiple endings; Hepburn herself felt very conflicted about balancing the roles of mother and movie star. With a colorful cast of characters including Truman Capote, Edith Head, Givenchy, "Moon River" composer Henry Mancini, and, of course, Hepburn herself, Wasson immerses us in the America of the late fifties before Woodstock and birth control, when a not-so-virginal girl by the name of Holly Golightly raised eyebrows across the country, changing fashion, film, and sex for good. Indeed, cultural touchstones like Sex and the City owe a debt of gratitude to Breakfast at Tiffany's.In this meticulously researched gem of a book, Wasson delivers us from the penthouses of the Upper East Side to the pools of Beverly Hills, presenting Breakfast at Tiffany's as we have never seen it before—through the eyes of those who made it. Written with delicious prose and considerable wit, Fifth Avenue, 5 A.M. shines new light on a beloved film and its incomparable star.

    Given total access to Miss Leigh’s personal letters, and working with the cooperation of those who had been closest to her, Anne Edwards has produced a frank, open book that does not spare the truth, yet is as romantic a canvas, as turbulent and moving a story as any of the great films in which Vivien ever starred.

    Granger describes how he learned his craft as he went on to star in a number of films, giving an insider's view of working with Hitchcock on Strangers on a Train and Rope, Luchino Visconti on Senso, and Nick Ray on They Live by Night.He is eloquent about his bisexuality and tells of affairs with Patricia Neal, Arthur Laurents, Shelley Winters, Leonard Bernstein and Ava Gardner and his involvement with Barbara Stanwyck, Joan Crawford, and Tyrone Power.Granger recreates his legendary struggle to break his contract with Goldwyn. He had to buy his way out to work on Broadway. He describes the early days of live television and working with Julie Harris, Christopher Plummer, Helen Hayes, and Claire Bloom. He captures the thrill of acting on the stage with Janice Rule, June Havoc, Larry Hagman, Barbara Cook, and the National Repertory Theatre, where his determination paid off with an OBIE for his work in Tally & Son.Granger's delightful and elegant memoir captures the extravangance of Hollywood's Golden Age-and provides colorful portraits of many of its major players.

                 His trailblazing television program, The Dick Van Dyke Show (produced by Carl Reiner, who has written the foreword to this memoir), was one of the most popular sitcoms of the 1960s and introduced another major television star, Mary Tyler Moore. But Dick Van Dyke was also an enormously engaging movie star whose films, including Mary Poppins and Chitty Chitty Bang Bang, have been discovered by a new generation of fans and are as beloved today as they were when they first appeared. Who doesn’t know the word supercalifragilisticexpialidocious?             A colorful, loving, richly detailed look at the decades of a multilayered life, My Lucky Life In and Out of Show Business, will enthrall every generation of reader, from baby-boomers who recall when Rob Petrie became a household name, to all those still enchanted by Bert’s “Chim Chim Cher-ee.” This is a lively, heartwarming memoir of a performer who still thinks of himself as a “simple song-and-dance man,” but who is, in every sense of the word, a classic entertainer.From the Hardcover edition.

    From her early dance performances for the Dutch resistance during World War II to her London cabaret days and her breakthrough roles in "Gigi" and "Roman Holiday, " audiences worldwide have long been enchanted by Audrey's charm and grace.Now, in this lavishly illustrated biography -- created with the Audrey Hepburn Children's Fund -- Audrey's own words are given center stage to create a unique personal narrative. This special collection also includes approximately 200 black-and-white and color photographs selected by the Hepburn Estate, as well as reproduced mementos from Audrey's life. Thirty-four removable documents include an excerpt from her "Breakfast at Tiffany's" script with handwritten notes, a letter she sent to husband Mel Ferrer while preparing for "The Nun's Story, " and a birth certificate announcement marking the arrival of her first son.A dazzling celebration of an extraordinary human being, "The Audrey Hepburn Treasures" offers fan an intimate and revealing portrait of the woman they admire and adore.

    CohanHis full name was Spencer Bonaventure Tracy. He was called “The Gray Fox” by Frank Sinatra; other actors called him the “The Pope.”Spencer Tracy’s image on-screen was that of a self-reliant man whose sense of rectitude toward others was matched by his sense of humor toward himself. Whether he was Father Flanagan of Boys Town, Clarence Darrow of Inherit the Wind, or the crippled war veteran in Bad Day at Black Rock, Tracy was forever seen as a pillar of strength.In his several comedy roles opposite Katharine Hepburn (Woman of the Year and Adam’s Rib among them) or in Father of the Bride with Elizabeth Taylor, Tracy was the sort of regular American guy one could depend on.Now James Curtis, acclaimed biographer of Preston Sturges (“Definitive” —Variety), James Whale, and W. C. Fields (“By far the fullest, fairest, and most touching account . . . we have yet had. Or are likely to have” —Richard Schickel, The New York Times Book Review, cover review), gives us the life of one of the most revered screen actors of his generation.Curtis writes of Tracy’s distinguished career, his deep Catholicism, his devoted relationship to his wife, his drinking that got him into so much trouble, and his twenty-six-year-long bond with his partner on-screen and off, Katharine Hepburn. Drawing on Tracy’s personal papers and writing with the full cooperation of Tracy’s daughter, Curtis tells the rich story of the brilliant but haunted man at the heart of the legend. We see him from his boyhood in Milwaukee; given over to Dominican nuns (“They drill that religion in you”); his years struggling in regional shows and stock (Tracy had a photographic memory and an instinct for inhabiting a character from within); acting opposite his future wife, Louise Treadwell; marrying and having two children, their son, John, born deaf.We see Tracy’s success on Broadway, his turning out mostly forgettable programmers with the Fox Film Corporation, and going to Metro-Goldwyn-Mayer and getting the kinds of roles that had eluded him in the past—a streetwise priest opposite Clark Gable in San Francisco; a screwball comedy, Libeled Lady; Kipling’s classic of the sea, Captains Courageous. Three years after arriving at MGM, Tracy became America’s top male star.We see how Tracy embarked on a series of affairs with his costars . . . making Northwest Passage and Dr. Jekyll and Mr. Hyde, which brought Ingrid Bergman into his life. By the time the unhappy shoot was over, Tracy, looking to do a comedy, made Woman of the Year. Its unlikely costar: Katharine Hepburn.We see Hepburn making Tracy her life’s project—protecting and sustaining him in the difficult job of being a top-tier movie star.And we see Tracy’s wife, Louise, devoting herself to studying how deaf children could be taught to communicate orally with the hearing and speaking world.Curtis writes that Tracy was ready to retire when producer-director Stanley Kramer recruited him for Inherit the Wind—a collaboration that led to Judgment at Nuremberg, It’s a Mad Mad Mad Mad World, and Tracy’s final picture, Guess Who’s Coming to Dinner . . . A rich, vibrant portrait—the most intimate and telling yet of this complex man considered by many to be the actor’s actor.

    By their daughter, an acclaimed writer and producer.Fay Wray was most famous as the woman--the blonde in a diaphanous gown--who captured the heart of the mighty King Kong, the twenty-five-foot, sixty-ton gorilla, as he placed her, nestled in his eight-foot hand, on the ledge of the 102-story Empire State Building, putting Wray at the height of New York's skyline and cinematic immortality.Wray starred in more than 120 pictures opposite Hollywood's biggest stars--Spencer Tracy, Gary Cooper (The Legion of the Condemned, The First Kiss, The Texan, One Sunday Afternoon), Clark Gable, William Powell, and Charles Boyer; from cowboy stars Hoot Gibson and Art Accord to Ronald Colman (The Unholy Garden), Claude Rains, Ralph Richardson, and Melvyn Douglas. She was directed by the masters of the age, from Fred Niblo, Erich von Stroheim (The Wedding March), and Mauritz Stiller (The Street of Sin) to Leo McCarey, William Wyler, Gregory La Cava, "Wild Bill" William Wellman, Merian C. Cooper (The Four Feathers, King Kong), Josef von Sternberg (Thunderbolt), Dorothy Arzner (Behind the Make-Up), Frank Capra (Dirigible), Michael Curtiz (Doctor X), Raoul Walsh (The Bowery), and Vincente Minnelli.The book's--and Wray's--counterpart: Robert Riskin, considered one of the greatest screenwriters of all time. Academy Award-winning writer (nominated for five), producer, ten-year-long collaborator with Frank Capra on such pictures as American Madness, It Happened One Night, Mr. Deeds Goes to Town, Lost Horizon, and Meet John Doe, hailed by many, among them F. Scott Fitzgerald, as "among the best screenwriters in the business." Riskin wrote women characters who were smart, ornery, sexy, always resilient, as he perfected what took full shape in It Happened One Night, the Riskin character, male or female--breezy, self-made, streetwise, optimistic, with a sense of humor that is subtle and sure.Fay Wray and Robert Riskin lived large lives, finding each other after establishing their artistic selves and after each had had many romantic attachments--Wray, an eleven-year-long difficult marriage and a fraught affair with Clifford Odets, and Riskin, a series of romances with, among others, Carole Lombard, Glenda Farrell, and Loretta Young.Here are Wray's and Riskin's lives, their work, their fairy-tale marriage that ended so tragically. Here are their dual, quintessential American lives, ultimately and blissfully intertwined.

    What I did not anticipate was how my journey would also resonate with men.America knows Jane Fonda as actress and activist, feminist and wife, workout guru and role model. In this extraordinary memoir, Fonda shows that she is much more. From her youth among Hollywood’s elite to her film career and her activism today, Fonda reveals intimate details and personal truths she hopes can provide a lens through which others can see their lives and how they can live them a little differently. Surprising, candid, and wonderfully written, My Life So Far is filled with insights into the personal struggles of a woman living a remarkable life.

    Scott Fitzgerald, DEADLY ILLUSIONS rips the lid off the studio cover-up with compelling evidence that Bern was murdered--and why."--from the front flap. From Publishers weekly: The death of Hollywood producer Bern has remained a mystery since his nude body was found near his swimming pool in 1932. MGM's Louis B. Mayer's declaration that Bern had committed suicide because he was impotent and could not satisfy his young wife, Harlow, was echoed in the official finding. MGM story editor Marx, one of the first people on the scene, and actress-ballerina Vanderveen here present their version of what happened. Interviewing those who knew the victim, Harlow and Mayer, and researching grand jury files, they conclude that Bern was murdered by a former lover, Dorothy Millette, and that Mayer covered up the crime to protect Harlow's career. A lively but helter-skelter account.

    -New York Times Book Review It stands as the definitive work on the gifted, haunted actor. -L

    What would I say to parents of children in the industry? My only advice, honestly, is to get these kids out of Hollywood and let them lead normal lives." —Corey FeldmanA deeply personal and revealing Hollywood-survival story.Lovable child star by age ten, international teen idol by fifteen, and to this day a perennial pop-culture staple, Corey Feldman has not only spent the entirety of his life in the spotlight, he's become just as famous for his off-screen exploits as for his roles in such classic films as Gremlins, The Goonies, and Stand by Me. He's been linked to a slew of Hollywood starlets (including Drew Barrymore, Vanessa Marcil, and adult entertainer Ginger Lynn), shared a highly publicized friendship with Michael Jackson, and with his frequent costar Corey Haim enjoyed immeasurable success as one half of the wildly popular duo "The Two Coreys," spawning seven films, a 1-900 number, and "Coreymania" in the process. What child of the eighties didn't have a Corey Feldman poster hanging in her bedroom, or a pile of Tiger Beats stashed in his closet?Now, in this brave and moving memoir, Corey is revealing the truth about what his life was like behind the scenes: His is a past that included physical, drug, and sexual abuse, a dysfunctional family from which he was emancipated at age fifteen, three high-profile arrests for drug possession, a nine-month stint in rehab, and a long, slow crawl back to the top of the box office.While Corey has managed to overcome the traps that ensnared so many other entertainers of his generation—he's still acting, is a touring musician, and is a proud father to his son, Zen—many of those closest to him haven't been so lucky. In the span of one year, he mourned the passing of seven friends and family members, including Corey Haim and Michael Jackson. In the wake of those tragedies, he's spoken publicly about the dark side of fame, lobbied for legislation affording greater protections for children in the entertainment industry, and lifted the lid off of what he calls Hollywood's biggest secret.Coreyography is his surprising account of survival and redemption.

    She married a Frenchman, took on all his compatriots, and has been the heroine of a love affair ever since. Her skirmishes with French traffic, French maids, French salesladies, French holidays, French law, French doctors, above all, the French language, are here set forth in a delightful and amusing record. Paraphrasing Caesar, Miss de Havilland says, "I came, I saw, I was conquered."

    MY HUSBAND, MY FRIENDTHE REAL STEVE McQUEEN - FROM ABANDONED CHILD TO GLITTERINGSUPERSTAR TO HAUNTED MAN....Now his wife of 15 and a half years, Neile, who rodethe dazzling Hollywood roller coaster with him, revealsA Steve McQueen no one knew – his good side,his crazy side, his dark side....

    Yet despite more than twenty years in and out of the limelight, Priestley has carefully maintained his privacy. In this compelling memoir, the actor, director, and race-car aficionado invites us into his private world for the first time.With humor, sincerity, and charm, Priestley offers little-known details about his life and stories of his nine years in America’s most famous zip code. He talks candidly about celebrity, marriage, fatherhood, and his passion for car racing. He does not shy away from the devastating lows—his brief jail sentence for drunk driving and the crash at the Kentucky Speedway that nearly took his life. Priestley shares his innermost thoughts about life as a ’90s icon, and goes beyond the Brandon Walsh squeaky-clean image, revealing the tumultuous events that have shaped him, and where he finds his greatest happiness today

    For this part alone she has earned a lasting place in film history. She was hardly ever in a bad film or a bad play and she tried a wide range of parts - scoring notable triumphs in A Streetcar Named Desire, as a convincing Lady Macbeth and as Sabina in The Skin of our Teeth.There have been many biographies of Vivien Leigh, invariably Hollywood filmographies, most of which have been inaccurate and incomplete. Hugo Vickers approached his subject as a human being, according her the same detailed research that the readers of his Cecil Beaton and Gladys, Duchess of Marlborough have come to expect of him. He examined the previously uncharted story of Vivien Leigh's antecedents, making surprising new discoveries. He was able to bring Vivien's parents to life as real people with the help of a great number of family documents, letters and diaries, made available by Vivien's daughter for the first time. These give the first clear account of the atmosphere in which Vivien was raised.He traced the progress of her relationship with Leigh Holman, from their first meeting through the period of their engagement, marriage and divorce, and showed how they formed an important, lasting friendship, helped by the complete set of letters Vivien wrote to him between 1932 and 1967. He made extensive use of the Oswald Frewen diaries, an essential source not only on that marriage but on Vivien's elopement with Laurence Olivier and their subsequent adventures.Hugo Vickers also examined Vivien's film and stage career, writing of her as a person and not as the 'property' of a film company or a name on a contract. He examined her films and drawing on a great number of interviews with famous figures of the stage, he recreated her part in the life of English theatre in the 1940s and 1950s. An important feature of the book is, of course, her love for Laurence Olivier and their twenty year marriage, so much of it made difficult by recurring bouts of tuberculosis and manic depression. Hugo Vickers, drawing on many hours of conversation with her devoted friend, the actor John Merivale, explained how Vivien re-established her life after the divorce.Vivien Leigh emerges as a more real and more intelligent person than in previous accounts, a spirited and courageous actress brought down by ill-health.