But he is also a noted antiquities expert, which is why Beatrice Poole has demanded his reluctant assistance. The freethinking authoress of "horrid novels," Beatrice is searching for the Forbidden Rings of Aphrodite, a mythic treasure she suspects played a role in her uncle's death. Beatrice finds Leo every bit as fascinating as one of the heroes in her novels-and she's convinced he's the only one who can help her. But after only five minutes in her company, Leo is sure he's never met a woman more infuriating...and more likely to rescue him from boredom. Yet the alliance may well prove to be the biggest mistake of their lives. For a villain lurks in London, waiting for the pair to unearth the Forbidden Rings-knowing that when they do, that day will be their last....

    And like Jane Eyre, they call her wicked - but in her case, she fears the accusation is true. When she flees, she leaves behind the corpses of her tormentors.A fugitive navigating London's underbelly, Jane rights wrongs on behalf of the have-nots whilst avoiding the noose. Until an advertisement catches her eye. Her aunt has died and the new master at Highgate House, Mr Thornfield, seeks a governess. Anxious to know if she is Highgate's true heir, Jane takes the position and is soon caught up in the household's strange spell. When she falls in love with the mysterious Charles Thornfield, she faces a terrible dilemma: can she possess him - body, soul and secrets - and what if he discovers her murderous past?

    The experiment proved successful both in this country and in America. Two of the characters which appear in these pages -- "Rosamond," and "Uncle Joseph" -- had the good fortune to find friends everywhere who took a hearty liking to them. A more elaborately drawn personage in the story -- "Sarah Leeson" -- was, I think, less generally understood. The idea of tracing, in this character, the influence of a heavy responsibility on a naturally timid woman, whose mind was neither strong enough to bear it, nor bold enough to drop it altogether, was a favorite idea with me, at the time, and is so much a favorite still, that I privately give "Sarah Leeson" the place of honor in the little portrait-gallery which my story contains. Perhaps, in saying this, I am only acknowledging, in other words, that the parents of literary families share the well-known inconsistencies of parents in general, and are sometimes unreasonably fond of the child who has always given them the most trouble. -- Wilkie Collins, _January, 1861_

    But at a traveler’s inn, he encounters an unexpected and far more maddening foe: Sorrel Kendrick, a young lady who is strikingly pretty, shockingly outspoken, and entirely unimpressed with him. Indeed, Sorrel cannot believe the nerve of this gentleman, who rudely accuses her of theft and insults her feminine dignity. Doubly annoyed when they both end up at a party hosted by mutual friends, Philip and Sorrel privately declare war on one another. But Philip’s tactics, which range from flirting to indifference, soon backfire as he finds himself reluctantly enjoying Sorrel’s company; and, much to her dismay, Sorrel finds Philip’s odd manner to be increasingly endearing. In the midst of this waning war and growing attraction, Philip catches wind of the French spy he’s been tracking, and Sorrel inadvertently stumbles upon a crucial piece of the puzzle, making her indispensable to the mission. But can two proud hearts negotiate a ceasefire when cooperation matters most?

    As Val searches for her brother in nineteenth-century London and Scotland, she encounters danger, terror, and tragedy beyond anything she had expected.

    With a modest inheritance and the three gowns that comprise her entire wardrobe, Theodora leaves Edinburgh--and a disappointed suitor--far behind. She is bound for Rumania, where tales of vampires are still whispered, to visit an old friend and write the book that will bring her true independence.She arrives at a magnificent, decaying castle in the Carpathians, replete with eccentric inhabitants: the ailing dowager; the troubled steward; her own fearful friend, Cosmina. But all are outstripped in dark glamour by the castle's master, Count Andrei Dragulescu.Bewildering and bewitching in equal measure, the brooding nobleman ignites Theodora's imagination and awakens passions in her that she can neither deny nor conceal. His allure is superlative, his dominion over the superstitious town, absolute--Theodora may simply be one more person under his sway.Before her sojourn is ended--or her novel completed--Theodora will have encountered things as strange and terrible as they are seductive. For obsession can prove fatal...and she is in danger of falling prey to more than desire.

    Scotland, 1831. With her wedding to fellow investigator Sebastian Gage only a day away, Kiera is counting down the hours. But just when matrimonial jitters threaten to consume her, Kiera receives a welcome distraction in the form of a mysterious gold necklace. The Celtic torc, thought missing for decades, was directly involved in a recent investigation. Now, Kiera feels compelled to uncover the truth behind its sudden reappearance. But with an overwhelming flock of wedding guests, a muddled cat, an unpaid favor, and a ferocious storm throwing things into disarray, it’s anyone’s guess whether Kiera and Gage will actually make it to the altar... Includes an exclusive preview of the next Lady Darby Mystery, As Death Draws Near.

    In an attempt to escape her not-so-innocent past in Glasgow, Bessy Buckley—a wide-eyed and feisty young Irish girl—takes a job as a maid in a big house outside Edinburgh working for the beautiful Arabella—the "missus." Bessy lacks the necessary scullery skills for her new position, but as she finds out, it is her ability to read and write that makes her such a desirable property. Bessy is intrigued by her new employer but puzzled by her increasingly strange requests and her insistence that Bessy keep a journal of her mundane chores and most intimate thoughts. And it seems that the missus has a few secrets of her own, including her near- obsessive affection for Nora, a former maid who died in mysterious circumstances. Giving in to her curiosity, Bessy makes an infuriating discovery and, out of jealousy, concocts a childish prank that backfires and threatens to jeopardize all that she has come to hold dear. Yet even when caught up in a tangle of madness, ghosts, sex, and lies, she remains devoted to Arabella. But who is really responsible for what happened to her predecessor Nora? As her past threatens to catch up with her and raise the stakes even further, Bessy begins to realize that she has not quite landed on her feet. The Observations is a brilliantly original, endlessly intriguing story of one woman’s journey from a difficult past into an even more disturbing present, narrated by one of the most vividly imagined heroines in recent fiction. This powerful story of secrets and suspicions, hidden histories and mysterious disappearances is at once compelling and heart-warming, showing the redemptive power of loyalty and friendship. A hugely assured and darkly funny debut, The Observations is certain to establish Jane Harris as a significant new literary talent.

    Cate is sent to Devon with Rachel's colleague Jack to value the contents of Endsleigh, the grand Georgian home of a former socialite. But inside, its once elegant interiors are now worn with age and dust. Then Cate discovers hidden in the back of one of the bookshelves, an old shoebox containing an exquisite pair of silk dancing shoes from the 1930's along with a mysterious collection of objects - a diamond brooch, a photograph of a handsome young sailor, a dance card, and a beautiful pearl and emerald bracelet from Tiffany's. Unable to solve the questions in her own life, Cate quickly becomes engaged in solving the mystery of the shoe box and begins to unravel the story of Baby Blythe; bright, beautiful and reckless, she was the most famous debutante of her generation. The clues in the box reveal a tale of a dark, addictive love, a tale that will lead Cate to uncover some secrets of her own. A timeless novel from the bestselling author of Elegance.

    But then a sinister stranger slips Susan a cryptic message and is later found viciously slain. A mysterious peril has emerged from the mists to haunt Susan, sending her running for her life in the company of handsome, unconventional laird Jamie Erskine. For she has an unseen enemy hiding in the shadows—someone who, for some unknown reason, is going to great lengths to frame her for murder . . . and to bury Susan, if necessary, in this land she loves.

    She has no memory of the past few weeks. The doctor, Maynard Straker, tells her that she admitted herself under the name Lucy Ashton the day before, then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: “Your patient must be an imposter.” Suddenly her voluntary confinement becomes involuntary. Who is the woman in her uncle’s house? And what has become of her two most precious possessions, a dragonfly pin left to her by her mother and a writing case containing her journal, the only record of those missing weeks? Georgina’s perilous quest to free herself takes us from a cliffside cottage on the Isle of Wight to the secret passages of Tregannon House and into a web of hidden family ties on which her survival depends. Another delicious read from the author praised by Ruth Rendell as having “a gift for creating suspense, apparently effortlessly, as if it belongs in the nature of fiction.”

    Prohibition is the new law of the land, but murder, mayhem, lust, and greed are already institutions in the Moonshine Capitol of Texas.Thatcher Hutton, a war-weary soldier on the way back to his cowboy life, jumps from a moving freight train to avoid trouble . . . and lands in more than he bargained for. On the day he arrives in Foley, Texas, a local woman goes missing. Thatcher, the only stranger in town, is suspected of her abduction, and worse. Standing between him and exoneration are a corrupt mayor, a crooked sheriff, a notorious cathouse madam, a sly bootlegger, feuding moonshiners . . . and a young widow whose soft features conceal an iron will. What was supposed to be a fresh start for Laurel Plummer turns to tragedy. Left destitute but determined to dictate her own future, Laurel plunges into the lucrative regional industry, much to the dislike of the good ol’ boys, who have ruled supreme. Her success quickly makes her a target for cutthroat competitors, whose only code of law is reprisal. As violence erupts, Laurel and—now deputy—Thatcher find themselves on opposite sides of a moonshine war, where blood flows as freely as whiskey.

    Famously known in London society as "The Matchbreaker," Henrietta Cynster's uncanny skill lies in preventing ill-fated nuptials - not in falling victim to Cupid's spell.But then she disrupts one match too many and feels honor-bound to assist dashing James Glossup in finding a suitable bride for a marriage of convenience.A task infernally complicated by the undeniable, unquenchable attraction that flares between James and Henrietta, who continues to believe she will never fall...

    Leger. But her dream of happiness soon diffuses in his overpowering shadow. Anatole knows only too well the legacies that to him have been more curses than gifts. But as Madeline embarks on an odyssey both otherworldly and undeniably real, she and her husband fall hopelessly in love--until she sees a haunting vision of murder and a terrifying enemy emerges to threaten both their lives. . . .

    Brilliant. A Liability?Doctor Anna Cassidy has been trained by the best; the former Chief Surgeon for the Auckland Police Force. She knows how to dissect a body. She knows how to treat any ailment. And she knows how to find a cause of death. But society is not ready for a female surgeon.Fighting for what she believes in has been ingrained in Anna since she was a young child. But the battles she faces now are not all based on equality. A murderer stalks her fellow Suffragettes and the police inspector in charge of the case could be Anna's downfall.Experienced. Dedicated. Something to hide?Inspector Andrew Kelly holds duty and honour in the highest regard. His role as a detective proves just that; he never stops until justice is served. Love is something he has forsaken, for reasons he'd rather you didn't know.But Anna is not a woman a man can ignore.Fighting his instincts with cold determination is something Kelly has become accustomed to. But a murderer is loose in his adopted city, bringing memories to the fore of a killer who walked in the shadows of Whitechapel, and shining light on a dark past the Inspector is trying hard to forget.A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.