His self-seeking heroes tend to be forty; his heroines are asleep, seductive, longing, or reproachful. None of these characters is innocent, and all are looking vainly for the road back to an imagined Paradise. Pain and comedy closely coexist in this mainly domestic world of the 1970s, where life is indistinguishable from a television commercial (but what is it advertising?) and every morning’s paper brings news of lost Atlantises.

    Like Hepworth Dixon herself, the novel's heroine Mary Erle is a woman writer struggling to make her living as a journalist in the 1880s. Forced by her father's sudden death to support herself, Mary Erle turns to writing three-penny-a-line fiction, works that (as her editor insists) must have a ball in the first volume, a picnic and a parting in the second, and an opportune death in the third.This Broadview edition's rich selection of historical documents helps to contextualize The Story of a Modern Woman in relation to contemporary debates about the "New Woman."

    From our suburban streets that still trace out the boundaries of long vanished farms to the Norfolk Broads, formed when medieval peat pits flooded, from the ceremonial landscapes of Stonehenge to the spread of the railways - evidence of how man's effect on Britain is everywhere. In "The Making of the British Landscape", eminent historian, archaeologist and farmer, Francis Pryor explains how to read these clues to understand the fascinating history of our land and of how people have lived on it throughout time. Covering both the urban and rural and packed with pictures, maps and drawings showing everything from how we can still pick out Bronze Age fields on Bodmin Moor to how the Industrial Revolution really changed our landscape, this book makes us look afresh at our surroundings and really see them for the first time.

    Newly revised and expanded, it remains the only book to chronicle the history of both tattooed women and women tattooists. As the primary reference source on the subject, it contains information from the original edition, including documentation of:•Nineteeth-century sideshow attractions who created fantastic abduction tales in which they claimed to have been forcibly tattooed.•Victorian society women who wore tattoos as custom couture, including Winston Churchill's mother, who wore a serpent on her wrist.•Maud Wagner, the first known woman tattooist, who in 1904 traded a date with her tattooist husband-to-be for an apprenticeship.•The parallel rise of tattooing and cosmetic surgery during the 80s when women tattooists became soul doctors to a nation afflicted with body anxieties.•Breast cancer survivors of the 90s who tattoo their mastectomy scars as an alternative to reconstructive surgery or prosthetics.The book contains 50 new photos and FULL COLOR images throughout including newly discovered work by Britain's first female tattooist, Jessie Knight; Janis Joplin's wrist tattoo; and tattooed pastor Nadia Bolz-Weber. In addition, the updated 3rd edition boasts a sleek design and new chapters documenting recent changes to the timeline of female tattooing, including a section on: celebrity tattoo artist Kat Von D, the most famous tattooist, male or female, in the world; the impact of reality shows on women's tattoo culture; and, therapeutic uses of tattooing for women leaving gangs, prisons, or situations of domestic abuse. As of 2012, tattooed women outnumber men for the first time in American history, making Bodies of Subversion more relevant than ever."In Bodies of Subversion, Margot Mifflin insightfully chronicles the saga of skin as signage. Through compelling anecdotes and cleverly astute analysis, she shows and tells us new histories about women, tattoos, public pictures, and private parts. It's an indelible account of an indelible piece of cultural history."—Barbara Kruger, artist

    Although the core of the work discusses the location of research material and the research process itself, significant attention is paid to the topic of writing history once the sources are arrayed before you. Annotation c. Book News, Inc., Portland, OR

    Sent into Nazi-occupied Europe by the United States’ Office of Strategic Services (OSS) and Britain’s Special Operations Executive (SOE), these women helped establish a web of resistance groups across the continent. Their heroism, initiative, and resourcefulness contributed to the Allied breakout of the Normandy beachheads and even infiltrated Nazi Germany at the height of the war, into the very heart of Hitler’s citadel—Berlin. Young and daring, the female agents accepted that they could be captured, tortured, or killed, but others were always readied to take their place. Women of enormous cunning and strength of will, the Shadow Warriors’ stories have remained largely untold until now.

    Or, more difficult yet, imagine an America unaffected by the cultural expressions and forms of the twentieth-century social movements that have shaped our nation. The first broad overview of social movements and the distinctive cultural forms that express and helped shape them, The Art of Protest shows the vital importance of these movements to American culture. In comparative accounts of movements beginning with the African American civil rights movement of the 1950s and 1960s and running through the Internet-driven movement for global justice ("Will the revolution be cybercast?") of the twenty-first century, T. V. Reed enriches our understanding of protest and its cultural expression. Reed explores the street drama of the Black Panthers, the revolutionary murals of the Chicano movement, the American Indian Movement's use of film and video, rock music and the struggles against famine and apartheid, ACT UP's use of visual art in the campaign against AIDS, and the literature of environmental justice. Throughout, Reed employs the concept of culture in three interrelated ways: by examining social movements as sub- or countercultures; by looking at poetry, painting, music, murals, film, and fiction in and around social movements; and by considering the ways in which the cultural texts generated by resistance movements have reshaped the contours of the wider American culture. The United States is a nation that began with a protest. Through the kaleidoscopic lens of artistic and cultural expression, Reed reveals how activism continues to remake our world.

    "Good" girls endured—and wondered what they were missing.Then along came "J" and suddenly  everything was different. She opened the eyes—and minds—of millions of American women with her explicit step-by-step account of her pursuit of the ultimate in sexual pleasure.Now here's the book that has set off fireworks in bedrooms across  America, the book that will teach every woman how to free her body, train her senses, and tap her own hidden erotic resources.The book designed to make you the woman every man yearns to make love to—the woman you yearn to be.

    Conceived in Jamaica and possibly mixed-race, Elizabeth Marsh (1735-1785) traveled farther and was more intimately affected by developments across the globe than the vast majority of men. She was the first woman to publish in English on Morocco, and the first to carry out extensive explorations in eastern and southern India. A creature of multiple frontiers, she spent time in London, Menorca, Rio de Janeiro, and the Cape of Africa. She speculated in Florida land, was caught up in the French and Indian War, linked to voyages to the Pacific, and enmeshed as victim or owner in three different systems of slavery. She was also crucially part of far larger histories. Marsh's experiences would have been impossible without her links to the Royal Navy, the East India Company, imperial warfare, and widening international trade. To this extent, her career illumines shifting patterns of Western power and overseas aggression. Yet the unprecedented expansion of connections across continents occurring during her lifetime also ensured that her ideas and personal relationships were shaped repeatedly by events and people beyond Europe: by runaway African slaves; Indian weavers and astronomers; Sephardi Jewish traders; and the great Moroccan sultan, Sidi Muhammad, who schemed to entrap her. Many biographies remain constrained by a national framework, while global histories are often impersonal. By contrast, in this dazzling and original book, Linda Colley moves repeatedly and questioningly between vast geopolitical transformations and the intricate detail of individual lives. This is a global biography for our globalizing times.

    In the Oxford Companion to World Mythology, David Leeming explores the role of mythology, or myth-logic, in history and determines that the dreams of specific cultures add up to a larger collective story of humanity. Stopping short of attempting to be all-inclusive, this fascinating volume will nonetheless be comprehensive, opening with an introduction exploring the nature and dimensions of myth and proposing a definition as a universal language. Briefly dipping into the ways our understanding of myth has changed from Aristotle and Plato to modern scholars such as Joseph Campbell, the introduction loosely places the concept in its present context and precedes articles on influential mythologists and mythological approaches that appear later in the Companion.The main body of Leeming's work consists of A-Z entries covering all aspects of mythology, including substantial essays on the world's major mythological traditions (Greek, Native American, Indian, Japanese, Sumerian, Egyptian), mythological types and motifs (Descent to the Underworld, the Hero, the Trickster, Creation, the Quest), mythological figures (Odysseus, Zeus, Osiris, Spider Woman, and Inanna) as well as numerous interrelated subjects such as fairly tales and legends. The Companion also locates myth in our lives today, relating it to language patterns, psychology, religion, politics, art, and gender attitudes. Many of the better-known and more significant myths are vividly retold in this volume that will be illustrated with maps, more than 70 black and white images, and eight pages of color highlighting the central role art has often played in the transmission and perpetuation of myth. Following the entries, a rich section of appendices will include family trees of the major pantheons, equivalency charts for the gods of Greece and Rome, Babylon and Sumer, as well as other traditions, an extensive bibliography, and an index.

    Using diaries, letters, travel notes, and the evidence of Flaubert’s traveling companion, Maxime Du Camp, Francis Steegmuller reconstructs his journey through the bazaars and brothels of Cairo and down the Nile to the Red Sea.

    Tribute to Freud offers a rare glimpse into the consulting room of the father of psychoanalysis. It may also be the most intimate of H.D.'s works.Compelled by historical as well as personal crises, the poet worked with Freud during 1933-34. The streets of Vienna were littered with tokens dropped like confetti on the city, stating "Hitler gives work." "Hitler gives bread." Having endured World War I, she was now gathering her resources to face the second cataclysm she knew was approaching. In analysis, Hilda Doolittle explored her Pennsylvania childhood, her relationship with Ezra Pound (inventory of her nom de plume H.D.), Havelock Ellis, D.H. Lawrence, her ex-husband Richard Aldington, and subsequent companion Winifred Ellerman ("Bryher"), as well as her own creative processes.Freud, regarding H.D. as a student as well as a patient, wads hardly the detached presence one might imagine. Revealed here in the poet's words and in his own letters, which comprise an appendix, is the considerate friend, the charming Viennese gentleman—art collector, dog lover, wit—and the pioneer, always revising his ideas and possessed of an insight that could be terrifying in its force.

    We tend to see the Second World War as a man's war, featuring Spitfire crews and brave deeds on the Normandy beaches. But in conditions of "Total War" millions of women - in the Services and on the Home Front - demonstrated that they were cleverer, more broad-minded and altogether more complex than anyone had ever guessed. Millions Like Us tells the story of how these women loved, suffered, laughed, grieved and dared; how they re-made their world in peacetime. And how they would never be the same again ... 'Vividly entertaining, uplifting and humbling, Millions Like Us deserves to be a bestseller' Bel Mooney, The Daily Mail 'Passionate, fascinating, profoundly sympathetic' Artemis Cooper, Evening Standard Virginia Nicholson was born in Newcastle-upon-Tyne and grew up in Yorkshire and Sussex. She studied at Cambridge University and lived abroad in France and Italy, then worked as a documentary researcher for BBC Television. Her books include the acclaimed social history Among the Bohemians - Experiments in Living 1900-1939, and Singled Out - How Two Million Women Survived Without Men after the First World War, both published by Penguin in 2002 and 2007. She is married to a writer, has three children and lives in Sussex.

    In The Women Who Lived for Danger, acclaimed historian Marcus Binney recounts the story of ten remarkable women who were dropped in occupied territories to work as secret agents.Once they were behind enemy lines, theirs was the most dangerous war of all, as they led apparently normal civilian lives while in constant danger of arrest. They organized dropping grounds for arms and explosives destined for the Resistance, helped operate escape lines for airmen who had been shot down over Europe, and provided Allied Command with vital intelligence. SOE women agents came from all walks of life: from the dazzling Polish Countess Krystyna Skarbek (alias Christine Granville) and the American Virginia Hall, who was from a rich Baltimore family, to Marguerite Knight, a secretary in Walthamstow. Petite Lisa de Baissac lived next to Gestapo headquarters in Poitiers playing the part of a quiet widow, while twenty-year-old student Paola Del Din was sent to find a way through the German front line in Florence. Hot-tempered Paddy O'Sullivan deflected a German officer from examining her suitcase by making a date with him, and Alix d'Unienville feigned madness when captured.The stories of these women agents -- some famous, some virtually unknown -- are told with the help of extensive new archive material. Their exploits form a new chapter of heroism in the history of warfare matched only by their determination, resourcefulness, and ability to stay cool in the face of extreme danger.

    It covers a broad range of fictional narratives, from Richardson’s Clarissa, Dostoyevski’s Crime and Punishment, and Austen’s Pride and Prejudice to Woolf’s Mrs. Dalloway, Nabokov’s Lolita, and Hammett’s The Maltese Falcon. Zunshine’s surprising new interpretations of well-known literary texts and popular cultural representations constantly prod her readers to rethink their own interest in fictional narrative. Written for a general audience, this study provides a jargon-free introduction to the rapidly growing interdisciplinary field known as cognitive approaches to literature and culture.