Their bodies were never found and those familiar with the case have always been tortured by these questions: How do you kidnap two girls? Who—or what—could have lured the two sisters away from a busy mall on a Saturday afternoon without leaving behind a single clue or witness? Now a clearly disoriented woman involved in a rush-hour hit-and-run claims to be the younger of the long-gone Bethany sisters. But her involuntary admission and subsequent attempt to stonewall investigators only deepens the mystery. Where has she been? Why has she waited so long to come forward? Could her abductor truly be a beloved Baltimore cop? There isn't a shred of evidence to support her story, and every lead she gives the police seems to be another dead end—a dying, incoherent man, a razed house, a missing grave, and a family that disintegrated long ago, torn apart not only by the crime but by the fissures the tragedy revealed in what appeared to be the perfect household. In a story that moves back and forth across the decades, there is only one person who dares to be skeptical of a woman who wants to claim the identity of one Bethany sister without revealing the fate of the other. Will he be able to discover the truth?

    The Given Day tells the story of two families—one black, one white—swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power.Beat cop Danny Coughlin, the son of one of the city's most beloved and powerful police captains, joins a burgeoning union movement and the hunt for violent radicals. Luther Laurence, on the run after a deadly confrontation with a crime boss in Tulsa, works for the Coughlin family and tries desperately to find his way home to his pregnant wife.Here, too, are some of the most influential figures of the era—Babe Ruth; Eugene O'Neill; leftist activist Jack Reed; NAACP founder W. E. B. DuBois; Mitchell Palmer, Woodrow Wilson's ruthless Red-chasing attorney general; cunning Massachusetts governor Calvin Coolidge; and an ambitious young Department of Justice lawyer named John Hoover.Coursing through some of the pivotal events of the time—including the Spanish Influenza pandemic—and culminating in the Boston Police Strike of 1919, The Given Day explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself. As Danny, Luther, and those around them struggle to define themselves in increasingly turbulent times, they gradually find family in one another and, together, ride a rising storm of hardship, deprivation, and hope that will change all their lives.

    Locals love the land's unspoiled beauty. Developers see it as a potential gold mine. When newcomer Hank Cooper learns he's been left an old friend's entire beachfront property, he finds himself with a community's destiny in his hands. Cooper has never been a man to settle in one place, and Thunder Point was supposed to be just another quick stop. But Cooper finds himself getting involved with the town. And with Sarah Dupre, a woman as complicated as she is beautiful. With the whole town watching for his next move, Cooper has to choose between his old life and a place full of new possibilities. A place that just might be home.

    In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

    Wry, profane, hilarious, and tragic, sometimes in a single line, Lush Life is his masterwork. I doubt anyone will write a novel this good for a long, long time." — Dennis Lehane"So, what do you do?" Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter… But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places--until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's version.In Lush Life, Richard Price tears the shiny veneer off the 'new' New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an X-ray of the street in the age of no broken windows and "quality of life" squads, from a writer whose "tough, gritty brand of social realism…reads like a movie in prose." — Michiko Kakutani, The New York Times.

    Mysterious, funny, insightful, and heartbreaking, these are tales of expatriates and exiles, wise children and straying saints. Together they compose a secret history, at once intimate and panoramic, of modern times.

    Now she lives in Vermont under the name Maggie Reid, in a small house with her cats and dog. She’s thankful for the new friends she’s made―though she can’t risk telling them too much. And she takes satisfaction in working as a makeup artist at the luxurious local spa, helping clients hide the visible outward signs of their weariness, illnesses, and injuries. Covering up scars is a skill she has mastered.Her only goal is to stay under the radar and make it through her remaining probation. But she isn’t the only one in this peaceful town with secrets. When a friend’s teenage son is thrust into the national spotlight, accused of hacking a powerful man’s Twitter account, Maggie is torn between pulling away and protecting herself―or stepping into the glare to be at their side. As the stunning truth behind their case is slowly revealed, Maggie’s own carefully constructed story begins to unravel as well. She knows all too well that what we need from each other in this difficult world is comfort. But to provide it, sometimes we need to travel far outside our comfort zones.

    In these ten bracingly transgressive tales, all her gifts of characterisation and observation are fully engaged, ushering concealed horrors into the light. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road on a Greek island, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.

      Cutting between clear-eyed realism and tongue-in-cheek magical realism, Chen’s stories coalesce into a portrait of a people striving for openings where mobility is limited. Twins take radically different paths: one becomes a professional gamer, the other a political activist. A woman moves to the city to work at a government call center and is followed by her violent ex-boyfriend. A man is swept into the high-risk, high-reward temptations of China’s volatile stock exchange. And a group of people sit, trapped for no reason, on a subway platform for months, waiting for official permission to leave.   With acute social insight, Te-Ping Chen layers years of experience reporting on the ground in China with incantatory prose in this taut, surprising debut, proving herself both a remarkable cultural critic and an astonishingly accomplished new literary voice.Lulu --Hotline girl --New fruit --Field notes on a marriage --Flying machine --On the street where you live --Shanghai murmur --Land of big numbers --Beautiful country --Gubeikou spirit

    A local redneck was tried, sentenced, and set to fry.Then Ward James, hotshot investigative reporter for the Miami Times, returns to his rural hometown with a death row femme fatale who promises him the story of the decade.  She's armed with explosive evidence, aiming to free--and meet--her convicted "fiancÚ."With Ward's disillusioned younger brother Jack as their driver, they barrel down Florida's back roads and seamy places in search of The Story, racing flat out into a shocking head-on collision between character and fate as truth takes a back seat to headline news...

    Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy. Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.

    As a young man, Arthur fled his small Kansas hometown, moved to Detroit, married Celia, and never looked back. But when the 1967 riots frighten him even more than his past, he convinces Celia to pack up their family and return to the road he grew up on, Bent Road, and that same small town where Eve mysteriously died. While Arthur and their oldest daughter slip easily into rural life, Celia and the two younger children struggle to fit in. Daniel, the only son, is counting on Kansas to make a man of him since Detroit damn sure didn't. Eve-ee, the youngest and small for her age, hopes that in Kansas she will finally grow. Celia grapples with loneliness and the brutality of life and death on a farm. And then a local girl disappears, catapulting the family headlong into a dead man's curve...

    The 2nd section, On His Own, includes "The Light of the World", "The Battler", "The Killers", "The Last Good Country" & "Crossing the Mississippi".The 3rd section, War, has "Night Before Landing", "Nick Sat Against the Wall", "Now I Lay Me", "A Way You'll Never Be" & "In Another Country". The 4th section, Soldier Home, has "Big Two-Hearted River", "The End of Something", "The Three-Day Blow" & "Summer People". The 5th section, Company of Two, has "Wedding Day", "On Writing", "An Alpine Idyll", "Cross-Country Snow" & "Fathers & Sons".

    Greenwood follows one woman's journey through heartbreak and loss to courage and resolve, as she searches for the truth about a missing child. Eight years ago, Tess and Jake were considered a power couple of the New York publishing world--happy, in love, planning a family. Failed fertility treatments and a heartbreaking attempt at adoption have fractured their marriage and left Tess edgy and adrift. A visit to friends in rural Vermont throws Tess's world into further chaos when she sees a young, half-dressed child in the middle of the road, who then runs into the woods like a frightened deer. The entire town begins searching for the little girl. But there are no sightings, no other witnesses, no reports of missing children. As local police and Jake point out, Tess's imagination has played her false before. And yet Tess is compelled to keep looking, not only to save the little girl she can't forget but to salvage her broken heart as well. Blending her trademark lyrical prose with a superbly crafted and suspenseful narrative, Where I Lost Her is a gripping, haunting novel from a remarkable storyteller.

    In “The Cemetery for Lost Faces,” two orphans translate their grief into taxidermy, artfully arresting the passage of time. The anchoring novella, “The Unfinished World,” unfurls a surprising love story between a free and adventurous young woman and a dashing filmmaker burdened by a mysterious family. Sparks’s stories—populated with sculptors, librarians, astronauts, and warriors—form a veritable cabinet of curiosities. Mythical, bizarre, and deeply moving, The Unfinished World and Other Stories heralds the arrival of a major writer and illuminates the search for a brief encounter with the extraordinary.