The book, which Sullivan calls The Statistical Probability of Love at First Sight meets Bridesmaids, is a dual narrative novel by authors who dated when they were in high school, about a boy and girl who must navigate social misunderstandings, the plotting of well-meaning friends, and their own fears about being virgins forever. It's slated for summer 2016; Allison Hellegers of Rights People brokered the deal on behalf of Barry Cunningham and Elinor Bagenal at Chicken House in the U.K.

    it's liquid gold.When socialite Lexi Volkov almost overdoses, she thinks she's hit rock bottom.She's wrong. Rock bottom is when she's forced into an exclusive rehab facility.From there, the only way is up for Lexi and her fellow inmates, including the mysterious Brady.As she faces her demons, Lexi realises love is the most powerful drug of all ... It's a dirty business getting clean ...

    At this point, what Stella needs to control most is keeping herself away from anyone or anything that might pass along an infection and jeopardize the possibility of a lung transplant. Six feet apart. No exceptions.The only thing Will Newman wants to be in control of is getting out of this hospital. He couldn’t care less about his treatments, or a fancy new clinical drug trial. Soon, he’ll turn eighteen and then he’ll be able to unplug all these machines and actually go see the world, not just its hospitals.Will’s exactly what Stella needs to stay away from. If he so much as breathes on Stella she could lose her spot on the transplant list. Either one of them could die. The only way to stay alive is to stay apart. But suddenly six feet doesn’t feel like safety. It feels like punishment.What if they could steal back just a little bit of the space their broken lungs have stolen from them? Would five feet apart really be so dangerous if it stops their hearts from breaking too?

    But a secret Jason has been keeping from his sister threatens to tear the siblings apart…right when they need each other most. Scott is waiting to hear about his girlfriend, Aimee, who was on a bus with her theater group when the bridge went down. Their relationship has been rocky, but Scott knows that if he can just see Aimee one more time, if she can just make it through this ordeal and he can tell her he loves her, everything will be all right. And then there’s Skyler, whose sister Kate—the sister who is more like a mother, the sister who is basically Skyler’s everything—was crossing the bridge when it collapsed. As the minutes tick by without a word from the hospital staff, Skyler is left to wonder how she can possibly move through life without the one person who makes her feel strong when she’s at her weakest.

    Eleven-year-old Fin and his glamorous, worldly, older half sister, Lady, have just been orphaned, and Lady, whom Fin hasn’t seen in six years, is now his legal guardian and his only hope. That means Fin is uprooted from a small dairy farm in rural Connecticut to Greenwich Village, smack in the middle of the swinging ’60s. He soon learns that Lady—giddy, careless, urgent, and obsessed with being free—is as much his responsibility as he is hers.Fin and Lady lead their lives against the background of the ’60s, the civil rights movement, and the Vietnam War—Lady pursued by ardent, dogged suitors, Fin determined to protect his impulsive sister from them and from herself.

    Cat, inexperienced and desperate for connection, is quickly lured into Marlena’s orbit by little more than an arched eyebrow and a shake of white-blond hair. As the two girls turn the untamed landscape of their desolate small town into a kind of playground, Cat catalogues a litany of firsts—first drink, first cigarette, first kiss—while Marlena’s habits harden and calcify. Within the year, Marlena is dead, drowned in six inches of icy water in the woods nearby. Now, decades later, when a ghost from that pivotal year surfaces unexpectedly, Cat must try to forgive herself and move on, even as the memory of Marlena keeps her tangled in the past. Alive with an urgent, unshakable tenderness, Julie Buntin’s Marlena is an unforgettable look at the people who shape us beyond reason and the ways it might be possible to pull oneself back from the brink.

    Molly's band, The Hormones, was just supposed to be about mucking around with her best mates, Jane and Tara, and having fun. But when the deliciously dangerous Dean and his friend T join the band, things start happening fast. Soon The Hormones are front-page news, and their debut album is rocketing up the charts. Molly is the force behind the band, but the hazards of fame, first love, screaming fans, and sleazy managers are forcing the newly crowned teen queen of grrl angst close to the edge. Fame never comes for free, and Molly's about to find out what it costs.

    So she convinces her best friend, Harvey, to help her with a crazy bucket list that's as much about revenge as it is about hope.But just when Alice's scores are settled, she goes into remission, and now she must face the consequences of all she's said and done.

    There are parties in abandoned houses. Canoe races down Main Street. The goal is to make the most of every minute they still have together.And for Keeley, that means taking one last shot at the boy she’s loved forever.There’s a weird sort of bravery that comes from knowing there’s nothing left to lose. You might do things you normally wouldn’t. Or say things you shouldn’t. The reward almost always outweighs the risk.Almost.It’s the end of Aberdeen, but the beginning of Keeley’s first love story. It just might not turn out the way she thought. Because it’s not always clear what’s worth fighting for and what you should let become a memory.

    When you are a politician’s daughter who’s pretty much raised yourself, you learn everything can be planned or spun, or both. Especially your future. Important internship? Check. Amazing friends? Check. Guys? Check (as long as we’re talking no more than three weeks).But that was before the scandal. Before having to be in the same house with her dad. Before walking an insane number of dogs. That was before Clark and those few months that might change her whole life. Because here’s the thing—if everything’s planned out, you can never find the unexpected. And where’s the fun in that?

    Until he meets Curt MacCrae, an emaciated, semi-homeless, high school dropout guitar genius, the stuff of which Lower East Side punk rock legends are made. Never mind that Troy's dad thinks Curt's a drug addict and Troy's brother thinks Troy's the biggest (literally) loser in Manhattan. Soon, Curt has recruited Troy as his new drummer, even though Troy can't play the drums. Together, Curt and Troy will change the world of punk, and Troy's own life, forever.

    But Eldon wouldn’t want to live anywhere else, because in Madison, everyone gets one wish—and that wish always comes true.Some people wish for money, some people wish for love, but Eldon has seen how wishes have broken the people around him. And with the lives of his family and friends in chaos, he’s left with more questions than answers. Can he make their lives better? How can he be happy if the people around him aren’t? And what hope is there for any of them if happiness isn’t an achievable dream? Doubts build, leading Eldon to a more outlandish and scary thought: maybe you can’t wish for happiness…maybe, just maybe, you have to make it for yourself.

    Relationships will change, he’ll change, but maybe, just maybe, he’ll find freedom in the release.Time is running out though, because way across town a ghost as risen from the lake. Searching, yearning, she leaves a trail of destruction in her wake…

    Dara is the fearless one, Aubrey the prodigy, yet despite their differences they support each other unconditionally. However, as they begin their sophomore year of high school, cracks in their friendship begin to form, testing the bond they always thought was unbreakable.After: It’s been fifteen months since the accident that killed Aubrey, and not a day goes by that Dara isn’t racked with guilt over her role in her best friend’s death. Now, after spending a year away from home in order to escape the constant reminders of what happened, Dara is back at her old high school to start her senior year. Dara thought the worst thing about coming home would be confronting the memories of Aubrey that relentlessly haunt her, but she soon realizes it’s not half as difficult as seeing Ethan, Aubrey’s brother, every day. Not just because he’s a walking reminder of what she did, but because the more her feelings for him change, the more she knows she’s betraying her best friend one final time.

    Fleeing the crooks at Pencey Prep, he pinballs around New York City seeking solace in fleeting encounters - shooting the bull with strangers in dive hotels, wandering alone round Central Park, getting beaten up by pimps and cut down by erstwhile girlfriends. The city is beautiful and terrible, in all its neon loneliness and seedy glamour, its mingled sense of possibility and emptiness. Holden passes through it like a ghost, thinking always of his kid sister Phoebe, the only person who really understands him, and his determination to escape the phonies and find a life of true meaning.The Catcher in the Rye is an all-time classic in coming-of-age literature- an elegy to teenage alienation, capturing the deeply human need for connection and the bewildering sense of loss as we leave childhood behind.J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.