Desperate for a fresh start, Quinn is eager to escape to her aunt's house on the New Jersey shore for the summer…away from teenage drama and having to answer everyone's questions about "what comes next" after high school.Quinn can't bear to focus on the future. She doesn't even think she deserves one—not after her best friend died in a car accident that Quinn feels responsible for. But when Quinn meets Malcolm, a musician who has been trying to escape his own demons, she starts to believe in second chances.

    But after her best friend betrays her, even her perfectly curated playlists can't help her forget what happened. To make matters worse, her parents have dragged her and her social-media-obsessed sister to a remote family camp for two months of "fun." Just when Avery is ready to give up on the summer altogether, she meets Brooks—mysterious, frustratingly charming Brooks—who just happens to be on staff—which means he's off-limits.What starts as a disaster turns into . . . something else. As the outside world falls away, Avery embarks on a journey of self-discovery. And when Brooks offers her the chance of a lifetime, she must figure out how far is she willing to go to find out what she wants and who she wants to be.Fan favorite Kasie West is back with another unforgettable summer romance that reminds us falling in love is full of wonder, heartache, and—most of all—surprises.

    Torn between their mother's world of genteel respectability and their grandfather's and uncle's world of cowboy masculinity, neither Molly nor Ralph can find an acceptable adult role to aspire to. As events move to their swift and inevitable conclusion, Stafford uncovers and indicts the social forces that require boys to sacrifice the feminine in order to become men and doom intelligent girls who aren't pretty.

    who becomes the sole survivor of a family tragedy. With her strict African American grandmother as her new guardian, Rachel moves to a mostly black community, where her light brown skin, blue eyes, and beauty bring mixed attention her way. Growing up in the 1980s, she learns to swallow her overwhelming grief and confronts her identity as a biracial young woman in a world that wants to see her as either black or white. In the tradition of Jamaica Kincaid's Annie John and Toni Morrison's The Bluest Eye, here is a portrait of a young girl - and society's ideas of race, class, and beauty.

    As formative events go, nothing else comes close. With these words Edgar Mint, half-Apache and mostly orphaned, makes his unshakable claim on our attention. In the course of Brady Udall’s high-spirited, inexhaustibly inventive novel, Edgar survives not just this bizarre accident, but a hellish boarding school for Native American orphans, a well-meaning but wildly dysfunctional Mormon foster-family, and the loss of most of the illusions that are supposed to make life bearable. What persists is Edgar’s innate goodness, his belief in the redeeming power of language, and his determination to find and forgive the man who almost killed him. The Miracle Life of Edgar Mint is a miracle of storytelling, bursting with heartache and hilarity and inhabited by characters as outsized as the landscape of the American West.

    As a cartographer’s daughter, she’s equipped with elaborate ink maps and knowledge of the stars, and is eager to navigate the island’s forgotten heart.But the world beyond the walls is a monster-filled wasteland – and beneath the dry rivers and smoking mountains, a legendary fire demon is stirring from its sleep. Soon, following her map, her heart and an ancient myth, Isabella discovers the true end of her journey: to save the island itself.

    She is to be a student at Temple School -- banished because her features too closely resemble those of her mother's married employer. The headmistress of this all-girl school, Sophia Westervelt, has a mysterious past and a passion for education. She instills achievement into her students, confident that one day they will have dinner with the King of Sweden, because they will win the Nobel Prize. Under Sophia's direction, Waverley grows as her own abilities and vision expand. But far away in Europe, nations clash, and even isolated Isadora Island feels the impact. Sophia struggles to keep Temple School going, though formidable forces combine against her. And in the midst of this turmoil, Waverley experiences love for the first time -- a love so fierce that, like her education, it will shape the rest of her life.

    EVERY OTHER WEEKEND drops us into the sun-scorched suburbs of southern California, amid Bret Michaels mania and Cold War hysteria, with Nenny, a wildly precocious, nervous nelly of an eight-year-old, as our guide to the newly rearranged life she finds herself leading after her parents split. Nenny and her mother and two brothers have just moved in with her new stepfather and his two kids. Her old life replaced by this new configuration, Nenny's natural anxieties intensify, and both real and imagined dangers entwine: earthquakes and home invasions, ghosts of her stepfather's days in Vietnam, Gorbachev knocking down the door of her third grade class and recruiting them all into the Red Army. Knock-kneed and a little stormy-eyed, she is far too small for the thoughts that haunt her, yet her fears are not entirely unfounded. Indeed, tragedy does come, but it comes at her sideways, in a way she never had imagined.With an irresistible voice, Summerfield has managed to tap the very truth of what it is to have been a child of her generation, bottle it, and serve it up in devastating, hilarious, heartfelt doses. EVERY OTHER WEEKEND beautifully and unsettlingly captures the terrible wisdom that children often possess, as well as the surprising ways in which families fracture and reform.

    If she flicks the bedroom light switch five times, maybe her new L.A. school won’t suck. But that doesn’t feel right, so she flicks the switch again. And again. Ten more flicks of the switch and maybe her new step family will accept her. Twenty-five more flicks and maybe she won’t cause any more of her loved ones to die. Fifty times more and then she can finally go to sleep.Kyler Benton witnesses this pattern of lights from the safety of his treehouse in the yard next door. It is only there, hidden from the unwanted stares of his peers, that Kyler can fill his notebooks with lyrics that reveal the true scars of the boy behind the oversized hoodies and caustic humor. But Kyler finds that descriptions of blonde hair, sad eyes, and tapping fingers are beginning to fill the pages of his notebooks. Lennon, the lonely girl next door his father has warned him about, infiltrates his mind. Even though he has enough to deal with without Lennon’s rumored tragic past in his life, Kyler can’t help but want to know the truth about his new muse.

    When she meets mysterious, handsome Jaewoo in her uncle’s Los Angeles karaoke bar, it’s clear he’s the kind of boy who would uproot her careful plans. But in a moment of spontaneity, she allows him to pull her out of her comfort zone for one unforgettable night of adventure…before he disappears without a word.Three months later, when Jenny and her mother arrive in South Korea to take care of her ailing grandmother, she’s shocked to discover that Jaewoo is a student at the same elite arts academy where she’s enrolled for the semester. And he’s not just any student. He’s a member of one of the biggest K-pop bands in the world—and he’s strictly forbidden from dating.When a relationship means throwing Jenny’s life off the path she’s spent years mapping out, she’ll have to decide once and for all just how much she’s willing to risk for love.

    In Bookforum, James Greer called it ambitious in a way few works of fiction are. This summer it is being republished in an all-new Harper Perennial trade paperback, significantly revised by the author, and including an extensive P.S. section including never before published outtakes, an interview with the author, and a new essay by Zambreno.Zambreno's heroine, Ruth, is a young American in London, kin to Jean Seberg gamines and contemporary celebutantes, by day spritzing perfume at the department store she calls Horrids, by night trying desperately to navigate a world colored by the unwanted gaze of others and the uncertainty of her own self-regard. Ruth, the green girl, joins the canon of young people existing in that important, frightening, and exhilarating period of drift and anxiety between youth and adulthood, and her story is told through the eyes of one of the most surprising and unforgettable narrators in recent fiction—a voice at once distanced and maternal, indulgent yet blackly funny. And the result is a piercing yet humane meditation on alienation, consumerism, the city, self-awareness, and desire, by a novelist who has been compared with Jean Rhys, Virginia Woolf, and Elfriede Jelinek.

    While the world outside saw them as neighbors and friends, to each other the three formed a family unit—two brothers and a sister—not drawn from blood, but drawn from a deep need to fill a void in their single parent households. Theirs was a relationship of communication without speaking, of understanding without judgment, of intimacy without rules and limits.But as the three of them mature and emotions become more complex, Ida and Jackson find themselves more than just siblings. When Jackson’s somnambulism produces violent outbursts and James is hospitalized, Ida is paralyzed by the events that threaten to shatter her family and put it beyond her reach. Kathleen Alcott’s striking debut, The Dangers of Proximal Alphabets, is an emotional, deeply layered love story that explores the dynamics of family when it defies bloodlines and societal conventions.

    Art school is her ticket out and she’s already been accepted to her first choice, MICA. All she has to do is survive her senior year, not get too drunk at parties, and be there for her little sister, Emma. Sure, she’s usually battling a hangover when she drives to pick Emma up, but she has everything under control. Until he returns.When her mom’s ex-boyfriend slithers his way back into her family, it’s all Skye can do to keep the walls of her world from crumbling. Her family has no idea Skye has been guarding a dark secret about her past–about him–and she never thought she would have to face him again. She knows she has to get away from him at all costs. But how can she abandon Emma? Skye’s heart is torn between escaping the man who hurt her years ago and protecting her loved ones from the monster in their midst. Running away from her fears isn’t an option. To save her sister–and herself–she’ll have to break all the rules.

    One of seven children, Emma used to be the invisible kid, but now it seems everyone is watching her. And just as she's about to start high school and try to recover her friendships and former life, one of her classmates is found dead in an apparent suicide. Fifteen and blind, Emma has to untangle what happened and why - in order to see for herself what makes life worth living.Unflinching in its portrayal of Emma's darkest days, yet full of hope and humor, Rachel DeWoskin's brilliant Blind is one of those rare books that utterly absorbs the listener into the life and experience of another.

    The Wild Things — based very loosely on the storybook by Maurice Sendak and the screenplay cowritten with Spike Jonze — is about the confusions of a boy, Max, making his way in a world he can’t control.