The gift of the Magi --A cosmopolite in a café --The skylight room --Man about town --The cop and the anthem --The love-philtre of Ikey Schoenstein --Mammon and the archer --Springtime à la carte --From the cabby's seat --An unfinished story --The romance of a busy broker --After twenty years --The furnished room --Hearts and crosses --The ransom of Mack --Telemachus, friend --The handbook of Hymen --Hygeia at the Solito --The hand that riles the world --The exact science of matrimony --Conscience in art --Roads of destiny --The enchanted profile --The passing of Black Eagle --A retrieved reformation --Friends in San Rosario --The renaissance at Charleroi --Whistling Dick's Christmas stocking --The lotus and the bottle --Shoes --Ships --Masters of arts --"The Rose of Dixie" --A poor rule --The last of the troubadours --Makes the whole world kin --Jimmy Hayes and Muriel --The adventures of Shamrock Jolnes --The friendly call --Sound and fury --The theory and the hound --The ransom of Red Chief --The whirligig of life --A blackjack bargainer --One dollar's worth --A lickpenny lover --Doughterty's eye-opener --The defeat of the city --The shocks of doom --Squaring the circle --The memento --The trimmed lamp --Two Thanksgiving day gentlemen --The making of a New Yorker --A Harlem tragedy --The last leaf --The count and the wedding guest --The robe of peace --A ramble in Aphasia --A night in New Arabia --Proof of the pudding --Hearts and hands

    Dawood in Penguin Classics.The tales told by Scheherazade over a thousand and one nights to delay her execution by the vengeful King Shahryar have become among the most popular in both Eastern and Western literature. From the epic adventures of 'Aladdin and the Enchanted Lamp' to the farcical 'Young Woman and her Five Lovers' and the social criticism of 'The Tale of the Hunchback', the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are also anchored to everyday life by their bawdiness and realism, providing a full and intimate record of medieval Eastern world.In this selection, N.J. Dawood presents the reader with an unexpurgated translation of the finest and best-known tales, preserving their spirited narrative style in lively modern English. In his introduction, he discusses their origins in the East and their differences from Classical Arabic literature, and examines English translations of the tales since the eighteenth century.If you enjoyed Tales from the Thousand and One Nights, you might like Snorri Sturlson's The Prose Edda, also available in Penguin Classics.

    First introduced into the West in 1704, the stories of The Thousand and One Nights are most familiar to American readers in sanitized children's versions. This modern edition, based on Richard F. Burton's unexpurgated translation, restores the lushness of the original Arabic. Here are the famous adventures of Sinbad, "Ali Baba and the Forty Thieves," and "Aladdin and the Magic Lamp." Here too are less familiar stories, such as "Prince Behram and the Princess Al-Datma," a delightful early version of The Taming of the Shrew, and "The Wily Dalilah and her Daughter Zaynab," a hilarious tale about two crafty women who put an entire city of men in their place. Intricate and imaginative, these stories-within-stories told over a thousand and one nights continue to captivate readers as they have for centuries. "Arabian Nights: The Marvels and Wonders of The Thousand and One Nights, Volume 2 of 2, Adapted By Jack Zipes"

    Picasso, as she calls herself, is a young artist who has been sexually abused by her brother but whose family thinks she is at fault for her dark moods. Sappho is, indeed, Sappho, the lesbian poet of ancient Greece, who here proclaims herself a sensualist and then proceeds to dissect "the union of language and lust." The three converge in a place that may be England in a not-too-distant future made ugly by pollution and even uglier by greed. This is not a novel but an extended rift on art, sex, religion, social repression, the dangers of patriarchy, and everything that is wrong with the contemporary drift to the right. As such, it will be hard going for most readers, but those with some patience will discover exceptionally evocative writing and a vivifying review of some much-discussed contemporary issues.

    Here the father—a former high school teacher—is demeaned by the only job he can get: gravedigger and cemetery caretaker. When local prejudice and the family's own emotional frailty give rise to an unthinkable tragedy, the gravedigger's daughter, Rebecca heads out into America. Embarking upon an extraordinary odyssey of erotic risk and ingenious self-invention, she seeks renewal, redemption, and peace—on the road to a bittersweet and distinctly “American” triumph.

    This sparkling anthology covers the entire span of Twain’s inimitable yarn-spinning, from his early broad comedy to the biting satire of his later years.Every one of his sixty stories is here: ranging from the frontier humor of “The Celebrated Jumping Frog of Calaveras County,” to the bitter vision of humankind in “The Man That Corrupted Hadleyburg,” to the delightful hilarity of “Is He Living or Is He Dead?” Surging with Twain’s ebullient wit and penetrating insight into the follies of human nature, this volume is a vibrant summation of the career of–in the words of H. L. Mencken–“the father of our national literature.”

    That is, until Zeus tells Meg that she can't be with Hercules because she's, well, mortal. Luckily, Hera has a solution, offering Meg a chance to prove herself worthy of a spot on Mt. Olympus--as a god. All Meg has to do is complete a mysterious quest.The mission? Oh, just to rescue her ex's current wife from the Underworld. The ex-boyfriend she saved by selling her soul to Hades. The ex-boyfriend who immediately moved on to someone else while she was stuck in the Underworld. Can Meg put her past behind her and use her quick-wit to defeat monsters and gods alike, including the nefarious Hades? Will she finally figure out her place and contribution to the world? Or will her fear of commitment have her running away from an eternity of godhood with Herc?Written by the author of Mirror, Mirror and Conceal, Don't Feel, Jen Calonita's latest twist is sure to delight and surprise.

    Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). Le Morte d'Arthur was first published in 1485 by William Caxton, and is today one of the best-known works of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.