The stories blend into one masterly and moving whole: poignant, compassionate, and profound in emotional impact.In this fourth book of the five-volume Manawaka series, Vanessa MacLeod takes her rightful place alongside the other unforgettable heroines of Manawaka: Hagar Shipley in The Stone Angel, Rachel Cameron in A Jest of God, Stacey MacAindra in The Fire-Dwellers, and Morag Gunn in The Diviners.

    Written in a taut and beautifully naturalistic tone, it remains Stig Dagerman’s most widely read novel and is one of the crowning works of his short but celebrated career.

    In a sweltering New York City apartment, a group of Russian émigrés gathers round the deathbed of an artist named Alik, a charismatic character beloved by them all, especially the women who take turns nursing him as he fades from this world. Their reminiscences of the dying man and of their lives in Russia are punctuated by debates and squabbles: Whom did Alik love most? Should he be baptized before he dies, as his alcoholic wife, Nina, desperately wishes, or be reconciled to the faith of his birth by a rabbi who happens to be on hand? And what will be the meaning for them of the Yeltsin putsch, which is happening across the world in their long-lost Moscow but also right before their eyes on CNN? This marvelous group of individuals inhabits the first novel by Ludmila Ulitskaya to be published in English, a book that was shortlisted for the Russian Booker Prize and has been praised wherever translated editions have appeared. Simultaneously funny and sad, lyrical in its Russian sorrow and devastatingly keen in its observation of character, The Funeral Party introduces to our shores a wonderful writer who captures, wryly and tenderly, our complex thoughts and emotions confronting life and death, love and loss, homeland and exile.From the Hardcover edition.

    They regard their disappointment in him as an act of betrayal on his part, and react violently.

    “Bravura pieces... executed with brilliance and brio”(Chicago Tribune). Translated by Archibald Colquhoun. A Helen and Kurt Wolff BookOriginally published as two distinct volumes: 'Il visconte dimezzato' (1952) and 'Il cavaliere inesistente' (1959). Also published in a single volume with 'The baron in the trees' (Il barone rampante, 1957) as 'Our Ancestors' (I nostri antenati, 1960).

    The six-day excursion becomes a journey into the past of Stevens and England, a past that takes in fascism, two world wars, and an unrealised love between the butler and his housekeeper.

    Seemingly cursed with the inability to have children, the couple find themselves having to take responsibility for Sosuke's younger brother Koroku. Oyone's health begins to fail, and news that her estranged ex-husband will be visiting nearby finally promotes a sense of crisis in Sosuke and forces him temporarily to quit his life of quiet domesticity. Highly prized for the beauty of its description of the understated love between Sosuke and Oyone, the novel has nevertheless remained in many ways mysterious. An analysis of the novel by Damian Flanagan casts fresh insights into its complex symbolism and ideas, establishing The Gate as one of the most profound works of the modern age. Published in cooperation with the Japan Foundation and the Sasakawa Foundation, this novel is part of an international program to bring one of Japan's most popular author to a new international audience.

    Full of wit and disdain, he records the mounting tensions on the ancient, stinking warship where officers, sailors, soldiers and emigrants jostle in the cramped spaces below decks. Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of degradation', where shame is a force deadlier than the sea itself.

    Throughout her life, which spanned the Nazi era, the war, and the postwar consumer economy, she struggled to maintain appearances, only to arrive at a terrible recognition: "I'm not human any more." Not long after, she killed herself with an overdose of sleeping pills.In A Sorrow Beyond Dreams her son sits down to record what he knows, or thinks he knows, about his mother's life and death before, in his words, "the dull speechlessness—the extreme speechlessness" of grief takes hold forever. And yet the experience of speechlessness, as it marks both suffering and love, lies at the heart of Handke's brief but unforgettable elegy. This austere, scrupulous, and deeply moving book is one of the finest achievements of a great contemporary writer.

    In her working-class neighbourhood in Copenhagen, she is enthralled by her wild, red-headed friend Ruth, who initiates her into adult secrets. But Tove cannot reveal her true self to her or to anyone else. For 'long, mysterious words begin to crawl across my soul', and she comes to realize that she has a vocation, something unknowable within her - and that she must one day, painfully but inevitably, leave the narrow street of her childhood behind.Childhood, the first volume in The Copenhagen Trilogy, is a visceral portrait of girlhood and female friendship, told with lyricism and vivid intensity.

    The only problem is that he’s still in good health. A big celebration is in the works for his 100th birthday, but Allan really isn’t interested (and he’d like a bit more control over his alcohol consumption), so he decides to escape. He climbs out the window in his slippers and embarks on a hilarious and entirely unexpected journey. It would be the adventure of a lifetime for anyone else, but Allan has a larger-than-life backstory: he has not only witnessed some of the most important events of the 20th century, but actually played a key role in them. Quirky and utterly unique, The 100-Year-Old Man Who Climbed Out the Window and Disappeared has charmed readers across the world.

    It dramatizes a 13th century view of the past, from the pagan anarchy of the Viking age to the settlement of Iceland, the coming of Christianity and the beginnings of organized society.

    It is the story of an ignorant Castillian peasant and multiple murderer, and it tells of the savage impulses behind his crimes and his redeeming characteristics.

    Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars.Bruno Schulz's untimely death at the hands of a Nazi stands as one of the great losses to modern literature. During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted and influential writers.

    Its livelihood depends entirely on a U.S. military base, a conduit for American influences that shaped Icelandic culture and ethics from the 1950s to the dawning of the new millennium. It is to Keflavik that Ari - a writer and publisher - returns from Copenhagen at the behest of his dying father, two years after walking out on his wife and children. He is beset by memories of his youth, spent or misspent listening to Pink Floyd and the Beatles, fraternising with American servicemen - who are regarded by the locals with a mixture of admiration and contempt - and discovering girls. There is one girl in particular he could never forget - her fate has stayed with him all his life.Lost in grief and nostalgia, he is also caught up in the story of how his grandparents fell in love in Nordfjordur on the eastern coast, a fishing village a world away from modern Keflavik, at time when the old ways still held sway. Their tragic love affair unfolded against the backdrop of Iceland's harsh nature and unforgiving elements.Fish have no Feet is at once the story of a singular family and an epic of Icelandic history and culture. It offers an unique insight into modern Iceland, and the ways in which it has been shaped by outside influences. A sparkling novel of love, pain, loss and lifelong desire that marries the poetic, elemental style of Heaven and Hell, The Sorrow of Angels and The Heart of Man to a modern frame of reference and sensibility.