One of these was Dietrich Bonhoeffer--a pastor and author, known as much for such spiritual classics as "The Cost of Discipleship "and "Life Together," as for his 1945 execution in a concentration camp for his part in the plot to assassinate Adolf Hitler.In the first major biography of Bonhoeffer in forty years, "New York Times" best-selling author Eric Metaxas takes both strands of Bonhoeffer's life―the theologian and the spy―to tell a searing story of incredible moral courage in the face of monstrous evil. In a deeply moving narrative, Metaxas uses previously unavailable documents―including personal letters, detailed journal entries, and firsthand personal accounts―to reveal dimensions of Bonhoeffer's life and theology never before seen.In "Bonhoeffer: Pastor, Martyr, Prophet, Spy"―"A Righteous Gentile vs the Third Reich," Metaxas presents the fullest accounting of Bonhoeffer's heart-wrenching 1939 decision to leave the safe haven of America for Hitler's Germany, and using extended excerpts from love letters and coded messages written to and from Bonhoeffer's Cell 92, Metaxas tells for the first time the full story of Bonhoeffer's passionate and tragic romance.Readers will discover fresh insights and revelations about his life-changing months at the Abyssinian Baptist Church in Harlem and about his radical position on why Christians are obliged to stand up for the Jews. Metaxas also sheds new light on Bonhoeffer's reaction to Kristallnacht, his involvement in the famous Valkyrie plot and in "Operation 7," the effort to smuggle Jews into neutral Switzerland."Bonhoeffer" gives witness to one man's extraordinary faith and to the tortured fate of the nation he sought to deliver from the curse of Nazism. It brings the reader face to face with a man determined to do the will of God radically, courageously, and joyfully―even to the point of death. "Bonhoeffer" is the story of a life framed by a passion for truth and a commitment to justice on behalf of those who face implacable evil.

    Building on the critical success of Dancing Barefoot and Just A Geek, he has collected more of his own favorite stories in his third book, The Happiest Days of Our Lives. These are the stories Wil loves to tell, because they are the closest to his heart: stories about being a huge geek, passing his geeky hobbies and values along to his own children, and vividly painting what it meant to grow up in the ’70s and come of age in the ’80s as part of the video game/D&D/BBS/Star Wars figures generation.Within the pages of The Happiest Days of Our Lives, you will find:● “The Butterfly Tree”: how one Back to School night continues to shape Wil’s sense of social justice, thirty years later● “Blue Light Special”: the greatest challenge a ten year-old could face in 1982: save his allowance, or buy Star Wars figures?● “A Portrait of the Artist as a Young Geek”: why fantasy role-playing games are such an important part of Wil’s past – and his present● “The Big Goodbye”: a visit to Paramount gives Wheaton a second chance to say farewell to Star Trek . . . properly, this time● “Let Go”: a moving eulogy for a beloved friendIn all of these tales, Wheaton brings the reader into the raw heart of the story, holding nothing back, and you are invited to join him on a journey through The Happiest Days of Our Lives.

    This riveting true account of the first ever trial of an American citizen in North Korea’s highest court carries readers deep inside the world’s most secretive nation while it poignantly explores the powerful, inspiring bonds of sisterly love.

    #1 NEW YORK TIMES BESTSELLEREveryone’s favorite Idiot Girl, Laurie Notaro, is just trying to find the right fit, whether it’s in the adorable blouse that looks charming on the mannequin but leaves her in a literal bind or in her neighborhood after she’s shamefully exposed at a holiday party by delivering a low-quality rendition of “Jingle Bells.” Notaro makes misstep after riotous misstep as she shares tales of marriage and family, including stories about the dog-bark translator that deciphers Notaro’s and her husband’s own “woofs” a little too accurately, the emails from her mother with “FWD” in the subject line (“which in email code means Forecasting World Destruction”), and the dead-of-night shopping sprees and Devil Dog–devouring monkeyshines of a creature known as “Ambien Laurie.” At every turn, Notaro’s pluck and irresistible candor set the New York Times bestselling author on a journey that’s laugh-out-loud funny and utterly unforgettable.

    

    After a year of captivity, and a violent rescue that resulted in Martin's death, the world watched Gracia Burnham return home in June 2002 with a bullet wound in the leg and amazing composure.In this riveting personal account, Burnham tells the real story behind the news about their harrowing ordeal, about how it affected their relationship with each other and with God, about the terrorists who held them, about the actions of the U.S. and Philippine governments, and about how they were affected by the prayers of thousands of Christians throughout the world.

     Robert Dallek succeeds as no other biographer has done in striking a critical balance -- never shying away from JFK's weaknesses, brilliantly exploring his strengths -- as he offers up a vivid portrait of a bold, brave, complex, heroic, human Kennedy.

    After all, both authors engaged in a profoundly ambivalent excoriation of their native Ireland. And while O'Brien's sexual politics can make Joyce seem like a fusty Edwardian by comparison, both novelists got a certain amount of flack for their erotic frankness. So this latest match from the Penguin Lives series seems like a good one--and largely lives up to its promise. O'Brien makes no pretense of competing with Richard Ellmann's immense, magisterial portrait. Instead she has concocted in James Joyce something that resembles one of her own novels: a spirited, lyrical, and acerbic narrative that just happens to feature the author of Ulysses in the starring role. Having experienced the constrictions of Irish life firsthand, O'Brien is particularly good on Joyce's downwardly mobile childhood. Was his resulting hatred of his native land exaggerated? Apparently not: No one who has not lived in such straitened and hideous circumstances can understand the battering of that upbringing. All the more because they had come down in the world, a tumble from semi-gentility, servants, a nicely laid table, cut glasses, a piano, the accoutrements of middle-class life, relegated to the near slums in Mountjoy Square, the gaunt spectral mansions in which children sat like mice in the gaping doorways. The author also gives a vivid sense of her subject's devotion to his art, an altar upon which he happily sacrificed his family, health, friends, and even his eyesight. She is stubborn in her defense of Joyce's sublime irresponsibility, which she ascribes to all writers: "It is a paradox that while wrestling with the language to capture the human condition they become more callous, and cut off from the very human traits which they so glisteningly depict." O'Brien's own wrestling match in James Joyce has, to be honest, its share of pins and minor pratfalls: there are some embarrassing repetitions and punctuational oddities, and her occasional assimilation of Joyce's own language is an awkward (if heartfelt) form of homage. Still, when she sticks to her own inflections, her account of this "funnominal man" is an eminently readable and entertaining dose of Irish bitters. --James Marcus

    Each essay charts some experience or remembrance of the past through the sieve of Tony Judt s prodigious mind. His youthful love of a particular London bus route evolves into a reflection on public civility and interwar urban planning. Memories of the 1968 student riots of Paris meander through the divergent sex politics of Europe, before concluding that his generation was a revolutionary generation, but missed the revolution. A series of road trips across America lead not just to an appreciation of American history, but to an eventual acquisition of citizenship. Foods and trains and long-lost smells all compete for Judt s attention; but for us, he has forged his reflections into an elegant arc of analysis. All as simply and beautifully arranged as a Swiss chalet—a reassuring refuge deep in the mountains of memory.

    For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert's death was so extreme, that its like would not be seen again until the death of Princess Diana 136 years later.Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Rappaport offers a new perspective on this compelling historical psychodrama--the crucial final months of the prince's life and the first long, dark ten years of the Queen's retreat from public view. She draws a portrait of a queen obsessed with her living husband and - after his death - with his enduring place in history. Magnificent Obsession will also throw new light on the true nature of the prince's chronic physical condition, overturning for good the 150-year old myth that he died of typhoid fever.

    Apsley Cherry-Garrard, the youngest member of Scott's team and one of three men to make and survive the notorious Winter Journey, draws on his firsthand experiences as well as the diaries of his compatriots to create a stirring and detailed account of Scott's legendary expedition. Cherry himself would be among the search party that discovered the corpses of Scott and his men, who had long since perished from starvation and brutal cold. It is through Cherry's insightful narrative and keen descriptions that Scott and the other members of the expedition are fully memorialized.

    In the skilled hands of A. Scott Berg, this is at once Lindbergh the hero--and Lindbergh the man.Awarded the 1999 Pulitzer Prize for Biography.From one of America's most acclaimed biographers comes the definitive account of the life of one of the nation's most legendary, controversial, and enigmatic figures: aviator Charles A. Lindbergh.

    . . [A] SPLENDID MEMOIR".--The Wall Street Journal"Run, don't walk to the nearest bookstore and treat yourself to the most heartwarming, nostalgia-producing book you will have read in many a year".--Ann Landers"Entertaining . . . The story of a modest man who succeeded extravagantly by remaining mostly himself. . . . His memoir is a short course on the flow of events in the second half of this century--events the world knows more about because of Walter Cronkite's work".--The New York Times Book ReviewA MAIN SELECTION OF THE BOOK-OF THE MONTH CLUB

    Drawing on previously unpublished papers, this stunning new portrait is a story of love and heartbreak, of devotion and grief, of strength and resilience.NAMED ONE OF THE BEST BOOKS OF THE YEAR BYTHE NEW YORK TIMES - ESQUIRE - THE CHICAGO PUBLIC LIBRARY "Victoria the Queen, Julia Baird's exquisitely wrought and meticulously researched biography, brushes the dusty myth off this extraordinary monarch."--The New York Times Book Review (Editor's Choice) When Victoria was born, in 1819, the world was a very different place. Revolution would threaten many of Europe's monarchies in the coming decades. In Britain, a generation of royals had indulged their whims at the public's expense, and republican sentiment was growing. The Industrial Revolution was transforming the landscape, and the British Empire was commanding ever larger tracts of the globe. In a world where women were often powerless, during a century roiling with change, Victoria went on to rule the most powerful country on earth with a decisive hand. Fifth in line to the throne at the time of her birth, Victoria was an ordinary woman thrust into an extraordinary role. As a girl, she defied her mother's meddling and an adviser's bullying, forging an iron will of her own. As a teenage queen, she eagerly grasped the crown and relished the freedom it brought her. At twenty, she fell passionately in love with Prince Albert of Saxe-Coburg and Gotha, eventually giving birth to nine children. She loved sex and delighted in power. She was outspoken with her ministers, overstepping conventional boundaries and asserting her opinions. After the death of her adored Albert, she began a controversial, intimate relationship with her servant John Brown. She survived eight assassination attempts over the course of her lifetime. And as science, technology, and democracy were dramatically reshaping the world, Victoria was a symbol of steadfastness and security--queen of a quarter of the world's population at the height of the British Empire's reach. Drawing on sources that include fresh revelations about Victoria's relationship with John Brown, Julia Baird brings vividly to life the fascinating story of a woman who struggled with so many of the things we do today: balancing work and family, raising children, navigating marital strife, losing parents, combating anxiety and self-doubt, finding an identity, searching for meaning.

    In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films--Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre--most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.