'Francis Pryor brings the magic of the Fens to life in a deeply personal and utterly enthralling way' TONY ROBINSON. 'Pryor feels the land rather than simply knowing it' GUARDIAN. Inland from the Wash, on England's eastern cost, crisscrossed by substantial rivers and punctuated by soaring church spires, are the low-lying, marshy and mysterious Fens. Formed by marine and freshwater flooding, and historically wealthy owing to the fertility of their soils, the Fens of Lincolnshire and Cambridgeshire are one of the most distinctive, neglected and extraordinary regions of England. Francis Pryor has the most intimate of connections with this landscape. For some forty years he has dug its soils as a working archaeologist – making ground-breaking discoveries about the nature of prehistoric settlement in the area – and raising sheep in the flower-growing country between Spalding and Wisbech. In The Fens, he counterpoints the history of the Fenland landscape and its transformation – from Bronze age field systems to Iron Age hillforts; from the rise of prosperous towns such as King's Lynn, Ely and Cambridge to the ambitious drainage projects that created the Old and New Bedford Rivers – with the story of his own discovery of it as an archaeologist. Affectionate, richly informative and deftly executed, The Fens weaves together strands of archaeology, history and personal experience into a satisfying narrative portrait of a complex and threatened landscape.

    Here lie the foundations of his unique genius"--from the foreword by Peter Ackroyd. "I have a new story..."--when Oscar Wilde uttered those words, even his enemies leaned in close to listen, for his legendary wit and wisdom enchanted everyone in person as on the printed page. (Some even thought he was better in conversation than in writing.) For the first time, a century after his death, a collection of Wilde's spoken stories reveals the true scope of his genius. 42 bite-size literary gems shine with humor, intelligence, and surprising twists and turns. Some were set on paper by Wilde himself, others were jotted down by friends, family, and guests at Wilde's table. Painstakingly researched, each with an illuminating introduction, and illustrated with prints and photographs of the period, these tales weave pure magic. They include modern stories and anecdotes, fantasies (often based on Irish folktales), biblical sagas, and prose poems. A treasured invitation to "dinner" with Wilde that no lover of literature would miss!

    Some bask unseen at the top of trees in London parks; others lurk at the bottom of damp bogs in Scotland. Several are virtually extinct. This book charts the author's quest to find all 59, from the Adonis Blue to the Dingy Skipper.

    . .'Tucked away along a shady path towards the north-east edge of Hampstead Heath is a sign: Women Only. This is the Kenwood Ladies' Bathing Pond. Officially opened to the public in 1925, it is the only wild swimming spot in the UK that is reserved for women.Created centuries ago, the Heath's chain of ponds are one of the sources of the River Fleet that runs subterraneously through London. Swimming in the Ladies' Pond's green, silty, silky waters, it's hard to avoid the feeling that you are moving through history and outside of time.On a hot summer's day, thousands of swimmers from eight to eighty-odd can be found queuing to take a dip before sunbathing in the adjoining meadow. In the cooler months, when the water temperature plummets, the Pond is still visited daily by hardy regulars, many of whom have been swimming there for decades.Combining personal reminiscence with reflections on the history of the place over the years and through the seasons, for the first time this collection brings together writers' impressions of the Pond.

    The sequence of poems is random - making it ideal for dipping into - and drawn from a number of sources, mixing both well-known and less familiar poetry.

    He in turn beguiles her with stories of his nonexistent wife and children thereby weaning her from her self-absorption, but creating for himself a dreamlife with Lady Franklin at the heart of it. Half-hoping to make his dream come true, Leadbitter takes a bold step which costs him her company and brings the story to a dramatically unexpected end. "The Hireling" was made into a 1973 film starring Sarah Miles and Robert Shaw.

    Her mission is to emotionally reunite them. She organises a festival to bring them together, during which an amazing story unfolds, often funny, sometimes sad, always compelling, and with a twist in the tail!

    Brooke and Terry, like John Fowles, Henry Miller, and Rachel Carson before, were inspired by the prescient words of this obscure writer, who describes ineffable feelings of being at one with nature. In essays set alongside Jefferies's writing, the Williams share their personal pilgrimage to Wiltshire to understand this man of "cosmic consciousness" and how their exploration of Jefferies deepened their own relationship while illuminating dilemmas of modernity, the intrinsic need for wildness, and what it means to be human in the twenty-first century.Brooke Williams has spent thirty years advocating for wildness, most recently with the Southern Utah Wilderness Alliance and as executive director of the Murie Center in Moose, Wyoming. He is the author of four books including Halflives: Reconciling Work and Wildness, and dozens of articles.Terry Tempest Williams is the author of fourteen books including Refuge: An Unnatural History of Family and Place and When Women Were Birds. Recipient of numerous fellowships and awards, she teaches at Dartmouth and the University of Utah where she is the Annie Clark Tanner scholar in the environmental humanities graduate program. Her work has been anthologized and translated worldwide. Brooke and Terry have been married since 1975. They live with their dogs in Jackson, Wyoming, and Castle Valley, Utah.

    A Zoo in My Luggage begins with an account of Durrell’s third trip to the British Cameroons in West Africa, during which he and his wife capture animals to start their own zoo. Returning to England with a few additions to their family—Cholmondeley the chimpanzee, Bug-eye the bush baby, and others—they have nowhere to put them as they haven’t yet secured a place for their zoo. Durrell’s account of how he manages his menagerie in all sorts of places throughout England while finding a permanent home for the animals provides as much adventure as capturing them. For animal lovers of all ages, A Zoo in My Luggage is the romping true story of the boy who grew up to make a Noah’s Ark of his own.

    Two white house maids, a remarkable mother and her daughter, reveal what it was really like upstairs, downstairs at the white house.

    Here, a priceless piece of furniture is the subject of a deceitful bargain . . . Parson's Pleasure is taken from the short story collection Kiss Kiss, which includes ten other devious and shocking stories, featuring the wife who pawns the mink coat from her lover with unexpected results; the young man in need of room who meets a most accommodating landlady; a wronged wife taking revenge on her dead husband, and others. 'Unnerving bedtime stories, subtle, proficient, hair-raising and done to a turn.' (San Francisco Chronicle ) This story is also available as a Penguin digital audio download read by Derek Jacobi. Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

    Though Mr. Nichols's horticultural undertaking is serious, his writing is high-spirited, riotously funny, and, at times, deliciously malicious.

    Housman's verse as it was established in 1939, three years after his death. In contains A Shropshire Lad, Last Poems, More Poems, the Additional Poems, and the three translations from A.W. Pollard's anthology, Odes from the Greek Dramatists.

    This lyrical, month-by-month journey through one of the most endangered parts of the countryside is an account of an ancient English orchard from January to December, celebrating the extraordinary range of animals and plants it supports and its rich ecosystem. If we can rewild England's orchards, favouring organic methods and harvesting with a balanced ecosystem in mind, not only wildlife but people will profit from this enrichment for centuries to come. We are taken into the Malvern Hills and the twin peaks of a hop kiln and into the rambling countryside of Europe's oldest corner to learn about apples and bears.

    Edward O. Wilson eloquently describes how the species of the world became diverse and why that diversity is threatened today as never before. A great spasm of extinction — the disappearance of whole species — is occurring now, caused this time entirely by humans. Unlike the deterioration of the physical environment, which can be halted, the loss of biodiversity is a far more complex problem — and it is irreversible. Defining a new environmental ethic, Wilson explains why we must rescue whole ecosystems, not only individual species. He calls for an end to conservation versus development arguments, and he outlines the massive shift in priorities needed to address this challenge. No writer, no scientist, is more qualified than Edward O. Wilson to describe, as he does here, the grandeur of evolution and what is at stake. "Engaging and nontechnical prose. . . . Prodigious erudition. . . . Original and fascinating insights." — John Terborgh, New York Review of Books, front page review "Eloquent. . . . A profound and enduring contribution." — Alan Burdick, Audubon